Without an understanding of the time period when a poem is developed, we fail to fully appreciate and understand the purpose and messages within such compositions. While the contextual detail of some poems may be fairly simple, the way poets put words together often makes these themes, messages and forms abstract and confusing. A reader must attempt to delve deeper and study the context of society, culture, and that of the writer at the time of composition, or they will interpret and push away composed material as meaningless ‘mumbo-jumbo’ – which is what works by poets like T.S. Eliot strived to avoid.…
Eliot challenges his audience to consider the state of his character’s subconscious living within a corrupted society. Thomas Stearns Eliot’s poems, The Love Song of J. Alfred Prufrock published in 1915, and Preludes published in 1917, resonate the decay and alienation of Eliot’s characters and civilization. Eliot employs various poetic techniques to challenge the reader to explore social fragmentation of the human psyche and the futility of an industrialization society.…
In the beginning of the poem The Hollow Men by T.S Eliot starts off with an allusions to help him contrast the past with the present. Eliot’s allusions created a distinctive, dreamlike world for a reader to explore. Also they reflected his theory of poetry, this story doesn’t reflect T.S Eliot’s life, but a bunch of past literature was a key source in writing his story. Three main messages from The Hollow Men are people are all full and stuffed at the same time, we wear masks to hide and fool people and we don’t look people we love in the eyes and tell the what we really need to tell them.…
This familiarity with the city is developed further in ‘Preludes’. In the third stanza Eliot writes that the sordid images of the night that are revealed constituted the soul. These images that the night reveal would be shadows caused by the world outside, and the use of the word “sordid” makes the reader recall Eliot’s earlier descriptions in the first stanza of “smoky days” and “grimy scraps” and the second stanza’s “faint stale smells of beer” and “sawdust-trampled streets” as these would all constitute a sordid setting of a modern city.” And yet despite this distasteful description of the city Eliot still writes that the soul of the person addresses as “you” in the third stanza is formed by these images of a squalid, degenerate city. The city is a part of this person and this shows that there is a very intense bond between the two. It is as if the failure to make meaningful connections with other people mean that the people in Eliot’s poetry have to turn to the only other presence that they are familiar with in their lives and that is the city that they…
Eliot, T. S.. “The Hollow Men.” Poetry X. Ed. Jough Dempsey. 13 Jul 2003. 21 Oct. 2013 .…
The poem by T.S. Elliot, The Hollow Men and The Heart of Darkness by Joseph Conrad embody apathy and indifference. Both Conrads Station Manager and Elliots hollow men present a profound intellectual and emotional lack of interest or concern as well as being devoid of distinguishable humanity. The two texts highlight the grave characteristics of both the station manger and the hollow men by embellishing the details of their vacant eyes as well as deaths other kingdom, of which they both inhabit, their indefinite characteristics and their hollowness.…
Throughout both ‘Engleby’ and ‘Selected Poems’ there is a prevailing sense of ‘apprehension of the tenuousness of human existence’ which is evident in the protagonists’ confining inability to communicate with the world around them, as seen in Prufrock’s agonised call, ‘so how should I presume?’. ‘The Wasteland’ was written by Eliot to ‘address the fragmentation and alienation characteristic of [contemporary] culture’, questioning mankind’s ability to move forward into cohesiveness despite the ‘more pronounced sense of disillusionment and cynicism’ which came about as a ‘direct consequence of World War One’. Similarly ‘Engleby’ questions the advancement of humanity: ‘something happened to this country, perhaps in the 1960’s. We lost the past’ indicating his thematic disappointment with the world around him because ‘significant things happen so slowly that it’s seldom you can say: it was then – or then’; his lack of impact on the world leading to self-isolation.…
In “The Hollow Men” and the story excerpt “The Things They Carried” both authors, T.S. Eliot and Tim O’Brien, utilize similar techniques such as imagery and tone, while having a different purpose for writing. In the poem “The Hollow Men,” T.S. Eliot apples imagery and tone to help his audience apprehend how life without a purpose proves to be a waste when the world's final hours are close. As for in the excerpt, “The Things They Carried”, the author uses his techniques to demonstrate the toll that war can have on a person and how it causes some individuals to lose themselves.…
T.S. Eliot conveys the deteriorating state of humanity in the beginning of the twentieth century in the poems The Hollow Men and The Love Song of J. Alfred Prufrock. Events, such as World War I, from the early twentieth century have influenced Eliot to express the superficiality and materialistic desire for wealth in modern society. The changing modern world with fallen morals and events such as the suffragette movement that brought a greater degree of freedom for women, have influenced Eliot to write about a breakdown in communication and society and its movement away from religion. Eliot uses a range of techniques such as metaphors and juxtaposition in the poems, The Hollow Men and The Love Song of J. Alfred Prufrock to convey the deteriorating state of humanity.…
