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Mary Shelley’s Frankenstein presents that Victor’s creation is a monster and that is not true. The true monster in this story is Dr. Victor Frankenstein. Victor had one goal in creating his creature and that was to gain fame and to gain praise from his creation. The one difference that separates Victor and the Creature apart is that Victor thought that the creature was still evil in the end, but the creature realized that what he had done was…
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The monster, although it has acquired the name Frankenstein in popular culture, remains nameless throughout the novel, signifying its lack of acceptance in a human society. The monster’s rejection stems significantly from its appearance, ranging from its "yellow skin" (Shelley 42) and "dim-white sockets" (42) to its "straight black lips” (42) and a "shriveled complexion” (42). Shelley has clearly distinguished the monster, marking the first divide between monster and human. She has also established the initial trickling of the monster’s inability to associate with humans. In fact, the monster’s own creator, Victor Frankenstein, rejects it due to its appearance and refuses to interact with the hideous beast. The monster’s appearance prevents other characters from seriously interacting with the monster, as they form a prejudice against a non-human being. The fear of that which is non-human lingers throughout Shelley’s…
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Frankenstein and the monster are abandoned by their creators at a young age, Frankenstein is left without his mother after her death, and the monster is rejected by Frankenstein. Frankenstein and the monster are also similar in that they are isolated and outcasts of society. Frankenstein is most likely an outcast when he consumes himself in work and is isolated when the monster kills those he loves, and the monster is obviously isolated as an ugly, deformed outcast of society. Therefore Frankenstein seems less human than the monster, he displays this by deserting the monster, declining to visit his family for two years and by declining to save Justine. Frankenstein starts out with good intentions, he is merely seeking to gain knowledge of…
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One approach to this question would be to say that the creature in 'Frankentein' was himself the only monster. However, as we soon realise, the creature is benevolent at heart and only becomes monstrous due to the unjust way in which society treats him. The bleak, miserable world which Shelley portrays, full of hypocrisy, oppression and prejudice gains exposure through the depiction of the monsters 'fall from grace'. It is through the monsters suffering that he becomes truly monstrous. Shelley is suggesting that the creature's misdeeds are caused by the enormity of his suffering; at heart, he is essentially good. And, more importantly, essentially human. If he is monstrous, no one but Frankenstein is to blame. When the outraged creature demands of his creator, 'How dare you sport thus with life?' the question succinctly represents the sentiments of the reader, and perhaps even of the author as well. Frankenstein, in his hypocrisy, longs to murder a being who owes its life to him. If the creature is, paradoxically, both inherently good and capable of evil, then his creator is as well. The main cause of the monster's suffering rests with none other than Victor Frankenstein himself, whose actions at the monster's birth were surely monstrous also. To desert a newborn child is to defy one of the most fundamental elements of human nature. This shows Victor to be inhumane, and hence, monstrous. It is this inner monstrosity that is reflected in the creature's hideous visage. This exposes one of the novels key themes; Frankenstein is the monster's double. It becomes clear at this point that Shelley is making use both meanings of the word monster. In modern usage, the term 'monster' has come to mean 'something frighteningly unnatural of huge dimensions'. However at the time of 'Frankenstein's' writing its meaning was quite different. In earlier usage a monster is 'someone or something to be shown' Shelley uses both definitions in order to blur the fine line between what is…
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In the book Frankenstein, the Monster adopted a crime and hate filled life mainly because of his interactions with humans. This is a reflection of Mary Shelley's views on human nature. While Mary Shelley was writing the book, she believed that humans are mutable, and that what they become is based off of events that occur in their lives, and decisions they make during their lifetime, and the Monster is a perfect example of this; he starts out innocent, but the abandonment from Victor Frankenstein, and the harsh treatment from people turned the Monster into an angry being.…
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In the case of Victor Frankenstein’s creature, there was no opportunity to be instructed by a father figure, so the monster was faced with the more difficult task of forming morals completely on his own. The creature was forced to learn to live on its own because Victor abandoned it as soon as it opened its eyes. This causes…
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Three events led to the creature’s turning point at which he started doing evil things. He was completely rejected by society when the DeLaceys chased him away, when [they] shot him after he saved a girl from downing, and when he discovered Victor Frankenstein’s papers describing his disgust in his creation. These overwhelmingly negative experiences led the creature to commit evil deeds. He was angered that he was forced to live an isolated life, even by his own creator. The creature was driven to murder Victor Frankenstein’s closest family and friends because of his immense…
