Preview

Harlem Renaissance: Claude Mckay And James Weldon Johnson

Better Essays
Open Document
Open Document
1206 Words
Grammar
Grammar
Plagiarism
Plagiarism
Writing
Writing
Score
Score
Harlem Renaissance: Claude Mckay And James Weldon Johnson
Abstract
The following paper focuses on the two poets of the Harlem Renaissance – Claude McKay and James Weldon Johnson. Their role and importance within the literary movement is identified, and the major themes of their poems, If We Must Die and The Prodigal Son are highlighted.

Harlem Renaissance Poets
The Harlem Renaissance was a cultural movement that spanned unofficially form 1919 to the mid 1930’s. The “Negro Movement” as it was then called, heralded the zenith of modern African literature. Though it was centered around the Harlem, New York, many Afro-Caribbean writers were also inspired by this movement to produce epic pieces of literature. In this paper we concentrate on the great poetry that ebbed and flowed during this movement
…show more content…
Perhaps most known are, McKay’s reflection on the so-called “double consciousness” of blacks which helped them survive in a society where racism was so embedded in the civil consciousness. McKay’s seminal works express his contempt for the rampant racism and bias blacks faced in society. Arthur D. Drayton, in his essay “Claude McKay’s Human Pity” says: “In seeing . . . the significance of the Negro for mankind as a whole, he is at once protesting as a Negro and uttering a cry for the race of mankind as a member of that race. His human pity was the foundation that made all this possible”. (Claude McKay, …show more content…
The media reporting was biased and the crackdown on Black was brutal. The image of “mad and hungry dogs” (line 3) is almost a double personification, where it embodies not lonely the doglike nature of the White people who brutalized the black inhabitants but also what they thought of those blacks: as dogs who could be subdued like animals. The line “If we must die” is repeated throughout the poem, where McKay shows that an ignominious end to the Back freedoms in America seems inevitable however he asks his people to unite and stand firm: “O kinsmen! We must meet the common foe!” and show courage: “Though far outnumbered let us show us brave.” The poet urges the back nation not to back down: “Like men we’ll face the murderous, cowardly pack, /Pressed to the wall, dying, but fighting

You May Also Find These Documents Helpful

  • Good Essays

    The Harlem Renaissance was an iconic movement of the nineteenth century. It was a social and intellectual eruption that was located in Harlem, New York. Legends such as Duke Ellington, Zora Neale Hurston, Aaron Douglas, and many more, all originated from this extraordinary movement. Claude McKay is one of the most legendary authors that contributed the Harlem Renaissance. McKay wrote many iconic pieces. To name a few, he wrote poems titled, “If We Must Die”, “Harlem Shadows”, and “America”. By doing the impossible and being heard when he could not speak, Claude McKay has used his voice for social justice and has changed the world for the better.…

    • 739 Words
    • 3 Pages
    Good Essays
  • Good Essays

    The Harlem Renaissance was a literary, artistic, and intellectual movement that kindled a new black cultural identity, spanning the 1920s and to the mid-1930s. While reading the article “Black Renaissance: A Brief History of the Concept” I learned that the Harlem Renaissance was once a debatable topic. Ernest J. Mitchell wrote the article, explaining how the term “Harlem Renaissance” did not originate in the era that it claims to describe. The movement “Harlem Renaissance” did not appear in print before 1940 and it only gained widespread appeal in the 1960s. During the four preceding decades, writers had mostly referred to it as “Negro Renaissance.”…

    • 105 Words
    • 1 Page
    Good Essays
  • Good Essays

    Harlem Renaissance

    • 983 Words
    • 4 Pages

    Powell’s overall thesis is, “The Harlem Renaissance was a cultural and psychological water-shed, and era in which black people were perceived as having finally liberated themselves from a past fraught with self-doubt and surrendered instead to an unprecedented optimism, a novel pride in all things black and a cultural confidence that stretched beyond the borders of Harlem to other black communities in the Western world.” Powell’s overall point in this article is the beauty of the Harlem Renaissance and the cultural influence in brought to North America, not only to African American communities but to communities of other racial ethnicities as well. The utilization of black arts (literature, visual arts, and music) brew throughout the United…

