Preview

Geometric Krater

Better Essays
Open Document
Open Document
866 Words
Grammar
Grammar
Plagiarism
Plagiarism
Writing
Writing
Score
Score
Geometric Krater
Geometric Krater The Geometric Krater is a magnificent piece of Greek Art. In the eight century, vase painting became very popular. The vases show a great show a great variety of style and development over the centuries, beginning with the geometric and very linear style. They then continued through the oriental style which borrowed images from the eastern world, and into the classical era with mythology portrayed with as much classical accuracy as the ancient Greek potters and painters could muster. The majority of the vases were made of a ceramic material which could easily be used for everyday uses, however in this time, the artists would then paint on them in order to decorate them and make them ornate enough to be used for cultural or ceremonial uses such as grave markers. The Geometric Krater is a prime example of the vase painting movement in Greek art. Originally made in approximately 740 B.C in Athens, Greece, the Geometric Krater was used as a grave marker in the Dipylon cemetery and now can be located in the Metropolitan Museum of Art in New York City. The vase stands about three and a half feet high and is in the ‘krater' shape. This shape is classified as having round body, a wide mouth, a heavy stand and a handle on either side, (Pottier). This specific vase was made to serve a purpose besides to decorate the grave site. It was made with holes "cut out of its bottom in order for liquid offerings to be poured to the dead," (Vlamis).
The vase itself is golden, embellished with black and red geometric designs. These geometric designs are made up of intense details and intricate designs. The base of the vase is covered in thick black stripes separated by thinner and more decorative golden stripes. On the top half of the vase is where the designs become very intricate and are actually depictions of things. There are two main bands in which scenes are drawn out. Upon looking closely, one will see that the a funeral scene is represented.



Cited: Carr, Karen. "Pottery." History for Kids. 09 Dec. 2005 . Kleiner, Fred S., and Christin J. Mamiya. Gardner 's Art Through the Ages The Western Perspective. 12th ed. Belmont: Thomson, 2006. Pottier, Edmond. Kraters. CVA. 09 Dec. 2005 . Vlamis, Christos. "Pottery Styles." Archaeonia. University of Portsmouth. 09 Dec. 2005 .

You May Also Find These Documents Helpful

  • Good Essays

    By comparing the two sculptures of Khafre, image 3-11 ca. 2520-2494 BCE (1), with the statue of Doryphoros (Spear Bearer), image 5-40 ca. 450-440 BCE (2) you get a true sense of the evolution of art, from Pharaonic Egypt to Classical Athenian Greece two millennia later. This was not just a revolution in art but also philosophy, which transported itself into not only the types sculptures created but also the style used by their creators.…

    • 391 Words
    • 2 Pages
    Good Essays
  • Good Essays

    In the Ancient Gallery in the Chazen Museum of Art, there is a bell krater from Attica, Greece that was made around 460-450 BCE. It is a ceramic vase that is in excellent condition with the exception of a few chips on the red-figure decoration. The Bell Krater (figure 1, figure 2) stands under two feet tall and is just over one foot in width. Overall, the scene and design style on this krater is mostly consistent throughout the entire body of the vase, but there are a few formal elements that separate the scenes on Side A (figure 1) from Side B (figure 2). The three main elements that will be discussed include technique, space, and line, as they all have a significant impact on how the viewer sees the artwork. While the Bell Krater is cohesive as a whole, the different use of formal elements on each side would have created individual impressions for the viewer in Ancient Greece as they surveyed both viewpoints while dining in their home.…

    • 1581 Words
    • 7 Pages
    Good Essays
  • Good Essays

    buried, it stood outside of the tomb as a grave marker and replaced huge vases…

    • 254 Words
    • 2 Pages
    Good Essays
  • Good Essays

    Again, it is a collection of objects created from fine glass beads. The objects are elements of plant and human material including the contrast of flowers and bones. Again, the artwork is a form of installation, through a museology display cabinet and eccentric lighting positioned above the cabinet to create a shadowing of the objects on the floor.…

    • 1030 Words
    • 5 Pages
    Good Essays
  • Good Essays

    Both vases are about the same shape and have images of men on them. There different are that on is based on planting and harvesting the other worriers. There are made from two different materials and the images are put on in different manners.Aegean Art." History of Art: Architecture and Sculpture. Web. 08 Feb. 2012. <http://www.all-art.org/Architecture/4.htm>.…

