House on Mango Street: Four Skinny Trees

Topics: Sandra Cisneros, Emotions, English-language films Pages: 2 (539 words) Published: April 17, 2010
The Trees of Hope and Courage
In The House on Mango Street, the author Sandra Cisneros takes you into a completely different world through the eyes of a young, insecure Esperanza growing up in a poor section of Chicago. A vignette that especially stood out was “Four Skinny Trees”. In this vignette Esperanza is describing four skinny trees that are overlooked and underappreciated. Cisneros uses powerful personification techniques that not only create vivid images but trigger intense reactions. Her words trigger despair and hope, fear and courage, strength and weakness. Esperanza is connected to these trees on an emotional level because what she is imagining in these trees is what she sees in herself. The trees served as emotional guides teaching Esperanza to have confidence. Cisneros projects Esperanza’s emotions onto these four skinny trees though powerful personification techniques. Esperanza sees a distinct parallel between her life and the trees. Esperanza feels as if, “They are the only ones who understand me. I am the only one who understands them” (74). Esperanza sees herself in these trees, “…with skinny necks and pointy elbows like mine” (74). She sees these scrawny trees trapped in the concrete of Mango Street and can relate because she too is stuck in the concrete of Mango Street. Esperanza sees a parallel between her and the trees and imagines these trees with souls and emotions that reflect her own. She perceives the trees as full of anger, “They grow up and they grow down and grab the earth between their hairy toes and bite the sky with violent teeth and never quite their anger” (74). It is apparent that these trees aren’t really angry but that Esperanza is embedding her hidden rage into these trees. Cisneros vivid personification makes the trees strong symbols of Esperanza’s emotions, her anger, fear, inconsequence and also her hope, courage and importance. These trees are misplaced and misunderstood but yet they keep on...
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