In her hunt to reach the free states, Linda will encounter dangerous obstacles and will face many trying road blocks. The literary criticism notes, “that the romance hero’s passage must move him into a dangerous pattern, into a place where he is isolated, immobile and almost mechanical in behavior” (Daniel). Daniel makes this parallel in Incidents in the Life of a Slave Girl, to when Linda was living and hiding in the crawl space for seven years. Jacobs writing, “My limbs were benumbed by inaction, and the cold filled them with cramp. I had painful sensations of coldness in my head; and I lost the power of speech,” (122) furthers Daniel’s point and reassures the audience that Linda is indeed a romance hero. Daniel continues on this theme of a new kind of hero, by pointing out more incidents that twin experiences of a romantic hero. For example, “the oracle of the romance, the voice of a god-like figure behind the action who expresses his wil and speaks of the ultimate outcome” (Daniel). For Linda, her oracle is her grandmother whom guides her throughout her life to be the best she can be. Her grandmother is her mother figure, grandmother figure, god-like figure, and best friend all in
In her hunt to reach the free states, Linda will encounter dangerous obstacles and will face many trying road blocks. The literary criticism notes, “that the romance hero’s passage must move him into a dangerous pattern, into a place where he is isolated, immobile and almost mechanical in behavior” (Daniel). Daniel makes this parallel in Incidents in the Life of a Slave Girl, to when Linda was living and hiding in the crawl space for seven years. Jacobs writing, “My limbs were benumbed by inaction, and the cold filled them with cramp. I had painful sensations of coldness in my head; and I lost the power of speech,” (122) furthers Daniel’s point and reassures the audience that Linda is indeed a romance hero. Daniel continues on this theme of a new kind of hero, by pointing out more incidents that twin experiences of a romantic hero. For example, “the oracle of the romance, the voice of a god-like figure behind the action who expresses his wil and speaks of the ultimate outcome” (Daniel). For Linda, her oracle is her grandmother whom guides her throughout her life to be the best she can be. Her grandmother is her mother figure, grandmother figure, god-like figure, and best friend all in