Hamlet Being Human Analysis

The Tragedy of Hamlet, Prince of Denmark, William Shakespeare’s longest, and perhaps most notable, play explores several important aspects of the human condition. Hamlet’s battle between his emotions and logic, as well as his fatal flaws and what he considers to be morally good and looming evil, encased in a story of murder and betrayal enlightens audiences to contemplate the true meaning of being human. Ultimately, through Hamlet’s questioning of humanity and what it means to be alive and human, Shakespeare prompts the conversation in his audience.
From the very beginning, Hamlet is in turmoil between his head and his heart. Though he rationalises his actions, such as his decision to feign madness in order to deter Claudius, they are driven
Hamlet, himself, exhibits faults in his personality, often acting volatile and reckless in situations beyond his control. In Act 1, Scene 3, Ophelia describes Hamlet as an admirer who had ‘made many tenders of his affection’ to her but later on, in Act 3, Scene 1, when they confront each other about their feelings, Hamlet angrily shouts ‘Get thee to a nunnery’, insulting her and not realising the possible consequences of his actions. Ophelia isn’t without flaws, herself, as shown by her tendency to be influenced by the men around her. Whilst it was common for the women during Shakespeare’s time to be obedient to their men, Ophelia’s submissiveness eventually drives her to insanity and leads to her suicide. Furthermore, Ophelia’s father, Polonius, is also a fatally flawed character, with his peripeteia being his nosiness and propensity to pry, which then leads to his death. Shakespeare uses the weaknesses of each character to emphasise that human beings are flawed to warn his audience that if these flaws are not recognised, they may, and often will, bring
Throughout the play, Hamlet expresses his internalised battle between his mission to avenge his father’s death and his morality through his long soliloquies. For example, in Act 3, Scene 3, Hamlet has a golden opportunity to kill Claudius in his bedchambers but decides against it when he discovers Claudius is praying. He avers that to kill Claudius then, when he is confessing his sins, would be to send him to heaven. He exclaims that ‘this is hire and salary, not revenge’, saying that the action of killing Claudius mid-prayer would warrant a reward instead of being an act of revenge. These conflicting feelings within Hamlet cause him to be indecisive with his actions. As England was in the midst of transitioning from barbaric medieval times to the more refined Renaissance period during the time of Hamlet, Shakespeare uses Hamlet’s confliction to highlight his progressive thinking in comparison to Claudius’ uncouth ways and to signal to his audiences the dawn of a new