From the opening line Eliot engages the audience by having an auspicious beginning. By using “twelve o’clock”, he has taken an ungrammatical sentence and used it as a bridging between two days. He does this as a way of setting up the novelistic functions within his poetry, a common feature of his writing. He continues with his narrative technique by following the time by the place in which the poem is set. The “lunar synthesis” referred to in the first stanza is used to emphasize the correlation of two things; evolution and Christianity. By having “whispering” as the next word it gives a hint of secrecy as well as giving the possibility that there is a sense paranoia within the link between the two that constitutes the start of the misconceptions and loss of certainty. This is then followed through the poem by the mention of memory; an element that comments not only on the altered state of consciousness, but in a broader sense, “it’s division and precisions” highlights the view of the modern mind, in that it is dissolving into a more poetic state for deeper understanding. The auditory imagination inspired with Eliot’s reiteration of memory is further enhanced by the madman. It brings an oppositional aesthetic quality when Eliot delves into the idea of death and “shaking the dead geranium” as a way of bringing something back to life, while still being able to capture the fluidity of the poetry to keep a rich sonorousness quality to his work.…
Pound was a romantic, talking of his love and lust for women quite openly while Eliot seems more wary of the temptations they pose. This slightly Puritanical outlook that Eliot had brought with him over from America to the more relaxed Europe is one that can be seen quite clearly in A Love Song of J. Alfred Prufrock. This poem was a pointed attack on all the well-dressed, upstanding bourgeois who loved their material wealth but had nothing when it came to love or happiness. But not only that, in a way it is a love song of unrequited feelings and the fear of rejection. Once again the thing that ties the two poets together is their preoccupation with the big cities that shaped their lives, the city that Eliot describes in the poem could be London or New York, and the cityscapes he uses in his imagery show just how much of an effect his surroundings have had on his artistic ideals. In keeping with Prufrock’s circular and evasive style, the poem returns again and again to the imagery of those dirty streets, which contrast nicely with the prim and proper middle-class existence that he seems to be stuck in. In lines 4-7 parts of the scene are depicted using the method of personification. The "retreats" aren’t "muttering," but it seems to be that way because they are the kinds of places where you would run into muttering or strange people. Also, the nights he speaks of are not "restless"; but they can make…
The rapidly advancing world produced concentrated urban areas and the difficulties felt by an individual through the changing perspectives from community to individualism resulted in isolation. Through a ‘The Love Song of J. Alfred Prufrock’, the dramatic monologue of Prufrock provides readers with Eliot’s perspective of the rapidly changing world through the inner consciousness of an individual. The simile “… the evening is spread out against the sky like a patient etherised upon a table” reflects the persona’s hesitation at making decisions and paralysis as he fears the outcome of his decisions could be damaging to his self-esteem. This indicates that as a result of the First World War, individuals had lost…
Eliot uses many poetry techniques to convey a sense of urban alienation throughout this poem. These techniques include description and imagery, contrast and irony, rhetorical questions and rhyming. These also reflect the spirit of the early twentieth century.…
Throughout this poem, the narrator uses imagery by describing his fear of death and the unexpected of death. In the first stanza, lines 1-2, “I work all day, and get half drunk at night, waking at four to soundless dark,” show what he does on his daily basis. He tell people what he is doing without feeling shame, “ work all day” you can picture him working at factory doing the same thing all over again, meanwhile he come and get “half drunk.” It seem like the narrator can’t sleep and he is depress. His depressing phrases, he begins to describe what is outside of his house when stepping into the society of death. In lines 3-4, “In time the curtain…till then I see… Unresting death,” he goes from light behind his curtain, the brightness he faces in the morning when going to work and the death road along the way. He emphasizes the “unresting death,” explaining that he will soon die and he makes all thoughts impossible.…
There is no question that fragmentation is an important motif throughout The Wasteland. The entire poem is an odorous potpourri of dialogue, images, scholarly ideas, foreign words, formal styles, and tones. The reader’s journey through this proverbial wasteland is a trying one, to say the least. Unless one is endowed with a depthless wealth of literary knowledge, Eliot’s cornucopia of allusions and overzealous use of juxtaposition may leave them in a state of utter confusion. Luckily, there is hope for the wearied reader. At the close of his poem, Eliot presents his readers with a small offering: “These fragments I have shored against my ruins”. This line, presented in the midst of seemingly nonsensical fragments, serves as a clue to Eliot’s intentions. Indeed, it is my belief that this line is the ultimate declaration of Eliot’s poetic project.…