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Enclosed between the high mountains of the Hindu Kush in the central highlands of Afghanistan, the Bamiyan Valley opens out into a large basin bordered to the north by a long, high stretch of rocky cliffs. The Cultural Landscape and Archaeological Remains of the Bamiyan Valley comprise a serial property consisting of eight separate sites within the Valley and its tributaries. Carved into the Bamiyan Cliffs are the two niches of the giant Buddha statues (55m and 38m high) destroyed by the Taliban in 2001, and numerous caves forming a large ensemble of Buddhist monasteries, chapels and sanctuaries along the foothills of the valley dating from the 3rd to the 5th century C.E. In several of the caves and niches, often linked by galleries, there are remains of wall paintings and seated Buddha figures. In the valleys of the Bamiyan's tributaries are further groups of caves including the Kakrak Valley Caves, some 3km south-east of the Bamiyan Cliffs where among the more than one hundred caves dating from the 6th to 13th centuries are fragments of a 10m tall standing Buddha figure and a sanctuary with painted decorations from the Sasanian period. Along the Fuladi valley around 2km southwest of the Bamiyan Cliffs are the caves of Qoul-i Akram and Lalai Ghami, also containing decorative features.
Punctuating the centre of the valley basin to the south of the great cliff are the remains of the fortress of Shahr-i Ghulghulah. Dating from the 6th to 10th centuries CE, this marks the original settlement of Bamiyan as stopping place on the branch of the Silk Route, which linked China and India via ancient Bactria. Further to the east along the Bamiyan Valley are the remains of fortification walls and settlements, dating from the 6th to 8th centuries at Qallai Kaphari A and B and further east still (around 15km east of the Bamiyan Cliffs) at Shahr-i Zuhak, where the earlier remains are overlaid by developments of the 10th to 13th centuries under the rule of the

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