According to Patrick Ness, “It’s not how you fall, it’s how you get back up again”. In other words, life is full of obstacles and hardships. But what is most important is to persevere, and I defiantly agree with this statement. Two literary works that support this statement are “Mother to Son” by Langston Hughes, and The House on Mango Street by Sandra Cisneros.…
There are many themes that are important to the story in The House On Mango Street. Alienation and initiation are two themes that I found myself coming across repeatedly. Both of these themes are central in Esperanza’s story. Esperanza is someone who is torn between two different cultures, those being her Mexican heritage and her life in Chicago. In The House on Mango Street we watch as Esperanza struggles to grow up in a place where it is difficult to connect with both her life at home and integrate into the culture she is currently living in.…
Esperanza, the main protagonist of The House on Mango Street, expresses respect,admiration, and love for trees throughout The House on Mango Street, and her affection emanates from identification with their appearance, liveliness, and self-rule. In the chapter “Four Skinny Trees,” Esperanza characterizes the trees in front yard, saying she and the trees understand each other, even that the trees help teach her things. She relates to trees because like herself, they don’t seem to belong in the neighborhood of Mango Street and because they live despite the concrete that tries to keep them in the ground. Esperanza thinks that she doesn’t seem to belong, and she plans to live life despite the obstacles created by her poor neighborhood. Esperanza…
In the book, House on Mango Street by Sandra Cisneros, Esperanza the main character faces a lot of conflicts throughout the book. However, I think the one that caused the greatest change in her was the external conflict of what society and men expect of her and other woman. She found out that love was nothing like she thought it would be, and that woman are thought of as objects and not people.…
In the chapter "My name," she tells us that her grandmother had the same name, and that she admires her grandmother because she was " a wild horse of a woman," like her Grandmother Esperanza was born in the year of the horse, and that signifies strength. Esperanza feels that she will grow up to be a strong woman, and she is determined to leave Mango Street and lead her own life. Cisneros lets us know that as much as Esperanza admires her grandmother she is determined not to "inherit her place by the window." By repeatedly connecting the window image to the trapped women on Mango Street, Cisneros depicts a row of third-floor apartments as jail cells. Some of the women are stuck in these cells because of their husbands, but Esperanza implies that some of them could do more to change their…
In my essay I am going to write about the Mexican gender based prejudices and stereotypes which affect the women of Esperanza’s neighborhood in Sandra Cisneros’s novel The House on Mango Street. I would like to point out the lives of the main women characters and their dealing with the prejudices in everyday occasions. Futhermore, I want to talk about Esperanza and her attitude towards the surrounding situation and also mention the historical background of the problem. From my point of view, the fact that the women come from the Mexican community has essentially influenced their lives. It has actually predetermined them in a way that the women are not able to set free for the rest of their lives.…
Through the use of symbolism, Cisneros is able to portray how Esperanza is feeling restricted to a certain destiny as a female. For example, Cisneros uses windows to symbolize the confinement of a person. In the vignette Rafaela Who Drinks Coconut & Papaya Juice on Tuesdays, Esperanza notices Rafaela, “lean[ing] out the window and lean[ing] on her elbow and dream[ing] her hair is like Rapunzel’s” (79). Windows are a symbol of being trapped as Rafaela can only see the world through a window, and does not get to experience the outside world. Rafaela is trapped and powerless and is locked inside by her husband. Only viewing the world from the inside, she desires to be able to dance and have fun while she is still young. Another instance of this occurs in Linoleum Roses where windows continue to symbolize confinement. Sally, who has married at a very young age, is not allowed to look outside through the window, which is the only way to connect with the outside while being locked inside. In addition to windows, Cisneros uses the symbol of a ball and chain to define being repressed by men. Seeing the women around her, Esperanza soon realizes that being a woman, she will have the same destiny as anyone else, being a woman tamed by male figures. In Beautiful & Cruel, Esperanza declares, “I have decided not to grow up tame like the others who lay…
In the “House On Mango Street” Esperanza takes on lots of challenges through her life and during the coming of age moments. Over time in “Mango Says Goodbye…
In Sandra Cisneros book, The House On Mango Street , the theme is of how…
The tree is described as an amazing figure visible to everyone all over the village and its’ presence is felt by all who inhabit it. The old man stresses continually the importance of the tree by recounting the many strangers’ visits in which the tree had been endangered of being cut down and the villagers had battled against the foreign influences.…
In the novel, The House on Mango Street by Sandra Cisneros, a young confused girl has trouble finding herself as she grows up in the Latino section of Chicago. Esperanza and her family move to a small, crumbling red house in a poor urban neighborhood. Determined, she decides that someday she will leave and move somewhere else and totally forget everything about Mango Street. Throughout the novel, Esperanza significantly matures sexually and emotionally. The many stories of her neighbors gives a full image of what Mango Street is like and showing the many possible paths Esperanza may follow in the near future. However towards the end, she begins to write as a way of expressing herself and as a way to escape the neighborhood. When Esperanza finds herself emotionally ready to leave her neighborhood, she discovers that she will never fully be able to leave Mango Street behind, and decides she will return to help the others she has left. Major themes are presented right away at the beginning of the novel. Three of the most prominent themes introduced in the first chapters are struggling to find true identity, the unfairness of gender roles, and society and class.…
W.G. Sebald said, "I think that fiction writing which does not acknowledge the uncertainty of the narrator himself is a form of imposture which I find very, very difficult to take. Any form of authorial writing where the narrator sets himself up as a stagehand and director and judge and executor in a text, I find somehow unacceptable." This relates to The House on Mango Street in a sense that Cisneros' writing is acceptable because she let's Esperanza tell the story, only clueing in a few times. There are times where she tries to sound childish, but it is clearly stated. In Sandra Cisneros' The House on Mango Street, Esperanza depicts her uncertainty through metaphors, imagery, and diction.…
The work of fiction House on Mango Street is written by Sandra Cisneros. It shows the dreams of Esperanza, a little girl who lives on Mango Street, an impoverished area of Chicago. She likes writing and wants to be an author. Both Alicia and Esperanza view education and writing as a pathway to better life. Through these characters, the author suggests that education would offer a kind of freedom.…
In “the house on Mango Street” Esperanza was really naïve and ignorant however things began transitioning in her life because of incidents occur in the novel. The story began with Esperanza the main character moving to a new house.Esperanza moved a lot that she does not even remember her first house. Than she complains how she was always moving her whole life and never grew up in her ideal house. She hates the new house and the neighborhood because she lives in a Mexican segregated area in Chicago which is really poor. Esperanza wants to be free of her community and society because she does not like where she came from. She is lost in world and does not know what to do. In her adolescent life she was ignorant and was asexuality. She wanted to leave her community and area because she could accept it. She even wanted to change her name because Esperanza does too. Although she was like this she changes and has a new perspective. Esperanza is a dynamic person she experiences rough patches in her and alters into a better person.…
The House on Mango Street, written by Sandra Cisneros, is a growing up female novel written in the style of linked prose poems. The book displays the hardships of growing up as a Chicana while being surrounded by the pressure of the American dream. The main character Esperanza has trouble with her identity, but learns a lot of important lessons from the people around her as she matures. The struggles she faces are what creates her main quest of using her legacy to take control of her destiny. Esperanza sets herself many goals throughout her journey, and meets people who both help and hurt her, and eventually lead her to change her goals and overall outlook on…