Over the years, throughout the world there are being discovered important art pieces created by known, unknown artists or simply by people who want to pay tribute to someone in particular, who has different and special elements behind. Around the world, investigators have discovered millions of beautiful and significant pieces that symbolize some important events in the lives of a culture, of a people or a civilization. Such is the case of the discovery of two statues of great goddesses; Nike of Samothrace and Coatlicue, both have strong similarities as well as differences, they had different cultures and myths, and also had artistic and symbolic elements.…
This beautiful, monumental statue is believed to represent the goddess Victory coming down from the heavens to congratulate the conquerors in a naval battle, often times Victory is depicted bringing an offering of a wreath, trumpet, or a fillet, but discoveries of her right hand prove that she simply had her hand outstretched. Recreating this piece was not an easy task either; with so many pieces missing it is amazing that the statue is as beautiful as it is today. The statue was discovered in April 1863 by Charles Champoiseau on the island of Samothrace, outside of…
The first sculpture or carved figure I am explaining, comparing, and contrasting is the Spirit Spouse. The Spirit Spouse is used to decorate with jewelry, take care with oil, and pray to. This particular African culture believes that you were in past life before the one we are currently living in. This culture believed that everyone had a spirt spouse. This replica is supposed to represent the spirt spouse in our previous lives. The better the figure looks is a indication that the owner takes care of the figure and praises it as well.…
As Hesiod explains, from the start, the formation of the first woman was unnatural and monstrous. The gods molded this creature from clay and adored her with untold beauty. They then placed her into the civilized world and as she steps foot both God and men become overpowered by “... the wonders [that] possessed both immortal gods and mortal men, when they saw the thorny deception, irresistible for men.” (Hesiod 42) The female, like all other monsters, is a hybrid with morphological oddities and extraordinary physical powers that threaten Greek society. And since she is not “fully human”, she bridges between the divine powers of the gods and the destructive power of nature. Her formation from the earth, furthermore, goes beyond the boundaries…
Three epic battles are painted across the back side of her shield, which are also portrayed on the outside of the building with the previously describe sculptures and frizzes. Her face is painted with bright blue eyes and red lipstick. She has such a blank stare it gives off a stern but eerie feeling once walking into the room. Personally my favorite part of the exhibit because of how massive and intriguing the giant statue is. I love seeing metaphors within the sculpture such as Medusa’s head adorned across Athena’s shield, indication to the old Greek mythology story where Athena slayed Medusa. I feel as if this piece shows great significance to Greek beliefs that the gods protected them. The serpent beside Athena is said to represent the people of Athens and Athena’s shield protects the serpent, as she does them. This assumption only further emphasizes my previous notion that the original Parthenon was made for Athena in hopes she would protect the people of Athens. However that is only my assumption as no absolute reason has been established as to why it was built and its purpose.…
Athena is one of the most important Goddesses of Mount Olympus. She gave guidance to those who seeked it. She was brave and very intelectual no matter the circumstance. She was also has one of the strangest stories of becoming a goddess. Let’s start with the story of how Athena came to be.…
Athena is one of the most well known goddesses from ancient Greece. She is Goddess of Wisdom and of War and is a good example of the template used for our modern day female superhero. Often called a feminist goddess, she is described as strong in both her character and body, independent and fierce, wise and rational. The story of Athena’s birth is well known. Zeus consumed the Titan goddess Metis and began to suffer a headache, Hephaestus then splits Zeus’ head open to relieve the ache and out of the wound sprung Athena. If you look close enough, Athena was born of man and woman asexually, but it was often said, even by Athena herself that she was born only of man. This course of action is a denial of the maternal origin and her mother is never seen in ancient myth as a disrespect. The denial of birth and female power to give birth commandeers this power and creates another layer of patriarchal views on the creation of life in the world. She belongs to only her father and sees herself as his greatest and most trusted heir. She was a part of the world in a way the women of her time were not allowed to be, a goddess of both war and wisdom, when the women in society were seen as irrational and unpredictable by the men around them. But she still remains a beacon of what a perfect women should be in their society, virginal, beautiful and loyally pledged to…
An unknown artist created the statue Saint Margaret of Antioch ca. 1275-1325 A.D. using limestone, paint, and gilding. As the name suggests, the subject of the painting is Saint Margaret, depicted as young and innocent standing atop her emblem, a dragon. The statue is currently being displayed at the Metropolitan Museum of Art as part of the Cloisters Collection though it was originally made in Burgos, Castile-Léon, Spain. While large, Saint Margaret of Antioch is not life size and stands at only 45 x 15 1/2 x 10 3/4 in. overall, however its display at the Met forces the viewer the direct their gaze slightly upward in order to view her face in its entirety if they are not standing far enough away.…