    • 408 Words
    • 2 Pages
    Good Essays
  • Good Essays

    Ezekias mainly illustrates historical writings and shockingly realistic interpretations of Athenian life. The styles of the vases appears noticeably different from eight century BC Geometric art featuring abstract motifs and instead show human portrayals that appear to emerge from the painting. A painter of heroes, Ezekias demonstrates his careful attention to detail and insight into Greek mythology with his most famous work: the amphora vase at the Vatican showing Achilles and Ajax playing a dice game. Unlike earlier Athenian black-figure vases of Kleitias the surface of the vase is not divided into horizontal bands; rather, monumental figures are shown in profile view in a single large framed panel. When comparing Ezekias’s amphora to other works of art of the period, it is clear that the artist is working towards finding a freer world. Where there was rigidity in the forms, there is now a mix of sternness and charm. He appears much less interested in violent action than previous and focuses more in soft deliberate movements and small though not insignificant activities that last for some time and reflect a realistic view of Athenian life.…

    • 523 Words
    • 3 Pages
    Good Essays
  • Good Essays

    Kroisos Symbolism

    • 797 Words
    • 4 Pages

    The Greeks believed that, when death occurs, the spirit leaves, then the body prepared for burial. The Kroisos Kouros is a free-standing archaic grave marker representing a male youth. In particular, Kroisos is a marble statue used to mark the resting place of a male warrior. The Kroisos suggests the idea of immortality as the statues represent the warrior. Grave markers are primarily dedicated to a person, depiction of living family members indicates the necessity, for a public display of the family relationship. The grave stele of Thrasynos, parents are bidding farewell to their Son as he journeys into the afterlife. 1 The naturalism of the Kroisos is in distinct contrast to the realism of the grave stele of Thrasynos.…

    • 797 Words
    • 4 Pages
    Good Essays
  • Better Essays

    The size of this sculpture is considered to be unusually large for this time. With the Kouros, Ancient Greece begins a remarkable journey, exploring the possibilities of ancient sculpture, opening the floodgates for a revolution that would define the artistic heritage of civilization. Moving forward through time, the Greeks built upon this form, moving toward a definitive realism, achieved through a society that revered the…

    • 1261 Words
    • 6 Pages
    Better Essays
  • Good Essays

    Egyptian Kraters

    • 1719 Words
    • 7 Pages

    The average Cypriot individual did not have the education or knowledge to understand the messages behind foreign mycenaean art; consequently, this new form appealed to the elite due to its innate restrictive access. Containing references to the greek palaces, the imagery of the kraters linked the elites to the Mediterranean aristocratic lifestyle (Steel 290-291). Specifically, the kraters contained the image of the chariot, a fundamental symbol of the elite during the Late Bronze Age. The chariot represented hunting and warfare, but only the wealthiest could afford the horses required to pull it and the leisure time to pursue hunting; as a result, it inspired the chariot pictorial kraters found throughout elite burials (Steel 291). The elites of Cyprus not only sought to acquire these goods but they also desired to increase their rarity by lowering circulation. By placing the greek pictorial kraters in funerary contexts, they revered the dead and also removed the pottery from general circulation (Steel 293). Consequently, Greek ceramics remained in high value, and the elite maintained their status and…

    • 1719 Words
    • 7 Pages
    Good Essays
  • Good Essays

    Art 14

    • 1321 Words
    • 6 Pages

    In nature, bounteous displays and vivid colors are considered ideal, especially when it comes to flowers. A great example of this is Little Bouquet in a Clay Jar by Jan Bruegel. This is an oil painting of an arrangement of flowers in a modest clay pot. The flowers are extremely voluptuous and bountiful in comparison to the small vase. The flowers take up the majority of the SPACE of the painting, displaying their importance and the ideal that nature is plentiful with beauty. The artist used COLOR in a layering effect of the flower-he used mostly blue, red, and darker yellow flowers in the back so that they can be seen threw the mostly lighter colored flowers in the forefront of the arrangement. This adds to the density and volume of the bouquet. The clay pot, wild flowers, and slugs and bugs all add to the natural and organic feel of the painting. Each flower is painted so intricately and with extreme detail despite the incredible volume of flowers. This attention to detail of each individual flower displays the artist’s appreciation and admiration of the beauty of nature and flowers in particular. This is also evident in the way the artist used LIGHT to bring to life the flowers and really capture their vividness, but yet the gold coins and jewelry in the corner is dull in comparison. This painting is a great example of how the idealistic of nature are displayed in artwork.…

