Influence is our greatest downfall is the theme presented in The Picture of Dorian Gray. The characterization of characters and symbols present this theme throughout the novel.…
Known to assume a myriad of guises—a platonic friend, a sensual mistress, a loving spouse, an idealized deity—an artist's muse, in the traditional sense, possesses bewitching inherent characteristics that embolden ordinary men to craft profound masterpieces. Deliberately shrouded in melodrama and mystique, a muse's traits are often idealized with their circumstantial virtues hyperbolized by their artist, while conversely, their critical character flaws are neglected or even omitted (Craft). Dorian Gray, the titular protagonist of Oscar Wilde’s novella The Picture of Dorian Gray, exemplifies all aspects of the muse archetype with his stunning looks and grace that inspired his friend the Artist Basil Hallward to capture Dorian’s picturesque figure in art. Although Basil originally intended for his exquisite portrait to preserve Dorian’s beauty, it ironically evolves to represent Dorian’s guilt, regrets, and corruption that result from his excessively hedonistic lifestyle. Through Basil and Dorian’s intimate interactions,…
The Picture of Dorian Gray is a novel written by Oscar Wilde in 1890. The book was written during the Victorian era, a period of time that brought Britain several changes concerning technology, science, culture, religion and others. The Picture of Dorian Gray talks about a character called Dorian Gray, who is a young and handsome man that owned a portrait of himself. An artist and friend called Basil Hallward painted it. The artwork was different from a normal painting. It showed Dorian’s physical changes through years while his physical aspects in real life were always the same without any change. Every time Dorian saw the painting, he saw his true self rather than the one he showed to society. Basil introduced Dorian to Lord Henry Wotton,…
What role does art play in The Picture of Dorian Gray? What are each of the three main characters' attitudes towards art? How do they think art functions in society?…
Oscar Wilde, author of The Picture of Dorian Gray, was an Irish author who lived from October 16, 1854 until his death, at the age of 46, on November 30, 1900. He attended the Trinity College in Dublin, Ireland and the Magdalene College in Oxford, England. Mr. Wilde was an active member of the aestheticism literary movement, during his day, although he lived during the Victorian Era. In The Picture of Dorian Gray, there are many passages or episodes that hold key meanings in the book as a whole, and without them; a large amount of the underlying tones and themes would be lost. In chapter two, there is a very significant key passage that has to do with the roles of Lord Henry and Dorian Gray and how they are going to affect each other. The key passage pushes Lord Henry under the role of the victimizer and Dorian Gray as the victim.…
Throughout Oscar Wilde’s The Picture of Dorian Gray, the sinful actions of Dorian cause Dorian himself as well as the portrait of Dorian to diminish. The portrait Basil paints of Dorian depicts an innocent, beautiful young boy who has yet to be corrupted by the influence of the world. However, as Dorian grows older he becomes debased by the thoughts of others and his own experiences. As the novel progresses, the reader loses sight of the innocent, pure Dorian and sees the cruel, corrupted Dorian. After Sibyl killed herself Dorian illustrates his corruption by claiming, “when she played so badly, and my heart almost broke. She explained it all to me. It was terribly pathetic. But I was not moved a bit. I thought her shallow” (96). Dorian no…
Dorian Gray, a handsome young man, is slowly tortured by a sliver of his conscience and fear of fate in the novel The Picture of Dorian Gray by Oscar Wilde. When Dorian believes, thanks to the devilish Henry Wotton, that physical beauty and pleasures are the key to true happiness, he begins on his horrid journey. The flawed logic keeps Henry content and happy and seems to do the same for Dorian. Although, as Dorian does evil with credit to his newfound logic, his evil deeds paired with everlasting youth and a morphing self-portrait keep his conscience alive and his morals in turmoil.…
In The Picture of Dorian Gray, Oscar Wilde constructs a tale in which Dorian Gray’s desire to stay young forever becomes a Faustian pact. His journey begins when Basil insists on painting him even though Dorian resists this. It is possible he protests too much, but it is also possible he feels a bit embarrassed as well as flattered with the attention. One might consider this the gate into the garden (of Eden) where Sir Henry plays the part of the devil tempting Dorian to take youth and beauty serious when he says:…
There are many different ways to interpret the word monster and what it means for man to be monstrous. The Picture of Dorian Gray by Oscar Wilde and Frankenstein by Mary Shelley exemplify this idea through the protagonists in their books. Although each book has its own interpretation on what it means to be a monster, they both demonstrate how immoral behavior and societal views contribute to man being monstrous.…
