In both Equus and Amadeus Shaffer shows insanity in his characters. He does this not only to stress the characters feelings and state of mind of which they are in. Also, he attempts to cast a blanket over the reader; it gives the reader the feeling that Shaffer designed the characters to express and reflect the beauty in insanity and to convey the ugliness on normality. "Madness, if not out rightly divine, is at best preferable to the 20th century's ruthless and uninspired sanity, is in this play, as it is so much fashionable philosophizing, totally dependent on a pleasant, aesthetically rational form of derangement for the credibility of its argument" (Richardson 389). Shaffer brings us into these feelings with the story of Alan Strang, a seventeen-year-old British boy. He has been sent to Rokeby Psychiatric Hospital in southern England to get "help" for the crime of blinding six horses that he worked with. "Equus
. surgically probes man's continuing fascination with violent forms of belief" (Gill 387). Shaffer makes this all so obvious to us. Alan is an insane young man with no justification and quandary that must be dealt with. His therapist Dysart sees that this boy is troubled and can be helped, but fears that there might be something deeper. "Dysart recognizes also that the boy he is treating has experienced a passion more ferocious that I have felt in any second of my life" (Real389). Clearly he envies this. In turn Dysart fears that the passion of the boy, not because he can't understand it, but because he does. "The inference is that, once cured, that is, rid or his divine' suffering, Alan will become a dullard like most normal people" (Clurman 388). Shaffer is trying to illustrate that "normality" is not good, but bad and that the only way to be divine is this state of mind is to go by Shaffer's idea of "insane." Shaffer wants us to think in the mindset of the boy and see what he sees. He wants us to feel the insane thoughts of Equus and...
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