The American Dream, as it arose in the Colonial period and developed in the nineteenth century, was based on the assumption that each person, no matter what his origins, could succeed in life on the sole basis of his or her own skill and effort. The dream was embodied in the ideal of the self-made man, just as it was embodied in Fitzgerald's own family by his grandfather, P. F. McQuillan.
Fitzgerald's novel takes its place among other novels whose insights into the nature of the American dream have not affected the artistic form of the novel itself. The Great Gatsby serves as Fitzgerald's critique of the American dream. The Great Gatsby embodies a criticism of America and the American experience, more radical than any other author has attempted. The theme of the novel is the destruction of the American dream during the 1920s, a period when the vulgar pursuit of material happiness has corrupted the old values that gave substance to the dream. The characters are Midwesterners who have come East in pursuit of this new dream of money, fame, success, glamour, and excitement. Tom and Daisy must have a huge house, a stable of polo ponies, and friends in Europe. Gatsby must have his enormous mansion before he can feel confident enough to try to win Daisy. Fitzgerald does not criticize the American dream itself but the corruption of that dream. What was once for Ben Franklin or Thomas
Jefferson a belief in self-reliance and hard work has become what Nick Carraway calls " . . . the service of a vast, vulgar, and meretricious beauty." The energy that might have gone into the pursuit of noble goals has been channeled into the pursuit of power and pleasure, and a very showy, but fundamentally empty form of success. Fitzgerald's critique of the American dream is developed through certain dominant images and symbols. Fitzgerald uses the green light as a symbol of hope, money, and jealousy. Hope