Fire Pink Trio Analysis

Fire Pink Trio The Fire Pink Trio introduced its 2017 concept on a Thursday evening, April 20,2017 at the University of Delaware. The Fire Pink Trio consisted of three females that played three different instrument. Debra Reuter-Pivetta played the flute, Sheila Browne played the viola and Jacquelyn Bartlett who I believe was the best out of all three played the harp. Named after the beautiful North American wildflower that covers the mountains in late Spring, Fire Pinks resemble the strokes of a painter’s brush, a symbol of creativity and fresh, new ideas to the members of the trio. Fire is the energy that the trio felt upon playing together for the first time.
Pink symbolizes their compatibility.
The trip up there was exciting part of this whole experience because I was in the car with three of my friends and we were jamming to music the whole ride there. We left pretty early so we can go site seeing before we even saw the concept. The university was very beautiful and the campus was big, perhaps too big for my liking. The musical concept was held in an auditorium called
Sofia Gubaidulina was born in Chistopol in the Tatar Republic of the Soviet Union in 1931. The garden of joy and sorrow is a one-movement piece for harp, flute and viola. It was conceived under the strong influence of two directly contradictory literary phenomena: 1) the work “Sayat-Nova” by Iv Oganov (Moscow), about the famous Eastern story-teller and singer, and 2) verses by the 20th century German poet Francisco Tanzer. Vivid Eastern color was counterposed to a typically Western consciousness. But both of these works had significant inner similarities: their contemplativeness and refinement. (Schrimer). This song was stranger to me because the harpist started playing with a garden tool and it made weird sounds like they didn’t know what they were