In two of the most famous plays of William Shakespeare: Hamlet and Macbeth, imagery is a common, and often undiscovered aspect of his writings. From the subtle animalisitc imagery, which provides for much of the personalities of the character, to the blood imagery in Macbeth.
In Shakespeare's play, Hamlet, animalistic imagery is seen throughout the play and intertwines many characters. There are many ways to associate animalistic qualities with people, and often people dissassociate themselves with this, the essence of their being. The common predator-prey relationships that are visible in all societies, each animal playing their part, acting as either the cunning or the cunned. Just as the complex web combining all of the animals in the animal kingdom, combines the humans of Shakespeare's plays. The idea that the people in the play are similar to animals by being devoid of morals or rational thought is justly proved (Whalen 107). Many characters act as if they have no morals at all. They exemplify the way not to be, as if they have no heart or soul, thus, providing the essence of animal nature.
The two most benevolent predator-prey relationships were between Claudius and Hamlet and vice versa. The two characters were both scheming of when and where to kill the other one. First there is Hamlet. Hamlet becomes a predator of Claudius when he gets confirmation from the ghost to kill Claudius regarding the revenge for his father. When Hamlet comes upon Claudius while he is in the confessional Hamlet has the chance to kill him. He doesn't, for if he killed him while he was praying Claudius would go to heaven. Wanting Claudius to go to Hell, shows that Hamlet does not care about the welfare of Claudius. Hamlet thinking it was Claudius attacked Polonius behind the curtain. He is seeking the revenge of his father, but kills the wrong man do to him not knowing the fact that it was Polonius. Claudius is not really the prey of Hamlet. He himself is a...
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