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Eudora Welty a Worn Path

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Eudora Welty a Worn Path
A Worn Path by Eudora Welty

Copyright Notice ©1998−2002; ©2002 by Gale. Gale is an imprint of The Gale Group, Inc., a division of Thomson Learning, Inc. Gale and Design® and Thomson Learning are trademarks used herein under license. ©2007 eNotes.com LLC ALL RIGHTS RESERVED. No part of this work covered by the copyright hereon may be reproduced or used in any form or by any means graphic, electronic, or mechanical, including photocopying, recording, taping, Web distribution or information storage retrieval systems without the written permission of the publisher. For complete copyright information on these eNotes please visit: http://www.enotes.com/worn−path/copyright

Table of Contents
1. A Worn Path: Introduction 2. Eudora Welty Biography 3. Summary 4. Characters 5. Themes 6. Style 7. Historical Context 8. Critical Overview 9. Essays and Criticism 10. Compare and Contrast 11. Topics for Further Study 12. Media Adaptations 13. What Do I Read Next? 14. Bibliography and Further Reading 15. Copyright

Introduction
Eudora Welty's ''A Worn Path,'' first published in Atlantic Monthly in February, 1941, is the tale of Phoenix Jackson's journey through the woods of Mississippi to the town of Natchez. The story won an O. Henry Prize the year it was published and later appeared in Welty's collection The Wide Net. Since then, it has been frequently anthologized. At first the story appears simple, but its mythic undertones and ambiguity gives a depth and richness that has been praised by critics. Welty has said that she was inspired to write the story after seeing an old African−American woman walking alone across the southern landscape. In "A Worn Path," the woman's trek is spurred by the need to obtain medicine for her ill grandson. Along the way, Phoenix encounters several obstacles and the story becomes a quest for her to overcome the trials she faces, which mirror her plight in society at large. The story is one of the best examples of Welty's writing, which is



Bibliography: and Further Reading 19

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