Within every individual, there lies a unique set of innate, fundamental principles upon which further truth is built. However, from the moment a precious parcel of tissue sheltered in a mother’s womb tastes the sweet nectar of life, society’s truths immediately seize the opportunity to morph the child to their likeness. The characters within Barbara Kingsolver’s Poisonwood Bible and Joseph Conrad’s Heart of Darkness vividly illustrate various milestones in the internal struggle between conflicting truths, revealing through honest, uncensored commentary the precarious nature of deep-seated war. Through its depictions of the polar and intermediary phases within humanity’s internal battle between truths, Poisonwood Bible and Heart of Darkness reveal how truth is not a concrete concept but a continuum of constant reflection and redefinition.…
Was it Kurtz who did the killing/slaughtering? Or was it actually the men who sent him out there with no direct contact to make sure he was doing what they wanted him to do? In a sense the book asks who actually stripped Kurtz of his humanity. Was it the men who sent him out to conquer the people or was it himself for doing what he thought was right? The film decidedly points to Kurtz being his own demise, but still lightly questions the men at home making the…
Even though Marlow’s unrealistic depiction of Kurtz has been shattered by Kurtz’s cruelty, he believes that Kurtz achieved a “moral victory” in the battle with death. In a contest “without clamour, without glory, without the great desire, without the great fear of desire,” Kurtz achieved what Marlow fears he may not be able to do: “He had something to say. He said it.” In his final moments, Kurtz realized the cruelty of his own actions and, in this realization, weakly speaks the words “The horror!” When Marlow came within “ a hair’s breath” of death, he faced the humiliation that he might have nothing to say; therefore, Kurtz’s final “pronouncement” is of so much value to Marlow that it keeps him “loyal to Kurtz to the last.” Marlow believes that life is a riddle which baffles all men and that death is an adversary that every men must wrestle with. Conrad’s use of metaphor to depict Kurtz’s final struggle with life highlights the importance of Kurtz’s “moral victory” to Marlow. The notion of defeat or victory in the “unexciting contest” of life emphasizes that Marlow admires the strength Kurtz shows in his final…
When Marlow finally meets Kurtz, he doesn’t think of him as an idol anymore and sees him as a selfish man that just wants to become rich and powerful. While learning about Kurtz, Marlow also begins to learn about himself. Marlow hears Kurtz’s last words “The horror! The horror!” and respects him because he had something to say and he said it. From this point on, Kurtz had such a lasting effect on Marlow that made him eager to carry out his legacy. He changed Marlow to the point where he would even lie, something that he once used to despise, but would do it again to protect Kurtz’s reputation.…
The iniquity of the hearts of men precipitates the moral and social depravity of the entire population. In Heart of Darkness, by Joseph Conrad, Marlow finds that barbarism and savagery are universal among nations, and that the common man is able to be influenced by the slightest of impulses. The distinctive evil that roams Europe soon pervades newly discovered Africa and allows the darkness to fill the land. The European colonizers brought not only civilization and enlightenment to the land of the Congo, but also savagery and utter corruption. Throughout his journey, Marlow learns of the darkness of human kind, their hearts, and their minds through…
Kurtz represents the id, or the need to satisfy one’s instinct, while Marlow represents the ego, or one’s unconscious. Freud’s theory of repression as well as his ideas of dreams accurately analyze the purpose of Marlow and Kurtz’s psychological changes. This novel revolves around the idea that our subconscious has a more than important role in the actions that we take everyday, and if one’s psyche is thrown off balance it can have a permanent and potentially dangerous effect. This effect can be seen through the way in which Marlow and Kurtz had progressed as characters. Conrad is demonstrating the idea that all of us have an inner desire that we would like to succumb to and that the smallest change in environment or mindset can lead us to turn to our ‘hearts of…
Heart of darkness is not only an attack on colonialism, but also a criticism of the dark greed that the human heart retains. Moreover, most of the content of the novel is pervaded by symbolic meanings among which destiny and foreshadowing play a leading role, and such is their relevance that both of them are consistently present explicitly and metaphorically throughout the novel. Therefore, the apparently innocent journey to the Congo to meet Kurtz masks a deeper meaning, a symbolic journey to the bottom of the human heart, a heart thirsty for power and wealth ―the heart of darkness ― which is represented by Kurtz and the colonialist lifestyle that surrounds him. “Kurtz 's methods had ruined the district… They only showed that Mr. Kurtz lacked restraint in the gratification of his various lusts, that there was something wanting in him -- some small matter which, when the pressing need arose, could not be found under his magnificent eloquence”.…
Kurtz was first introduced to us as "a first-class agent" (Heart of Darkness, 29) and "a very remarkable person"(29) by the chief accountant. He was shown to be a painter and a poet with "moral ideals" (51) that ruled his life. Everyone who really knew him revered his opinions and words. "You don't talk with that man-- you listen to him." (90) All this points to a very moral and upstanding gentleman who follows the edicts of society to the bitter end.…
Once the similarities between Satan and Mr. Kurtz start, they never seem to end. It's as though Conrad clicked copy and paste and saved the image under a new file name. Both began as angels of their world, Satan as Lucifer aspiring to dethrone God and become the ultimate power himself, and Kurtz as a genius of his society, being remembered as a prominent musician, politician, and humanitarian. But we all know that both Satan and Kurtz are far from the benevolent followers of the light; rather they are the evils that exist in our world. Satan is the template for the devil incarnate we see in the Kurtz that exists in the depths of the Congo, who is in turn an embodiment of all the evils created by free enterprise. Kurtz and Satan are presented as highly gifted individuals, advanced thinkers with silver tongues ready to bend you to their will. Their downfall is that they are devoured by their own greed that overpowers their original, good purpose in life.…
parallel to and yet contrast to Marlow, helps to elevate Kurtz to new level of isolation form society (not geographically but morally, etc.)…
Madness is another major theme in the story. Kurtz has clearly gone mad from being in the congo too long. He speaks of killing people like it is nothing. However, his madness could be due to the lack of authority he has to answer to, leading to his abuse of power.…
Marlow never explicitly chooses to be evil nor good, however, vaguely acknowledges that both good and evil are evident around him. He travels around the jungle, also referred to as the “heart of darkness” (57) and “center of evil” (36), rather than going straight through it, in contrast to Kurtz. He avoids abrasive confrontation with evil. However, as the distance between Marlow and the restraints of society grow, it is apparent that his temptation to sin grows as well. Moreover, because Conrad describes evil as both an omnipresent, driving force in the plot as well as a vacancy or a lack of good. Kurtz embodies evil and a lack of humanity, the closer Kurtz reaches a lack of self…
Kurtz is an agent of the Trade Company, in fact, one of the best agents. He works for them in Africa in an ivory country, collecting ivory, and he has the ability to collect a lot more ivory than any other man. He is an ambitious, charismatic person willing to do anything that is needed to achieve greatness. Although Kurtz is the main character of the story, most of the things we learn about him come indirectly to us; there are always some people who tell stories about him.…
When the men finally reach him, they find him to be incredibly intellectual and sharp despite his old age. He is very in tune with his surroundings and understands his situation completely. Along with Kurtz’s personality, Coppola also does a good job depicting his death as it happened in the novel, including his final words, “The horror, the horror,” which is him talking about all of his encounters with the natives.…
The corrupting power is mainly expressed by the character which Marlow is most fascinated of. Actually he’s not the only one who admires Kurtz. It is the native people who are mostly influenced by Kurtz’s intelligence and His distinction from the others. Kurtz appears different from the other whites with the fact that he’s…