Many works of art have hidden influence in them stemming out from all parts of the world. With these influences come themes tied to each type of work. The Warrior and Transformation Mask are just a couple examples of this. The Warrior was created in between 900-400 BC, created by the Olmec, it was one of the many giant heads found all over the Olmec area usually brought over land and along rivers. They are thought to be created to honor specific rulers and are a testament to his power. Approximately 134 have been found from 5 to 12 feet and weighing 5 to over 20 tons and all are unique. It’s influence has spread all over the world from the Statue of Liberty to the Great Sphinx all the way to the Statue of Liberty. They are all statues larger…
It is 85.24 cm long bronze statue. This statue is of a mythological god, Eros. Eros is the Greek god of love and sexual desire. He was also worshiped as a fertility god. This statue depicts Eros as a baby. The figure is in an exhausted and relaxing, reclining poses. The figure has pudgy limbs and curly hair. Unlike the “Seated statue of Gudea”, it has naturalistic detail. Which makes it realistic, and humanized besides the fact of it having wings on its back. According to the descriptions at the Metropolitan Museum, this statue in the Roman period served a purposed of decoration in the villa gardens and fountains. Its function in the Hellenistic period isn’t clear but possibly have been used as dedications within a sanctuary of Aphrodite or possibly erected in a public park or private, even royal,…
The artwork reminds me of a US History class I took in my old university, Oklahoma Christian University. The professor lectured his students including me about how Native Indian women were catering for the family but they were other specific women who went to wars and battle with others against enemies to protect their land which I believe that this woman in the artwork played that role.…
She help watch over the city and was the goddess of civilization. Athena always took the mortals side. In other words she was Zeus’…
Due to her importance within her pantheon she has various forms of iconography that represent her. In fact one of the most famous surviving pieces of Sumerian art from the Jemdet Nasar period; the Uruk Vase is thought to depict her receiving an offering. (Pollock 189-190) However, while that is the most well-known depictions or symbols of her have existed from the earliest period with her being represented reed bundle or gatepost. Latter depictions in her love goddess aspect show her naked while in her warrior form she has weapons.…
We consider Da Vinci’s “Mona Lisa” to be one of the greatest works of art known to man. People discuss how perfectly proportionate her face is, and how great a portrayal of the human face it is. However, no one comments on a similar work of art from a much, much earlier time; “The Lady of Warka”. The Lady of Warka is considered to be the “Mona Lisa of Mesopotamia”. It is one of the earliest relief sculptures known to man (Iraqi Artifact, 1). This wonderful artifact teaches a great deal about how rich in culture and literacy the Mesopotamian civilization was. The Lady of Warka is a life-size sculpture of a woman’s face dating back around 5000 years (Banerjee, 1). It is shocking how detailed and accurate the face is, considering the time when it was made. Though not important as a functional item, the Lady of Warka is very useful educationally. Not only does it help us learn more about ancient Mesopotamian arts and culture, but it also provides a great understanding of the development of art, particularly sculptures. In 2003, following the fall of Saddam Hussein’s regime, chaos and looting took over the streets of Iraq. One of the places that were looted is the home of many ancient Iraqi artifacts including the Lady of Warka, the National Museum of Iraq. The theft of artifacts, though not always highly publicized, takes place quite frequently. The theft of these items is wrong as it denies people from all walks of life the chance to look into the past and understand the development and progress that humans have made. I believe that because of the instability of countries such as Iraq, artifacts such as the Lady of Warka, should be kept in an international museum in a stable country. This should be done to ensure that these artifacts are as safe as possible and that people from all over the world can come to see them.…
Discovered in 1903, by British archaeologist Sir Arthur Evans, at The Temple Repositories, The Snake Goddess dates back to approximately 1600 BCE (Evans 495). Today little is known about the actual representation of the faïence figurine, however evidence supports that The Snake Goddess symbolizes fertility, holiness, and life and death (Flamee). The most prominent way The Snake Goddess represents fertility is by her appearance. Standing at 13½ inches in the Herakleion Museum at Crete, The Snake Goddess holds a snake in each hand, wears a hat with a sitting cat on top and has exposed bare breasts (Witcombe). The fact that she is depicted partially nude, with her breasts uncovered is interpreted as a sign of fertility mostly relating to the growth of crops. The cat which sits on the hat is acknowledged as a symbol of sex or fertility which provides evidence that she is not only a fertility deity but also a mother deity (Joe). In Minoan religion, snakes often signify protection of the house and life, “To my own knowledge in Herzegovina and the Serbian lands, East of the Adriatic, it was not an uncommon thing for snakes, who had sought such human hospitality, to be fed with milk and treated as domestic pets. Such as household snake is known, indeed, as domachilsa or housemother” (Evans 509). This is because snakes are generally related to…