    • 983 Words
    • 4 Pages
    Good Essays
  • Good Essays

    Racial Mountain

    • 882 Words
    • 4 Pages

    What is the Harlem Renaissance? The Harlem Renaissance was a movement that was prompted by the advocacy of racial equality that began in the early 1920s and lasted into the 1930s. Also known as the “New Negro Movement”, the Renaissance was the development of African American culture, and was the most influential movement in African American literary history, cultural literature, and music, theatrical and visual arts. Participants such as Zora Neal Hurston, W.E.B. DuBoise, and Langston Hughes, among others sought to reconceptualize “the Negro” apart from the white stereotypes that had influenced African-American’s relationship to their heritage and to each other. In this paper we will discuss the contributions Langston Hughes made to the movement and his thought process and reasoning for doing so.…

    • 882 Words
    • 4 Pages
    Good Essays
  • Good Essays

    “A people without the knowledge of their past history, origin and culture is like a tree without roots” - Marcus Garvey. The Harlem Renaissance was a period of time in which racial pride and culture were thrust away in favor of a more traditional style of art. However, during this time, racial pride was best expressed through folk art via the means of relatable structure, understandable word choice and everyday subject matter. Common poets of the time chose not to imitate the formal and restrictive style of the European influenced “high art” and instead believed in a more down-to-earth, conversational style of writing. In these choices, poets began to shape a new form of art called “folk art” that gave readers content inspired by daily life and no longer barred by the restraint of European art.…

    • 568 Words
    • 3 Pages
    Good Essays
  • Powerful Essays

    Cited: Baker, Houston. Modernism and the Harlem Renaissance. Chicago: U of Chicago P, 1987. Print. Brathwaite, Edward Kamau. History of the Voice: The Development of Nation Language in Anglophone Caribbean Poetry. Port of Spain: New Beacon, 1984. Print. Giles, Freda S. "Claude McKay 's Life." Department of English, College of LAS, University of Illinois. University of Illinois, Feb. 2000. Web. 26 Apr. 2012. Neidig, Peggy. Peacetime Veteran. Personal Interview. 28 Apr. 2012.…

    • 2602 Words
    • 11 Pages
    Powerful Essays
  • Powerful Essays

    Harlem Renaissance

    • 3640 Words
    • 15 Pages

    When Harlem was in Vogue, David L. Lewis’s celebrated account of the Harlem Renaissance, was published by Knopf in1981. The latest edition, a Penguin paperback with a luminous new preface added by the author, appeared in 1997.…

    • 3640 Words
    • 15 Pages
    Powerful Essays
  • Good Essays

    Harlem Renaissance

    • 3262 Words
    • 14 Pages

    Harlem Renaissance, a blossoming (c. 1918–37) of African American culture, particularly in the creative arts, and the most influential movement in African American literary history. Embracing literary, musical, theatrical, and visual arts, participants sought to reconceptualize “the Negro” apart from the white stereotypes that had influenced black peoples’ relationship to their heritage and to each other. They also sought to break free of Victorian moral values and bourgeois shame about aspects of their lives that might, as seen by whites, reinforce racist beliefs. Never dominated by a particular school of thought but rather characterized by intense debate, the movement laid the groundwork for all later African American literature and had an enormous impact on subsequent black literature and consciousness worldwide. While the renaissance was not confined to the Harlem district of New York City, Harlem attracted a remarkable concentration of intellect and talent and served as the symbolic capital of this cultural awakening.…

    • 3262 Words
    • 14 Pages
    Good Essays
  • Good Essays

    Painter Aaron Douglas, the "father" of African Art, stated in 1925, "Let 's bare our arms and plunge them deep through laughter, through pain, through sorrow, through hope, through disappointment, into the very depths of the souls of our people and drag forth material crude, rough, neglected. Then let 's sing it, dance it, write it, paint it" ("Harlem Renaissance" 1, par. 4). These words of triumph and strife epitomize the state of living during the Harlem Renaissance in the United States. Liberation, cultural pride, and expression in the arts embodied this period in American history. Beginning at the end of World War I and continuing on until the brink of the Great Depression of the 1930 's, feelings of both acceptance and segregation contrived discord between blacks and whites living among one another. Effecting black Americans as well as America in general, this movement had a profound impact on our country that to this day is apparent in everyday life.…