    • 1321 Words
    • 6 Pages
    Good Essays
  • Good Essays

    Bibliography: Kleiner, Fred S. and Christian J. Mamiya, Gardner 's Art Through the Ages: A Concise History, Thompson Wadsworth, c. 2006…

    • 879 Words
    • 4 Pages
    Good Essays
  • Good Essays

    The Art of Ancient Greece

    • 5228 Words
    • 21 Pages

    Funerary krater: In year 1050 there is evidence of the development of a specific Greek style. This specific style is found first on the vases/ceramic wares. The decoration on the surface is a narrative of a funeral procession. The figures are very simplified; depicted into very simple geometric shapes; torso and hips are triangular. We see a body lying in state (prothesis) which means this vase could have been used as a grave marker. I do want you to notice that there is more of an attempt to display real human emotions. The mourners’ arms are raised over their head as if in distress. It is no surprise that the Greeks would acknowledge real emotional grief in this painting. They were a civilization that was self aware. Their deities were not only human looking but also had very human characteristics. In fact the only difference between the gods and humans was that the…

    • 5228 Words
    • 21 Pages
    Good Essays
  • Better Essays

    Bruial of the Dead

    • 1275 Words
    • 6 Pages

    Cited: 1. Kleiner, Fred S., Christin J. Mamiya, and Helen Gardner. Gardner 's Art through the Ages. 12th ed. Vol. 1. South Melbourne, Vic.: Thomson/Wadsworth, 2005. Print.…

    • 1275 Words
    • 6 Pages
    Better Essays
  • Good Essays

    Capitoline Wolf

    • 295 Words
    • 1 Page

    While looking through Gardner’s Art through the Ages I found a picture of the Capitoline Wolf and I was instantly curious about what it could possibly mean. I was really interested in learning why these two boys were suckling from this wolf, this is why I chose to do my art card on the Capitoline Wolf. This bronze statue is from the Classical period, ca. 500 – 480 BCE, and was made by an Etruscan sculptor. The statue is 2’7 ½” high. The infants portrayed are Romulus and Remus who are said to be the founders of Rome. Romulus and Remus great-uncle attempted to have them killed after recognizing that they could be more than human and gave a servant the task to assassinate them. Instead the servant only abandoned the infants near the Tiber river that was at the time flooded. Legend has it that a she-wolf found the infants and suckled them, a woodpecker helped feed them and later a swineherd brought them up. Romulus and Remus grew up and after Remus was captured, Romulus went to rescue him. When twins that were the correct age as the two infants abandoned were seen the secret of who they were was uncovered. With the help of their grandfather’s men and their own they were able to depose their great-uncle and helped restore their grandfather to the throne. Unwilling to serve under any king, Romulus and Remus left Alba to find their own city. They each found their own sites and while arguing as to whose site was better, Romulus killed Remus. Remus was buried and Romulus continued to build his own city which was Rome.…

    • 295 Words
    • 1 Page
    Good Essays
  • Good Essays

    Atonement - Vase Symbolism

    • 1482 Words
    • 6 Pages

    Throughout Ian McEwan’s Atonement, the vase symbolizes the destruction relationships and family bonds. The vase plays an important role in the Tallis’ family heritage. Mr. Tallis, in fact has a deep emotional connection to it. The Tallis vase was given to Uncle Clem (Jack Tallis’ brother) while “he was on liaison duties in the French sector and initiated a last-minute evacuation of a small town west of Verdun before it was shelled” (McEwan 21). Uncle Clem was a war hero for risking his life for others, and received this vase as a sign a gratitude. This is why Jack Tallis “wanted the vase in use, in honor of his brother’s memory” (McEwan 23). In Jack’s eyes having wild flowers alive in the vase meant that there is still life associated with his deceased brother, which thoroughly kept him alive in his eyes. Emily, Jack’s wife however, does not particularly like the vase throughout the novel because it has Chinese figures on it and “seemed fussy and oppressive” (McEwan 23), later tolerating it because she understands how important its meaning is honoring Clem’s legacy. In the beginning of the novel, the vase is in perfect condition and is beautiful as can be. It even had wild flowers on it. Many may believe these foreshadowed the chaos throughout the novel. The appearance of the vase is very royal looking and prestige and put together, similar to the Tallis family. Just like the vase, on the outside, the Tallis’ seem collected and stable, but in reality they clearly have issues, symbolized by the wildflowers. The family’s problems unfortunately go unrecognized until the chaos the night of the dinner. Ironically it is pointed…

    • 1482 Words
    • 6 Pages
    Good Essays

Related Topics