Pulp Fiction 1994 & On The Waterfront
On The Water Front, based and shot on the Waterfront of New York City, illustrates a conflict of the local neighborhood with the mobsters. Not only that, but a conflict with the antagonist (Johnny Friendly) of the story and Protagonist (Terry Malloy) of the story vs. a decision that could cost him his life. A very pricy decision it was, as it took the life of his dear brother Charlie the Gent. Director Elia Kazan created such a great film because of its acting. The way the film was casted and the costume design added to the credibility and enjoyment of the film. Marlon Brando, who was cast as Terry Malloy, the protagonist of the film, wears the same jacket throughout the film until he changes his mind set towards the end of the film. He does a great job in the deliverance of his lines, and even when he has no lines he can speak with his behavior. Such as “putting his hand nervously behind his head, or stuffing his hands in his pockets. Often, his focus seems misplaced, leaving us to wonder what’s going on deep inside his mind” (SparkNotes Editors). He constantly chews gum throughout the movie, which helps suggest his nervousness, which for the most part is caused because of his unwanted association with Joey’s murder. Malloy’s decision to, and motivation to clear his conscience is fueled by Edie Doyle (Eva Marie Saint), Joey’s sister. Edie’s portrayal of affection for Terry happens in the apartment when she and Pops Doyle are argument over the previous scene. Her father names him badly and compares him to the stray cats she brings home. She bravely defends him and her stay on the water front. With that she displays her want to discover her brothers’ murderer, and her now growing affection towards Terry. Her costume was of a catholic instructor, and the lack of makeup, made her look innocent because of her bare features. Although towards the end of the film her costumes adjust more towards here body, helping indicate a change in her personality. Father Barry’s behavioral change can also be noted after he smokes a cigarette next to Dugan (who is Crucified) then continuously does so throughout the film, to indicate a sort of hardening.
In the scene when the mobsters are meeting and “Charlie the Gent Malloy” is first introduced. The use of the mobster’s physical contact with each other is helps establish the relationship with in themselves. Johnny Friendly playfully air punching terry and them gives him a hug, establishing a current close relationship. This is very well supported after Friendly defends Terry, due to someone blurting out Terry had no brains when he was trying to count. Also we can see the love that Charlie has for his “Kid” brother when Charlie lightly touches Terry’s black sleeve. Then vise-versa in the taxi cab scene. When Charlie pulls a gun on Terry, Terry gently pushes the gun away as he says “Charlie, ohh Charlie” in the manner that he says it, he indicates his love for his brother, in disbelief but also mournfulness and tenderness, causing reassurance in Charlie’s decision to let Terry go, which then later led to Charlie’s death and the climax of the film. Kazan’s use of Long Cuts and simple editing is superb. “He does not use flashy cuts”(Sparknotes Editors). The use of simple editing, usage of primarily Medium Shots, and avoidance of “Extreme Angles” (Sparknotes Editors) makes the movie more credible, in doing so allows the viewer’s to focus on the acting, on their use of touch and the way their specific behavioral traits such the way the actors constantly play with their gloves when their nervous, or the way their eyes move and they fall into deep focus as they are thinking. Kazan also does a great job with his use of sound editing. Like when Terry spills it Edie on the dock. He is telling her that he was there when her brother was murdered, but there is a loud boat in the back ground covering is voice. This allows use to be placed in...
Bibliography: SparkNotes Editors. “SparkNote on On the Waterfront.” SparkNotes.com. SparkNotes LLC. 2004. Web. 12 Apr. 2013.
On The Waterfront. Elia Kazan. Sony Pictures. 1954. Online.
Pulp Fiction, Quinton Tarantino. MIrmax. 1994. Online.
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