Frankenstein and Bladerunner
The human experience is shaped and defined by inherent human natural characteristics, thoughts, desires, feelings, actions, behaviours and worldliness. The way in which humans interact and communicate with themselves, others and their surroundings has a profound effect on their human experience. The texts of “Frankenstein” by Mary Shelley and “Blade Runner” by Ridley Scott deal with various components of the human condition and provide the audience with an insight into the human experience.
Mary Shelley’s 1818 novel “Frankenstein”, and Ridley Scott’s 1982 film “Blade Runner”, offer a clear insight into the human experience. Through mediums such as character, theme, literary technique and cinematography, we, as the audience, are able to delve deeper into the human experience. The context in which both texts were constructed indicates societal fears and concerns of the future due to the foreseen progression of man, yet the texts show that humanity throughout the ages has been consistent; that no matter what era man inhabits, there are undeniable underlying characteristics that pervade the constraints of time. The proposed texts illustrate that the human experience is not always a “humane experience”, and that society’s perception and definition of humanity should not necessarily be confined to man or woman.
Victor Frankenstein and his creation, the protagonists of “Frankenstein”, are the two characters in the text that clearly exhibit the idea of the human experience. Victor, a young and knowledge-thirsty scientist, employs the concept of galvanism to bring to life dead body parts sewn into the figure of a man. Victor desires the pursuit of knowledge and becomes obsessed with the idea of creation of life through dead matter, and he toils for many months in the preparation and construction of his being. Though, once his creation has finally come to fruition, Victor is disgusted and repulsed by the “Daemon” he has given life....
Please join StudyMode to read the full document