He worked on all scales he was not particular. In this decade he painted racing, hunting, and shooting scenes, and portraits of wild animals especially horses. In fact, his first dramatic subject matter was of a horse attacked by a lion. His supporters were recognized, and he exhibited from 1762 at the Society of Artists, of which he became president of in 1772. However, as an animal painter he was not made an established member from the Royal Academy of Arts and did not change to the presentations there until 1775. In 1780, he was chosen as an Associate of the Royal Academy, in any case, however, he was elected a full Academician in 1781, and his election was not sanctioned since he never supplied a diploma picture. This was most likely the consequence of his disappointment at the unfavorable hanging in 1781 of his enamel paintings. In the 1770s Stubbs' reputation endured. This was mostly due to his arrangement as a unimportant animal painter, and somewhat in his absorption in experiments with veneer hues, a procedure that prompted a productive relationship with Josiah Wedgwood, whose fired tablets he discovered the best support for bigger
He worked on all scales he was not particular. In this decade he painted racing, hunting, and shooting scenes, and portraits of wild animals especially horses. In fact, his first dramatic subject matter was of a horse attacked by a lion. His supporters were recognized, and he exhibited from 1762 at the Society of Artists, of which he became president of in 1772. However, as an animal painter he was not made an established member from the Royal Academy of Arts and did not change to the presentations there until 1775. In 1780, he was chosen as an Associate of the Royal Academy, in any case, however, he was elected a full Academician in 1781, and his election was not sanctioned since he never supplied a diploma picture. This was most likely the consequence of his disappointment at the unfavorable hanging in 1781 of his enamel paintings. In the 1770s Stubbs' reputation endured. This was mostly due to his arrangement as a unimportant animal painter, and somewhat in his absorption in experiments with veneer hues, a procedure that prompted a productive relationship with Josiah Wedgwood, whose fired tablets he discovered the best support for bigger