Throughout the novel, the characters, specifically, Basil, utilize moral ambiguity in order to deceive themselves and others. By doing so, the characters allow themselves to live guilt-free and unaware of their actions, and subsequently, the consequences. Throughout the novel, Basil repeatedly claims that he cares deeply for Dorian, and that Dorian is the best friend that he has ever had; therefore, his actions are well-intentioned. While it is true that Basil cares deeply for Dorian, he does not care for him in the way that he claims; thus, his motives are selfish. However, Basil disguises his selfishness in the flourishes of artistic brilliance, true friendship, and the love of Dorian’s ‘personality’.…
In that case, beauty captures the attention of others, but it hides his raw side. Dorian Gray is a young, “...beautiful creature, who should be always here in winter when we have no flowers” (Wilde 3). With that said, the quote confirmed by Lord Henry assures others of Dorian Gray’s worthiness in the following chapters. He will be the main character who will undergo an experiment secretly conducted by Mr.Wotton. Therefore, the description of Dorian’s pleasant appearance highlights an important quality one will adore. But we are conflicted with the main person who influenced Dorian Gray in an evil manner. Could it be Basil his artistic best friend or Lord Henry the passionate hedonistic? From chapter one, Basil has been frightened by Lord Henry’s presence and him wishing to see who was the “young Adonis” in his painting (Wilde 2). Lord Henry seems to be astonished by the this youthful beauty because he describes him as “if he was made out of ivory and rose-leaves” (Wilde 2). For this reason, Basil prevents Lord Henry to interfere with Dorian Gray because his art is based off of him. Lord Henry is known best for altering people’s mind set and to persuade those to consider whether his proposals are correct. By the way, Lord Henry recognizes his intentions when trying to get a hold of this beautiful monster. He confesses to Basil that he…
Innocence is ignorant, until it gets tainted with the sweet bitter taste of reality. An extraordinary young, handsome gentleman that goes by the name of Dorian Gray will soon taste reality under a new perspective. Oscar Wilde, who is the author of “The Portrait of Dorian Gray” shows us how certain people can influence us to think and ct differently. After a brief summary of the novel will reveal that the theme mainly used is two faced. Dorian has to balance between good and bad and can’t seem to get the hang of it. You’ll see that characters are there to represent good and evil in Dorian’s life. While we analyze the author's intent of the book we will dive deeper into this spiral of uncertainty.…
Artist Basil Hallward sees Dorian and decides he wants to paint a portrait of this stunning example of a man, and Dorian consents. While sitting for the portrait at Basil’s studio, Dorian meets Basil’s dear friend, the socialite/philosopher Lord Henry Wotton. Lord Henry is an aesthete who whiles away his time by attending parties, going to the Club, supping and other such frivolities. He is a man of charisma, intelligence, sharp wit and “wrong, fascinating, poisonous, delightful theories” (Wilde 56). Lord Henry is immediately taken with Dorian and quickly becomes infatuated. Over the course of time, Lord Henry begins to play a very sinister game with Dorian’s life—he seduces Dorian into leading the life of an aesthete, like himself. A life of debauchery and evil where the pursuit of happiness is paramount and comes at the expense of everything and everyone else—morality be damned. Lord Henry has no particular motive for doing this except to amuse himself and to play the game of creation. Dorian slowly begins to change; Dorian, the beauty on the outside becomes Dorian, the monster on the inside. He transforms into a selfish, hedonist. His disregard for others directly causes the suicide of his fiancée. He participates in immoral acts. He seeks personal gratification with abandon. His creator, Lord Henry, does nothing to intervene and stop Dorian’s progression from young, naïve man to loathsome monster. In…
“It is a man’s own mind, not his enemy or foe, that lures him to evil ways.” This proclamation was made by Buddha, the founder of Buddhism. The Picture of Dorian Gray, by Oscar Wilde, tells the story of Dorian Gray’s corruption. Change means to become different. While some can argue that Gray does not change, it is evident that Gray does change because his hobbies and interests change, he changes to become like his influences, and his portrait changes.…
Dorian’s change in personality reinforces Oscar Wilde’s idea. This is because Dorian is living a double life, and in regards to the novel elements of his good and bad side is shown. This is shown with hints in the novel and shows the cautionary tale of the novel. As his friends, such as Lord Henry attempted to “spoil” his “beautiful nature” one of his closest friend Basil was cautious this was going to turn young Dorian from good to evil. Wilde does this to show how Dorian’s lifestyle can be corrupted morally and immorally, as things such as the painting make him accomplish the things he always wanted accepting pleasures moral or immorally. In spite of this, Lord Henry threatens Dorian’s fear of the…