Another work painted by him in the same Chapel, The Tribute Money, (Fig 5) all the characters have different postures within different scenes. Viewers can very easily tell the storyline by just looking at the fresco. Naturalism is certainly the key for narrative story to Masaccio, and it helps him to transmit the emotional impact immediately with those realistic postures. Especially back then, not too many people read, thus a visual emotional connection is definitely a better option to inform majority of people what is the meaning of those scenes. On the other hand, Masolino’s Temptation of Adam and Eve is set against a dark background, which was well depicted before, but it had disappeared over the years. The two characters are parallel to each other. They almost display the same gesture and pose. Both of them are looking at opposite direction and showing a three-quarter view of the face. The body languages for the characters in both frescos reflect the understanding of nature human body studies. Accounting to Lilian H. Zirpolo, who wrote in The A to Z of Renaissance Art, Masaccio’s figures show his advanced understanding of human anatomy, while Masolino's Adam and Eve is quite simple in poses, even though he had studied anatomy.6 In this case; notwithstanding, Masolino was skilled with painting human figures, his Adam and Eve could be any nude characters, if there are no other symbols in the painting. It doesn’t truly tell…