    • 856 Words
    • 4 Pages
    Good Essays
  • Good Essays

    Claude McKay displays double consciousness from the time he comes to America. He is first an intelligent Jamaican man who has come here to America in search of an education. Here he was seen by the white Americans around him in Alabama as nothing more than just another “colored” man. Claude had to deal with both being “colored” or “Negro” and being an American. In his poem “If we must die” McKay shows the idea of double consciousness all the way through. He shows the pride of a dignified man who will not just sit back while anyone attempts to push down into the grave. His writing is not specific to one race or ethnicity, as proven when the British Prime Minister used it to motivate the British and American soldiers. (Sayre, 2012)…

    • 1248 Words
    • 5 Pages
    Good Essays
  • Good Essays

    Langston Hughes

    • 1048 Words
    • 5 Pages

    The Harlem Renaissance was a huge cultural movement for the culture of African Americans. Embracing the various aspects of art, many sought to envision what linked black peoples’ relationship to their heritage and to each other. Langston Hughes was one of the many founders of such a cultural movement. Hughes was very unique when it came to his use of jazz rhythms and dialect in portraying the life of urban blacks through his poetry, stories, and plays. By examining 2 poems by Langston Hughes, this essay will demonstrate how he criticized racism in Harlem, New York.…

    • 1048 Words
    • 5 Pages
    Good Essays
  • Good Essays

    The Harlem Renaissance was a time of art and entertainment. It was a lively time were many artists, writers, musicians, and poets got the opportunity to share their work with a willing audience. It was a time period that gave African Americans a voice, and many talented writers emerged that might have remained silent if it hadn’t been for the Harlem Renaissance. Zora Neal Hurston and James Weldon Johnson were among these writers, publishing powerful novels that allowed African Americans to receive more respect and acknowledgement. The Harlem Renaissance allowed African American writers to share their work with the world in a great artistic movement where they could freely express themselves, as well as bring pride and inspiration to African…

    • 127 Words
    • 1 Page
    Good Essays
  • Good Essays

    The Harlem Renaissance was a movement that had prospered during the World War I from 1918 until the 30’s America had been involved the evolution of the culture, social connections, and the artistic boom that started in the town of Harlem. Throughout this paper I will discuss the influence artists had on the Harlem Renaissance, how they have influenced, motivated, and excelled in the culture, and what their accomplishments in this era. During this time, Harlem was the center of culture where it had brought in African American artists, musicians, poets, photographers, and scholars. At this time, it was also noticed as the “New Negro Movement” after the 1925 anthology by Alain Locke. The majority of the artists involved had lived in the South, absconding from the despotic class system in search for a place where they were free to reveal their talents. One perspective estimates that roughly half a million Blacks had migrated to the Northern Cities in 1915 and 1920, between 750,000 and one million had left the South in the 1920’s. The Great…

    • 789 Words
    • 4 Pages
    Good Essays
  • Good Essays

    Between the 1920s to the mid 1930s, the Harlem Renaissance was a literary, artistic, and intellectual movement that kindled a new black cultural identity. For the first time African American lives were seizing their first chance as a group to express themselves and get a positive response. Harlem, New York was the center of this dramatic cultural change, African Americans transformed social views and began to have more pride in their race, this age produced, visual arts, writer and new music such as jazz. This is one of the most influential movements in African American history. The Harlem Renaissance was also a time to break free of Victorian moral values, this movement laid all the ground work for a new found consciousness of black lives. It is important to keep in mind that the movement was not restricted to Harlem, Harlem however did attract and produce the most remarkable, intellectual artists, writers, and musicians of this time, such as Louis Armstrong, Billie Holiday and Zora Neale Hurston.…

    • 1287 Words
    • 6 Pages
    Good Essays
  • Good Essays

    Langston Hughes was considered one of the principal and prominent voices of Harlem Renaissance during the 1920s and 1930s. His poetry encompasses heterogeneity of subject matters and motifs concerning working African-Americans who were excluded and deprived of power. His choice of theme was accentuated and manifested through the convergence of African-American vernacular and blues forms. My attempt is to analyze the implications of the most significant poems by first introducing the author, examining the relevance of the poems and then, contrast them with Richard Wright’s antagonistic perspective.…

    • 524 Words
    • 3 Pages
    Good Essays