“unsaid dialogue and narrative hint at layers of meaning beyond what is read, and Conrad's explicit and implicit insistence on mysteries beyond words emphasize the unsayable”(Skinner). These techniques that Conrad uses allows the novel to transcend past a simple narrative.(Singer)
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Joseph Conrad 's Heart of Darkness is both a dramatic tale of an arduous trek into the Belgian Congo at the turn of the twentieth century and a symbolic journey into the deepest recesses of human nature. On a literal level, through Marlow 's narration, Conrad provides a searing indictment of European colonial exploitation inflicted upon African natives. By employing several allegoric symbols this account depicts the futility of the European presence in Africa.…
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In both texts, there are individuals showcasing major facets motivated by greed, obsessed with the stimulus that is presented in either century. In Conrad’s Heart of Darkness, the character ‘Kurtz’ is primarily stimulated by greed. His obsession with ivory was at an extreme where main character ‘Marlow’ refers to his physical appearance as “like a ball- an ivory ball” and as having an “ivory face.” These respective simile and metaphors encapsulate how Kurtz had become gripped by ivory to the point where it was taking over his very being. This description that Kurtz is placed in is carried through to his dying moments where “The brown current ran swiftly out of the Heart of Darkness-Kurtz’s life was running swiftly, too…” This indirect juxtaposition links the ideas of Kurtz’s life with the Heart of Darkness, not being a physical location, but an internalised nature representing Kurtz. These links of the rapacious Kurtz to a being of pure immorality is an insight into the overtaken existence of greed within individuals of evil.…
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The contexts of the extracts are very different to each other. In ‘Heart of Darkness’, Conrad expresses to the reader that when the novel was published in 1899, life in the Congo was quite dangerous, so when Marlow is attacked by the natives, while on the…
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In the beginning Marlow is remembering what it may have been like to be a young Roman conqueror exploring through the jungle. He would have had to deal with “…cold, fog, tempests, disease, exile, and death...” Marlow mentions how the soldier would have had a “fascination of the abomination” . Later in the book this same fascination overcame Kurtz after his long time in the Congo, “he hates sometimes the idea of being taken away” . Even when Marlow finds Kurtz, he can’t “break the spell – the heavy mute spell of the wilderness – that seemed to draw him to its pitiless breast by the awakening of forgotten and brutal instincts”…
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Even though Marlow’s unrealistic depiction of Kurtz has been shattered by Kurtz’s cruelty, he believes that Kurtz achieved a “moral victory” in the battle with death. In a contest “without clamour, without glory, without the great desire, without the great fear of desire,” Kurtz achieved what Marlow fears he may not be able to do: “He had something to say. He said it.” In his final moments, Kurtz realized the cruelty of his own actions and, in this realization, weakly speaks the words “The horror!” When Marlow came within “ a hair’s breath” of death, he faced the humiliation that he might have nothing to say; therefore, Kurtz’s final “pronouncement” is of so much value to Marlow that it keeps him “loyal to Kurtz to the last.” Marlow believes that life is a riddle which baffles all men and that death is an adversary that every men must wrestle with. Conrad’s use of metaphor to depict Kurtz’s final struggle with life highlights the importance of Kurtz’s “moral victory” to Marlow. The notion of defeat or victory in the “unexciting contest” of life emphasizes that Marlow admires the strength Kurtz shows in his final…
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Darkness, in Heart of Darkness by Joseph Conrad, functions as a dynamic extension of Marlow’s altering values. Prevailing at its attempts in conveying the various phases of Marlow’s changing mindset, darkness provides a breeding ground for contention—mainly, the questioning of its inherent meaning as the plot and text unfold to form a myriad of clashing ideologies. Despite what many consider to represent solely the depths of human indecency, darkness pushes the bounds of that conclusion and takes on the many forms of greed, despondency, primitivism, and eternal damnation as Marlow’s feelings begin to conflict with standard European ideology. Marlow, perhaps the most complex character, finds himself in the middle of this debate with the eventual…
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Conrad abuses his power as the author in his novella ‘Heart of Darkness’, by writing in the form of a framed narrative. This leaves him distanced from the story, and allows him to make rather outlandish comments throughout, as he can claim that the views expressed in the book are not his but Marlow’s. The framed narrative makes it difficult to hold Conrad responsible for the more controversial opinions expressed in the…
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At the time, Freud and Nietzsche were both looking at the human condition and the inner psyche, and this novel seems to be a continuation of those ideas as Marlow delves into his inner consciousness in search of truth. The symbol of Marlow as a Buddha at the beginning conveys the idea that he is contemplative and soul-searching. Furthermore the progression of his character into a dream-like world throughout the novel perpetrates this idea of Marlow coming face to face with the human condition. For example, as Marlow nears Kurtz’s station fog comes down giving everything an “eerie, dream-like appearance.” This is further demonstrated in the idea that Marlow is entering a nightmare with “tumultuous and mournful shrieking” with the rest of the world “swept off without leaving a whisper or a shadow behind.” The creation of this dream-like setting by Conrad creates the idea that Marlow is travelling through his consciousness, as if this is his own nightmare. Marlow is searching for a distinct truth of the human condition and this is symbolised by Kurtz. Kurtz, a European renaissance man of culture and nobility who came to this dark place comes to embody mankind itself. His fall from refinement to savagery highlights this fall to the true human condition where repressed desires and lusts are set loose. He dances with the savages and plants heads on poles for no other reason than that he desires to and appears to have “kicked himself loose from the world”. Though Marlow glimpses this truth of the human psyche he, as Kelly Jacobs says, “stares over the edge but does not fall as Kurtz does.” That said, Marlow does not find the truth he is searching for and in the end his journey into the psyche is inconclusive. When he meets Kurtz’s intended he lies to her about Kurtz’s final moral judgement, “the horror” highlighting the fact that the truth may be…
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