Brooks’ poetry, so rich in personal detail and authenticity, often does not have to justify the moral side of issues like other poems usually do. Her work, for me, seems less confessional and more like realistic humanity, a difficult feat to accomplish when so much of the material speaks of inner turmoil, lost loves, and wistful sadness. Honest in tone and filled with common and often disturbing themes, the poems were ones I was able to connect with. “The Mother” and “The Sundays of Satin Legs Smith” are two poems that speak to me in terms of universal longing and pain. I have never had an abortion, but I know several people who have. In fact, last year I had an 11th-grade student who was pregnant, and I told her that I would gladly adopt the baby. She said she would consider it, but she ended up having the abortion. For a couple weeks after she got back, I kept wondering what that child would have been like; but then, I had to force myself to put it out of my mind. “The Mother” brought back all the joys of having a child and all the disappointments of not having a second one.…
“I was a blue ball in a small box, as grumpy as can be. Day in and day out people walked passed me showing no interest. I was bored in the cold, dusty, black and white. Suddenly…
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Jamie Ford is one of the few modern yet revolutionarily ambiguous writers of our time. Ford, author of powerfully insightful books such as “House on the Corner of Bitter and Sweet,” which has won incredible awards and appraisals from around the globe including but not limited to: being a New York Times bestseller and winning the Asian/Pacific American Award for Literature, has once again written a hard-hitting work of art – the fairly new and beautifully coherent novel: “Songs of Willow Frost.” In this novel Ford makes loud connections that transcend time in the characters’ affairs with cultural beliefs, societal views, and authoritative abuse. The novel features various ground-shaking themes that create professionally welded networks…
The poem “We Real Cool” was written in the 1960’s by the poet Gwendolyn Brooks. This poem illustrates the quintessence of seven troubled adolescents who will eventually succumb to the unfortunate likelihood that life can render a young Africa American male living the life in the fast lane during that era.…
“We Real Cool” by Gwendolyn Brooks portrays the average young adults in our everyday society, based on the use of the statement “We real cool.” This symbolizes the urge for the characters in the poem to be recognized by peers considering the apathetic tone used throughout the poem. The need for the characters to feel noticed causes them to make negligent decisions such as when the poem states, “We sing sin. We thin gin.” The music that is sung has a harmful influence on the characters which in turn allows them to feel as if it is “cool” to drink under the age. Although this was written in the 1950s, today’s society is based upon the theme of approval, which signifies music’s powerful voice. Young adults tend to succumb to the trends that are…
Her career started to take off when she decided she wanted to be a poet, she spent so much time doing poetry when finally people started to notice it. Phillis married John peters a freed slave. They had three children, two miserably dying at a young age from sickness and hunger. Sadly John peters was taken to jail for not paying taxes and had to leave Phillis and their remaining child behind. Afterword Phillis continued to live in boston with her child. Though phillis had a hard life in boston she never really talked about her hometown, but soon Phillis really started to take off in her career as a poet she took a trip to Europe to have her poetry looked at but sadly she had to cut her trip short because her mistress (Mrs. Wheatley) had become ill, and died. She continued her trip afterward and met John Handlock, and Benjamin…
In Gwendolyn Brooks “We Real Cool” we are given a four stanza couplet that shows the daily activities of seven young men that dropped out of school. What I found really fitting in this poem was how the rhythm of the poem related well to the lifestyle of these young men. Each line comes at the reader quickly. Much like the rapid fire delivery of the lines in the poem, these characters also live life quickly both literally and metaphorical. The poem is spontaneous as are the characters and each line reveals more and more of the counterculture lives that these men live.…
Poetry’s beauty is in the eye of the beholder. It is written with rules and guidelines yet is a versatile piece of literature. Some poets like to bend the rules while others would just write what their heart desired. Ella Wheller Wilcox was one of the poets who loved to write about her beliefs. Ella’s poetry was known as didactic, which the critics looked down upon but her poetry was widely enjoyed and the public did not seem to have the same thoughts as the critics did. In fact her didactic ways is what drew me into her most famous poem, Solitude. Solitude is a simple yet moving poem that shows the reader the fight between good and evil. Wheller shows us in Solitude the constant battle of our inner demons and how to defeat the lesser evil.…
Tenacious foolishness often provides tremendous detriment to the subject. In William Wordsworth’s “The World Is Too Much with Us” and Gwendolyn Brooks’s “We Real Cool,” the foolish are lamented for their ignorant ways that ultimately cost them dearly. While the bases for their actions lie within the contexts of these poems, the mainspring, upon which the behaviors depicted in these poems are built, is a compulsion to isolate.…
“Three Times My Life had opened,” was written by Jane Hirshfield from her collection called The Lives of the Heart. A background of Jane Hirshfield is she had always wanted to be a writer since childhood. She was first inspired by Japanese Haikus and culture, and “dedicated [years] exclusively to learning and practicing Zen Buddhism” (Napierkowshi). This is show as see adopts many aspects of the practice in her poetry. Although, she had been inspired by some cultures writing. “She had mention her Chief American influences. . . Emily Dickinson. . .” (Varner) play a big role in her poetry too. Particular, this poem had inspiration from Emily Dickinson’s own work.…
Gwendolyn Brooks' poem "We Real Cool" identifies the struggle that Black American youths went through to define themselves in the late fifties and early sixties, in a society that was predominately trying to keep them oppressed. The poem portrays a group of young Black boys who hang out in a pool hall and conduct illegal activity instead of going to school with the rest of their peers. The boys are insecure about their role in society; they talk big so that they can hide behind their facade of being a tough guy or a thug. These boys feel as though they do not have a place in society outside of being a criminal, but instead of fighting the stereotype of the lazy Black man they give in and become what they are expected to become by White, upper-class society.…
The diction in this poems fits in with the identity of the persona. The poet uses “cool” (1.6) and “gangsters” (1.10) to fit in with the language used by teenagers and to create the persona the speaker wishes to show.. She also mimics their speech pattern, like “Syn/co/pa/ted” (1.4) which shows the beat teenagers talk in. “Strut and slide” impersonates how they walk, showing how arrogant these teenagers are. The appearance of the sixteen-year-old girls is reveal by the vivid description of the “nylons sassy black heels” (1.12) and “two inch zippered boots” (1.13). The poet uses the simile “paint our eyes like gangsters” to express how adolescent girls put on heavy make up so that they would be unidentifiable. “Never to be mistaken for white” conveys the idea how the wish to be seen as something they are not, something they…
The poem “Lonely Hearts” by Wendy Cope is a little too dramatic in my opinion. In the poem, she writes about a man who is seeking for someone to love and that will love him back because he is lonely. In the poem the lines “Executive in search of something new—Perhaps bisexual woman, arty, young, Do you live North London? Is it you?” (7-9) informed me that this guy is so desperate to find somebody that he would settle with pretty much anyone that came along. I believe that no one should rush into something like that, no matter how lonesome you are.…
American poetry, the poetry of the United States, arose first as efforts by colonists to add their voices to English poetry in the 17th century, well before the constitutional unification of the thirteen colonies (although before this unification, a strong oral tradition often likened to poetry existed among Native American societies).[1] Unsurprisingly, most of the early colonists' work relied on contemporary British models of poetic form, diction, and theme. However, in the 19th century, a distinctive American idiom began to emerge. By the later part of that century, when Walt Whitman was winning an enthusiastic audience abroad, poets from the United States had begun to take their place at the forefront of the English-language avant-garde.…