Film Analysis of Alfred Hitchcock's 'Psycho'

Topics: Psycho, Alfred Hitchcock, Norman Bates Pages: 7 (2262 words) Published: January 18, 2011
Film Analysis of Alfred Hitchcock’s “Psycho”


“Psycho” (1960) is based on a novel of the same name by Robert Bloch. The film was directed by Hollywood legend, Alfred Hitchcock. The screen play was written by Joseph Stephano and based on the real life crimes of serial killer, Ed Gein.

The film stars Janet Leigh, Anthony Perkins, John Gavin and Vera Miles. The film garnered four academy award nominations and widely regarded as one of Hitchcock’s best films. It spawned two sequels, a prequel, a remake and even a television show.


The story begins with Marion Crane (Janet Leigh) and her lover, Sam Loomis (John Gavin) who are conducting an illicit affair. Marion is portrayed as a respectable and moral woman and Loomis is, as such, her male counterpart, possessing the same qualities.

Later, at her work place, Marion is entrusted with a large sum of money by her employer. He asks her to deposit it at the bank but in a moment of weakness, Marion takes the money and runs to Fairvale where Sam lives. Though she does her best to be discreet, Marion is a terrible criminal and almost instantaneously draws attention to herself as someone who is in trouble.

Almost at Fairvale, she is forced to stop for the night at the Bates Motel as it is raining too hard for her to reach Fairvale that night. The proprietor, Norman Bates (Anthony Perkins), invites her to dinner at his family house on the hill overlooking the motel. When he leaves to prepare dinner, Marion hears him arguing with his unseen mother, who tells him that she refuses to allow him "bringing in strange young girls for supper". Norman brings sandwiches to the motel to eat there instead. The two proceed to have a conversation over dinner, topics ranging from taxidermy to Norman's mother, who he says has been mentally ill since the death of her lover. When Marion suggests that his mother be institutionalized, he becomes very aggressive, saying he wants to do so but does not want to abandon her. He compares his life to being in a "trap," and observes that everyone is in a similar situation. Marion agrees with him, telling him that she "stepped into a private trap back in Phoenix." Afterward, Marion returns to her room, where she resolves to return the money. Norman, who has become intrigued with her, watches her undress through a hole in the wall, obscured by a painting. After Marion counts the money, she takes a shower. During the shower, an anonymous female assailant enters the bathroom and stabs her to death. Back at the house, Norman calls out to his mother: "Mother! Oh, God, mother! Blood! Blood!" He runs to the motel, where he finds the corpse; he presumes his mother killed Marion, so he tries to erase all traces of the crime to protect her. He puts Marion's body and all her possessions, including the newspaper in which she had hidden the money, into the trunk of her car and sinks it in a nearby swamp. Sam is contacted by Marion's sister Lila (Vera Miles) and private detective Milton Arbogast (Martin Balsam), who was hired by Crane's employer to recover the money. Arbogast traces Marion to the motel and questions Norman, who unconvincingly lies that Marion only stayed for one night. Arbogast wants to question Norman's mother, but Norman refuses to give permission, saying that she is ill. Arbogast calls Lila to update her and tells her he will call again after he questions Norman's mother. Arbogast returns to the house, and proceeds up the staircase. The same assailant who killed Marion emerges from the adjacent room and stabs him to death. Back at Sam's shop, Lila and Sam are puzzled that Arbogast has not returned for three hours, considering he said it would only be an hour. At the house, in an unseen conversation, Norman confronts his mother and urges her to hide in the fruit cellar, saying that more people will come looking for both Marion and Arbogast. She rejects the idea and orders him out of her room, but against her will Norman...
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