Fred Fred Burger

Topics: Drama, Stagecraft, Narrative, Tragedy, Theatre of ancient Greece / Pages: 97 (24234 words) / Published: Feb 25th, 2014
STEFANIE LETHBRIDGE AND JARMILA MILDORF:

Basics of English Studies:
An introductory course for students of literary studies in English.
Developed at the English departments of the
Universities of Tübingen, Stuttgart and Freiburg

3. Drama
Table of Contents:
3.1. Text and Theatre ...................................................................................90
3.2. Information Flow ..............................................................................91
3.2.1 Amount and Detail of Information ....................................................91
3.2.2. Transmission of Information ..............................................................93
3.2.3. Perspective .............................................................................................94
3.2.3.1. Dramatic Irony ...................................................................................95
SO WHAT? .........................................................................................................96
3.3. Structure ..................................................................................................98
3.3.1. Story and Plot ........................................................................................98
3.3.2. Three Unities .........................................................................................98
3.3.3. Freytag’s Pyramid ..................................................................................99
3.3.4. Open and Closed Drama .................................................................. 101
3.4. Space ..................................................................................................... 102
3.4.1. Word Scenery ..................................................................................... 103
3.4.2. Setting and Characterisation ............................................................. 104
3.4.3. Symbolic Space



Bibliography: Shakespeare, William. 1994. Complete Works. Ed. Peter Alexander. Glasgow: HarperCollins. Beckett, Samuel. 1965. Waiting for Godot: A Tragicomedy in Two Acts. Bond, Edward. 1965. Saved. London: Methuen. Congreve, William. 1971 [1700]. The Way of the World. Ed. Brian Gibbons. Shakespeare, William. 1981. King Richard III. Ed. Anthony Hammond. Wilde, Oscar. 1994. Complete Works. Ed. Merlin Holland. Glasgow: HarperCollins. Shakespeare, William. 1982. Hamlet. Ed. Harold Jenkins. Arden Edition. O’Casey, Sean. 1994. Three Plays: Juno and the Paycock, The Shadow of a Gunman, The Plough and the Stars Osborne, John. 1957. Look Back in Anger. A Play in Three Acts. Salgado, Gamini, ed. 1965. Three Jacobean Tragedies. Harmondsworth: Penguin. Shaffer, Peter. 1974. Equus. Harmondsworth: Penguin. Banham, Martin, ed. 1995. The Cambridge Guide to Theatre. Cambridge: Cambridge University Press. Bevington, David. 1996. “‘But We Are Spirits of Another Sort’: The Dark Side of Love and Magic in A Midsummer Night’s Dream.” New Berry, Ralph. 1985. Shakespeare and the Awareness of the Audience. London: Macmillan. Bradbrook, Muriel C. 1963. The Growth and Structure of Elizabethan Comedy. Bradbrook, Muriel C. 1980. Themes and Conventions of Elizabethan Tragedy. Brooke, Nicholas. 1979. Horrid Laughter in Jacobean Tragedy. London: Open Books. Brown, John Russell, ed. 1995. The Oxford Illustrated History of Theatre. Corrigan, Robert W. 1992. The World of Theatre. Madison: Brown and Benchmark. Esslin, Martin. 1974. The Theatre of the Absurd. London: Methuen. Esslin, Martin. 1977. An Anatomy of Drama. New York: Hill and Wang. Fielitz, Sonja. 1995. “Grundfragen der Dramenanalyse.” Handbuch Englisch als Fremdsprache Fielitz, Sonja. 1999. Drama: Text und Theater. Berlin: Cornelsen. Gianakaris, Constantine John. 1977. “Theatre of the Mind in Miller, Osborne and Shaffer.” Renascence 30.1: 33-41. Goetsch, Paul. 1992. Bauformen des modernen englischen und amerikanischen Dramas Goetsch, Paul. 1996. “Die Grenzen der Macht: Prosperos dialogisches Verhalten in The Tempest.” Dialogische Strukturen Goldstone, Herbert. 1982. Coping with Vulnerability: The Achievement of John Osborne Gurr, Andrew. 1996. The Shakespearian Playing Companies. Oxford: Oxford University Press. Gurr, Andrew and Mariko Ichikawa. 2000. Staging in Shakespeare’s Theatres. Hartnoll, Phyllis and Peter Found, eds. 1996. The Concise Oxford Companion to the Theatre Hirst, David L., ed. 1985. Edward Bond. New York: Grove Press. Kaufmann, Ralph James, ed. 1961. Elizabethan Drama: Modern Essays in Criticism Kesting, Marianne. 1989. Das epische Theater: Zur Struktur des modernen Dramas. Klotz, Volker. 1999. Geschlossene und offene Form im Drama. München: Carl Hanser. Krieger, Elliot. 1996. “A Midsummer Night’s Dream.” New Casebooks. A Midsummer Night’s Dream Krieger, Gottfried. 1998. “Dramentheorie und Methoden der Dramenanalyse.” Literaturwissenschaftliche Theorien, Modelle und McAlindon, Thomas. 1986. English Renaissance Tragedy. Basingstoke: Macmillan. Müller, Klaus-Peter. 1993. Englische Theater der Gegenwart. Geschichte(n) und Strukturen Pfister, Manfred. 2001. Das Drama. Theorie und Analyse. München: Fink. Platz-Waury, Elke. 1999. Drama und Theater: Eine Einführung. Tübingen: Gunter Narr. Plett, Heinrich F. 1982. Englisches Drama von Beckett bis Bond. München: Fink. Richmond, Hugh M. 1989. King Richard III. Manchester/New York: Manchester University Press. Russo, Anna. 1998. Wege des epischen Theaters. Bertold Brecht und Dario Fo. Schabert, Ina, ed. 2000. Shakespeare-Handbuch. Die Zeit. Der Mensch. Das Werk.

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