Preview

Flippo Brunelleschi Analysis

Good Essays
Open Document
Open Document
458 Words
Grammar
Grammar
Plagiarism
Plagiarism
Writing
Writing
Score
Score
Flippo Brunelleschi Analysis
The Great Duomo of Florence

I chose to write about Filippo Brunelleschi’s unprecedented work on the Gothic Cathedral of Florence, which is also known as the Duomo, in Italy. This particular subject fascinated me because I have had the privilege of being inside this cathedral in 2008. It is a magnificent structure, both in size and in beauty.

Filippo Brunelleschi was born in 1377, and grew up studying drawing, painting, as well as wheels, gears and motion. He later worked as a silver and goldsmith before studying architecture.

It was 1418 and the Florence cathedral that had originally been built in 1296 was in need of repair. There was a large hole in the roof and it needed to be completely rebuilt. The founding fathers wanted
…show more content…
Fillipo Brunelleschi promised to build not just one dome, but two domes nested inside each other; and he would do it without using expensive scaffolding. Initially he was not taken seriously because he would not share how he would do it, for fear of his idea being stolen. But he won the contest.

Brunelleschi had just finished studying and sketching the great architecture in Rome. His notes were made in code so that no one else could read them. He felt prepared to take on this new challenge.

Brunelleschi had to create not only the dome, but the machinery and mechanisms used to build it at that height. He designed the dome with 8 ribs across the span that reached over to the exterior. In order for this to work, he had to create a 3-speed hoist with levers, gears and pulleys powered by oxen. This had never been done before. It provided the framework for the dome’s design elements and gave additional strength to both inside and outside the dome. They averaged about a foot per month so it took eighteen years to complete the dome and perfectly shaped cupola. Visitors can now actually climb the steps to the cupola terrace and see the two separate domes and their paintings in

You May Also Find These Documents Helpful

  • Good Essays

    The church was funded and oversaw by Cardinal Alessandro Farnese who chose Vignola as the designer. The Vignola's design utilizes a Latin-Crossed plan with a single aisle. Above, there is a broad nave with a shallow transept, below are coupled corinthian columns with lowered arcades. The arcades are shallow to not distract from the line of entablature and attic decorations toward the altar.4 On either side of the nave there are three interconnected chapels, with two additional chapels on the sides of the apes. The structure is capped off with a dome which sits over the crossing of the nave and the transepts. Above the chapel are windows which allow the light to flood in, especially on the nave. The Corinthian pilasters are placed systematically to control the flow of light to create a dramatic build up to the highly lighted altar. The bay before the dome is slightly smaller and darker then the others. On the nave, Giovanni Battista painted, The Triumph of the Name of Jesus, with fresco.3 Including the mural, all the paintings and sculptures within the church were created in unison for the benefit of…

    • 802 Words
    • 4 Pages
    Good Essays
  • Satisfactory Essays

    Filippo Brunelleschi was born on the year 1377 in Florence, Italy. He died on April 15, 1446 in Florence, Italy. His parents were Giuliana Spin and Brunellesco di Lippo. Even though Filippo Brunelleschi's early life is mainly a mystery we do know many things about him. Like Filippo Brunelleschi was an Italian designer.…

    • 390 Words
    • 2 Pages
    Satisfactory Essays
  • Good Essays

    Flippo Brunelleschi Case

    • 359 Words
    • 2 Pages

    I chose Brunelleschi’s discovery of the design for the Florence Cathedral’s dome. Brunelleschi had no formal architectural background but when the contest for creating Santa Maria’s dome was announced with a prize of 200 gold florins and possible eternal fame, Brunelleschi grabbed at the opportunity. Filippo Brunelleschi was determined to win the contest and have his double dome design used for the cathedral. Brunelleschi was certain that his design would win because it solved all of the questions being asked. People were asking, “how can a dome be built 150 feet across while starting 180 feet above the ground?” Other concerns included what kind of dome besides the traditional gothic style dome could solve this problem, and could a thousand-ton…

    • 359 Words
    • 2 Pages
    Good Essays
  • Good Essays

    In 1392, Brunelleschi became a goldsmithing and sculpting apprentice. During his apprenticeship, he studied and mastered drawing and painting, woodcarving, metal sculpting and much more. He had a mentor in Paolo dal Pozzo Toscanelli, a Florentine merchant and doctor. He taught Brunelleschi geometry and encouraged his passion in math, science, and technology. These skills would serve him greatly in the coming years.…

    • 1314 Words
    • 6 Pages
    Good Essays
  • Satisfactory Essays

    Brunelleschi did many things, but he did NOT a. design the dome of Florence Cathedral. b. study ancient buildings and monuments in Rome, rediscovering antique proportions and measurements. c. work in Florence. d. use the Colosseum as his model for the Ospedale degli Innocenti.…

    • 1261 Words
    • 9 Pages
    Satisfactory Essays
  • Good Essays

    The artistic, economic and social changes that are associated with the Renaissance first began in the Italian city of Florence…

