Historical Analysis Paper:
Film Analysis Paper
Desperate for a solution to the sickness and death plaguing his village, Baron Grégoire Ponceludon de Malavoy journeys to the palace of Versailles in hopes of receiving monetary support and assistance from King Louis XVI. Along his journey, Ponceludon comes to know and acquire the support of Marquis de Bellegarde, who conveys to him the importance of wit, and stresses that wit, and wit alone, is the only way that would allow him to make a name for himself at court. During this time, Ponceludon meets Mathilde de Bellegarde, Marquis de Bellegarde’s daughter, and slowly falls in love with her thought out the film. But, at court, Ponceludon is forced to pursue Madame de Blayac, in order to gain lineage and have any chance of obtaining the kind’s support to be able to rid his village of disease. He is quick to learn the skill of wit, and proves to be quite successful because of it at court. Yet, all the while, Ponceludon cannot seem to come to grips with how corrupt, shallow, and uncompassionate the court truly is. The lesson director, Patrice Leconte, is trying to teach is the importance of dignity, self-worth and compassion, and furthermore, how important it is to not allow anyone to rob you of any of them. Conjointly, he exemplifies how detrimental it is to be out-of-touch with reality (and other people) as a whole. Leconte is tremendously effective at teaching this; there are numerous instances in which he exposes different characters ill-fated intentions, and how the cruelty to one another was always the rule, not the exception, of the day. Few selfless characters existed, but even those that did were forced to play by the rules set forth by court if they wanted to succeed in achieving their ultimate goal. Yet, by the end of the film, Ponceludon and Mathilde both exemplified great strength and will by turning their backs to ill-fated “promises” and untrustworthy company, enabling both to keep their...
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