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jdhdhdjfjj bghjssssssssssssssssssssssssssssssssssssssssssss Society has always valued beauty. In literature, attractiveness often symbolizes an admirable protagonist, while ugliness indicates the abominable antagonist. As children we are taught, without even realizing it, to prize beauty. People of every race and culture have gone to extremes in the name of beauty – from foot-binding in China, to dangerously constricting corsets in Victorian
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Society has always valued beauty. In literature, attractiveness often symbolizes an admirable protagonist, while ugliness indicates the abominable antagonist. As children we are taught, without even realizing it, to prize beauty. People of every race and culture have gone to extremes in the name of beauty – from foot-binding in China, to dangerously constricting corsets in Victorian
Society has always valued beauty. In literature, attractiveness often symbolizes an admirable protagonist, while ugliness indicates the abominable antagonist. As children we are taught, without even realizing it, to prize beauty. People of every race and culture have gone to extremes in the name of beauty – from foot-binding in China, to dangerously constricting corsets in Victorian
Society has always valued beauty. In literature, attractiveness often symbolizes an admirable protagonist, while ugliness indicates the abominable antagonist. As children we are taught, without even realizing it, to prize beauty. People of every race and culture have gone to extremes in the name of beauty – from foot-binding in China, to dangerously constricting corsets in Victorian
Society has always valued beauty. In literature, attractiveness often symbolizes an admirable protagonist, while ugliness indicates the abominable antagonist. As children we are taught, without even realizing it, to prize beauty. People of every race and culture have
jdhdhdjfjj bghjssssssssssssssssssssssssssssssssssssssssssss Society has always valued beauty. In literature, attractiveness often symbolizes an admirable protagonist, while ugliness indicates the abominable antagonist. As children we are taught, without even realizing it, to prize beauty. People of every race and culture have gone to extremes in the name of beauty – from foot-binding in China, to dangerously constricting corsets in Victorian
v
Society has always valued beauty. In literature, attractiveness often symbolizes an admirable protagonist, while ugliness indicates the abominable antagonist. As children we are taught, without even realizing it, to prize beauty. People of every race and culture have gone to extremes in the name of beauty – from foot-binding in China, to dangerously constricting corsets in Victorian
Society has always valued beauty. In literature, attractiveness often symbolizes an admirable protagonist, while ugliness indicates the abominable antagonist. As children we are taught, without even realizing it, to prize beauty. People of every race and culture have gone to extremes in the name of beauty – from foot-binding in China, to dangerously constricting corsets in Victorian
Society has always valued beauty. In literature, attractiveness often symbolizes an admirable protagonist, while ugliness indicates the abominable antagonist. As children we are taught, without even realizing it, to prize beauty. People of every race and culture have gone to extremes in the name of beauty – from foot-binding in China, to dangerously constricting corsets in Victorian
Society has always valued beauty. In literature, attractiveness often symbolizes an admirable protagonist, while ugliness indicates the abominable antagonist. As children we are taught, without even realizing it, to prize beauty. People of every race and culture have