Psychoanalytical approach in Hamlet
The presence of id,ego,and supergo are reoccurring, shadowed themes within the characters of shakespeare’s play,Hamlet. our selfish, realistic, and moral thoughts, known by creator Freud as id,ego,and superego, can be reflected through the story of Hamlet in natural ways.
Moreover, The id is the part of the mind in which innate instinctive impulses and primary processes and manifest. The id operates according to the pleasure principle, the psyche force that motivates the tendency to seek immediate gratification of any impulse. It also contains the libido. On the contrary, the ego is a person’s sense of self esteem or self iimportance. The ego acts according to the reality principle; it seeks to please the id’s drive in realistic ways that will benefit in the long term rather than bring gries. The in between supergo and id. Supergo is the part of the person’s mind that acts as a self critical conscience, reflecting social standards learned from parents and teachers. The super-ego aims for perfection. It includes the individuals ego ideals, spiritual goals, and the psychic agency that critizes and prohibits his or her drives,fantasies,feelings,and actions. Also, it controls our sense of right and wrong and guilt. It helps us fit into society by getting us to act in socially acceptable ways.
Hamlet has been praised and revered for centuries as one of William Shakespeare's best known and most popular tragedies. Based on its popularity, critics alike have taken various viewpoints and theories in order to explain Hamlet's actions throughout the play. The psychoanalytic point of view is one of the most famous positions taken on Hamlet. Psychoanalytic criticism is a type of literary criticism that analyzes and classifies many of the forms of psychoanalysis in the interpretation of literature. One of the most popularized psychoanalysts of all time was Sigmund Freud. His theories on repression most directly...
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