Film Noir And Neo-Noir In The Film Taxi Driver

Before World War II, the quintessential film contained bright, happy, and optimistic tones. However, when the United States entered the battlefield, motion pictures became less optimistic. As Americans discovered the circumstances of the war, the filmmakers of the time felt hopeless as well. Ultimately, movies became hard boiled, unheroic, and unromantic. This movement is known as film noir (or black film) because the movies of this era contain a dark mood and tone. It would continue to thrive until the 1950s, when moviegoers wanted to go back to the optimistic path. Nevertheless, its successor neo-noir, which arose in the 1970s, brought back classic elements with upgraded themes and components. The film “Taxi Driver” contains many characteristics found in the film noir and neo-noir movements.
The reason involves the fact that he is an outcast who struggles to interact with others properly. For example, while driving his cab, he notices a beautiful campaign volunteer named Betsy. After grabbing a coffee with her, Travis asks her if she wants to go see a movie with him. Little did she know that it would be a pornographic one. While Travis believes this is absolutely normal, Betsy thinks it is a seductive act. Even after sending flowers in hopes of getting a second chance, Travis gets dumped. In short, his narcissism makes him believe his ideas are correct. However, in reality, a typical date does not involve watching an adult film. As a result, the outcome makes him feel almost defeated. Therefore, his beliefs make him feel like he is living with a narcissistic, defeatist