Who is Holly Golightly? Socialite? Opportunist? A Lost Soul?-a "free bird" not to be caged?....no, she is an existential rogue. Truman Capote carefully handled the creation of this character and through her was able to elaborate on major existential themes. She is clearly one of Capote's most intricate characters and possibly, the greatest existential icon in both American literature and classical, American cinema . With this analysis, Holly Golightly must be broken down to obtain a further glance into the numerous existential elements she inhibits.
"It may be normal darling: but I'd rather be natural"-Golightly. From the get go, Golightly expresses herself to the narrator like an open book. Her fears, insecurities, and wants are the basis of most conversations both these characters share. You know the days when you get the mean reds? The mean reds. You mean the blues? No, the blues are because you're getting fat, and maybe it's been raining too long, that's all. The mean reds are horrible. Suddenly you're afraid. And you don't know what you're afraid that. Don't you ever have that feeling"-Holly Golightly. The mean reds, as described by Golightly, is a notion closely knit to the theistic existentialist. Angst, fear, worry, these feelings come across Golightly and are only relieved when she frequents Tiffany's. "It calms me down right away, the quietness and proud look of it; nothing very bad could happen to you there, not with those kind men with their nice suits, and the lovely smell of silver and alligator wallets. If I could find a real life place like Tiffany's then I'd buy some furniture and give the cat a name"-Golightly. The comfort Golightly feels isn't so much a connection between her materialistic wants and the store itself, but more so because this location offers comfort, the type of comfort the theistic existentialist so direly seeks. Tiffany's is in itself the closest representation of stability that Holly comes across throughout both the novella and theatrical adaptation.
The existential mindset sets a clear standard for lost illusion. Once one is caught in the material world, not one person in ten thousand finds the time to form literary taste, to examine the validity of philosophical concepts for himself, and to develop, for lack of a better phrase, I might call the tragic and wise sense of life"-F. Scott Fitzgerald. Fitzgerald's take on existentialism in correlation with the ideology of "lost illusion" ,both sets the ground for Capote's Golightly and helps to shed some light on the character's motif. In her high fashioned, eloquent, and outspoken demeanor, Holly express attitudes of materialistic wants and her manipulative means towards obtaining them. "I told you, you can always make yourself love someone", But you can't give your hear to a wild thing: the more you do, the stronger they get. Until they're strong enough to run into the woods. Or fly into a tree. Then a stronger tree. Then the sky. That's how you'll end up Mr.Bell, if you allow yourself to love a wild thing. You'll end up looking at the sky"- Holly Golightly. When referring to her potential suitors and overall view on romantic love, Holly leads the mindset that love is a tangible notion, by her standards at least. In accordance to set standards, love can be manipulated and crafted to meet one's personal needs, convenience, and emotional safety. Holly's material wants seem to far exceed those of her existential being on a superficial basis, but the narrator sheds a different light on the issue in correlation with the idea of "lost illusion"
"The average personality reshapes frequently, every few years even our bodies even our bodies undergo a complete overhaul-desirable or not. It is a natural thing that we should change. alright, here were two people who would never change. That is what Mildred Grossman had in common with Holly Golightly. They would never change because they had been given their character too soon;...
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