Although they all are their own independent films, there are undoubtedly several similarities between many of Alfred Hitchcock’s workings. Despite that they all may have different plot, the differences between the films are not very significant. There are three different types of Hitchcockian films that were watched in class; a psychological thriller (i.e.: Rope, Rear Window), the unexpected action filled plot (i.e.: North By Northwest, The Man Who Knew Too Much), and the mix of the two (i.e.: Thirty Nine Steps, Family Plot). The majority of Hitchcock’s action films consist of an unexpecting citizen who ends up on the run for his life and meets an attractive blonde along the way that he becomes romantically involved in. The other type of plot is a more slow paced psychological thriller that takes place in a very confined area. Of course there are chases, illegal activities done by the “bad guys”, and complications with the romantic pair that keep the first type of film moving at a quick pace, and in the psychological thrillers there is generally a simplistic background given towards the beginning of the film while there is a monumental action that takes place that is followed by a slow but steady plot that builds up to it’s climax at the end of the film. From Rope to Family Plot the Hitchcockian directory style persists throughout the duration of the film grasping the attention ever so tightly of the audience and keeping them uncertain of what is to come until it actually arrives.
After becoming a well renown director in the United Kingdom starting in 1921 with silent films and later moving up to “early talkies”, Alfred Hitchcock moved to Hollywood and became a United States citizen in 1956 in order to further his career. Even after becoming an American citizen, Hitchcock kept a “British subject” in his work whether or not it was intentional. With an active career that lasted over half of a century, Hitchcock wrote twenty-two titles, stared in...
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