    • 1212 Words
    • 5 Pages
    Good Essays
  • Powerful Essays

    AP EURO SEMESTER FINAL REVIEW

    • 13928 Words
    • 37 Pages

    4) Fillippo Brunelleschi: Italian architect and engineer, designer of the dome of the Cathedral of Florence, or la Duomo…

    • 13928 Words
    • 37 Pages
    Powerful Essays
  • Satisfactory Essays

    I have chosen to research Filippo Brunelleschi's design of the dome for Florence's cathedral. The referenced article dives into the history of Brunelleschi's building of the Florence cathedral, how he did it and the obstacles along the way. The founders of Florentine wanted to have a dome roof built on their cathedral, something that would symbolize the wealth of the city, but nobody knew how it would be done. A dome of this size was never attempted before. A contest was held, and Brunelleschi was elected to erect the massive structure, which was finally finished after 20 years of work. Brunelleschi had studied all sorts of artistic things like wood carving and painting, but also mechanics, too. He was known as a clockmaker. By combining what…

    • 245 Words
    • 1 Page
    Satisfactory Essays
  • Good Essays

    The Cathedral of Santa Maria del Fiore has managed to raise several questions and curiosity amongst scholars. In the early 14th century a feud between Florence and other emerging cities began, each trying to beat the other with building bigger cathedrals. Florentines didn’t like the look of gothic cathedrals, for inspiration for their dome, they looked at ancient Rome’s famous building that payed tribute to all of the gods, the Pantheon. A mural, years…

    • 1390 Words
    • 6 Pages
    Good Essays
  • Powerful Essays

    A very prominent artist, Filippo Brunelleschi is changing the appearance of Florence. Brunelleschi is basing his many architectural projects on models from ancient Greece and Rome (Grendler, 2004).…

    • 1637 Words
    • 7 Pages
    Powerful Essays
  • Good Essays

    WGU IWT1

    • 857 Words
    • 3 Pages

    Early Renaissance Architecture was known by the characteristics of a sculptor Filliipo Brunelleschi. After a trips to Rome this Artist/turned Architect began developing the system of geometric linear perspective.…

    • 857 Words
    • 3 Pages
    Good Essays
  • Better Essays

    After the repression of the revolt, Justinian I took on the task of rebuilding the Great Church from its foundations. This time it was to be built on plans well in advance of the times, using new daring, vaulting techniques and statics. The mathematician Anthemius of Tralles and the architect Isidorus of Miletus used their imagination and scientific accuracy to create a new design and build a masterpiece that would stand unique throughout the centuries. Construction work only took the short period of five years to complete.…

    • 1769 Words
    • 6 Pages
    Better Essays
  • Good Essays

    Michelangelo Buonarroti (Michelangelo di Lodovico Buonarroti Simoni) was born on March 6, 1475, in Caprese, Italy. His father worked for the Florentine government, and shortly after he was born his family returned to Florence, the city Michelangelo would always call his true home. His mother past away when he was 6, and at first his father did not approve of his son’s interest in art as a career. At 13, Michelangelo was apprenticed to painter Domenico Ghirlandaio, mainly known for his murals. A year later, his talent drew the attention of Florence’s leading citizen and art patron, Lorenzo de’ Medici, who enjoyed the sensible encouragement of being surrounded by the city’s most literate, poetic and talented men. He long an invitation to Michelangelo…

    • 852 Words
    • 4 Pages
    Good Essays
  • Good Essays

    contests this ideology through two basic positions - its strict principles of rules and regulations…

    • 640 Words
    • 3 Pages
    Good Essays
  • Good Essays

    Built in the courtyard of San Pietro in Montorio in Rome in 1502, the Tempietto is a small commemorative tomb for St. Peter. Drawing from the style of early Greek temples called a tholos, the Tempietto uses a centralized plan of a peristyle enveloping a cella. Harkening back to the classical obsession with symmetry and proportion, Bramante achieved an incredible harmony and balance between the dome, drum and base. Additional features such as the stylobate, steps, colonnade and dome all are derived from classical architecture. The columns are an example of the Doric order. The circular temple supports a classical entablature, consisting of a frieze with triglyphs and metopes, which consist of symbols of Christian passion. Although antique models provided the inspiration for all its details, the combination of parts and details were new and original, especially the fusion of the antique with new Renaissance styles. For example, Bramante adds a dome, which had a renewed interest in the Renaissance, to a tholos design which traditionally did not include a domed roof. The Tempietto is the perfect example of the Renaissance relationship between ideal ancient geometry, perfection and the divine. The connection between ideal ancient geometry and the divine was very important to Renaissance artists who strove to create exemplars of the perfection of heaven, using geometry and symmetry. Including classical elements as a connection to the divine, Bramante’s Tempietto fosters a link between architecture from antiquity and the expression of the Renaissance Christian faith. Comprised of the intricate mixture Greek influence, Renaissance architectural ideals and Bramante’s own person style, the Tempietto is a clear example of the innovation and thought behind Renaissance buildings, which sets them apart from their…

    • 1492 Words
    • 6 Pages
    Good Essays