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Frankenstein's Monster is a tangible representation of evil being created. Humans are solely responsible for the evidence of evil, primarily based off how they treat each other. Originally, the Monster embodies a childlike naivety which causes him to be completely unaware of his status as "an abhorred monster" (Shelley 92). Completely isolated from society, the Monster still develops a sense of self awareness which leads to the revelation of his loneliness. Desperate to cure his emotional pain, the Monster observes a family from afar and envies their happiness and connectedness. Eventually, he "hoped to meet the beings who, pardoning my outward form, would love me for the excellent qualities which I was capable of unfolding" (Shelley 196), and receive companionship and love from his ideal future friends. At this point, the Monster is clearly not evil, rather just an innocent being seeking the same validation that most humans strive to find.…
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By this definition, in Mary Shelley’s Frankenstein both Victor and his creation can be perceived as monsters. Both characters breach socially established boundaries with the creature blurring the lines between life and death as well as humanity and bestiality through his combined circumstances of birth and outward appearance. Frankenstein’s creation is not of human origin, but rather exists as an amalgamation of corpses created through scientific experimentation, “a product of nature – his ingredients are 100 per cent natural – and yet by the process and the very fact of his creation, he is unnatural”. Admittedly, Frankenstein’s creation fits the definition of the archetypal monster as “a large, ugly, and frightening imaginary creature” however, this is only true in regards to his aesthetical appearance for he is shown throughout the novel to exhibit the essence of humanity through his morality, intelligence and emotional capacity. In fact…
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In Frankenstein, the role of the monster and human are subtly revered with Victor considered more monstrous than the creature he created. This is because first, Victor is portrayed monstrous than the creature because he abandons his creature instead of educating and friendly introducing him to the world, which is itself a monstrous act of irresponsibility. Secondly, Victor ought to know that the creature will likely harm others, but due to his selfishness he places his family and friends at great risk. Some might say that Victor is not monstrous and disagree with the fact that he only wants creature to be killed, because he agreed to the creature that he will make the female form of the creature to fulfill the creature’s need and for his family’s…
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3a. This book cover does not correlate with my preconceived notions about Frankenstein because there is a naked man instead of the stereotypical green and blockhead monster.…
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Frankenstein, an epistolary novel by Mary Shelley, deals with epistemology, is divided into three volumes, each taking place at a distinct time. Volume I highlights the correspondence in letters between Robert Walton, an Arctic seafarer, and his sister, Margaret Saville. Walton's letters to Margaret basically explain his expedition at sea and introduce Victor Frankenstein, the protagonist of the novel. Volume II is essentially Frankenstein's narrative, told in his point of view, with much action, death, and many more characters. There are a few chapters within this volume in which the monster narrates his adventures while alone. Volume III displays Victor's death and the monsters…
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What is most significant is the abandonment the monster feels throughout the story. He expresses it by telling Walton "...I, the miserable and the abandoned, am an abortion, to be spurned at, and kicked, and trampled on" (184). He claims he is the victim of his wrongdoing and affirms: "You, who call Frankenstein your friend, seem to have a knowledge of my crimes and his misfortunes. But in detail which he gave you of them, he could not sum up the hours and months of misery which I endured, wasting in impotent passions" (183). He then goes on to express his feelings of guilt and hideousness because after all, the beast is supersensitive. "But it is true that I am a wretch, I have murdered the lovely and the helpless; I have strangled the innocent as they slept, and grasped to death his throat who never injured me or any other living thing. I have devoted my creator, the select specimen of all that is worthy of love and admiration among men, to misery; I have pursued him even to that irremediable ruin. There he lies, white and cold in death. You hate me; but your abhorrence cannot equal that with which I regard myself. I look on the hands which…
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The creature created by Victor Frankenstein was very vicious and evil as described in the story. The book creates an image of the creature as a monster that murders people close to Victor. The monster is actually a victim of an injustice taking place. The creature understands that in his life there is no justice, he tries to make himself perfect in order to change his injustice, and the willingness of searching for fairness gives the story a sense of inspiration and life lessons.…
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Green, Tall, and Scary are just a few of the words associated with the monster Frankenstein, however, this association is wrong. In today’s culture the monster from the story is often called Frankenstein, which may have a lot do with the title of the book, and the fact that the monster is never named. However, Frankenstein is the man who created the monster. Frankenstein, written by Mary Shelley, explains the events in which took place regrading Victor Frankenstein’s monster. Mary Shelley’s monster is a somewhat intellectual being, with a broken heart. However, that doesn’t make him any less horrific. Because of the monster’s horrifying physic, the monster struggles with being accepted by others, including his own creator Victor Frankenstein.…
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