May 31, 2010
Its bet to choose something from a film you know well and is important that you’ve seen the entire movie before and know it well whether it is a blockbuster Hollywood production or a small independent effort, has a number of elements that come together in order to guide the audience through the arc of the story. The actors may be the most visible elements on the screen, but a number of other craftsmen had to perform a lot of other functions in order to get that finished film in front of an audience. If you are interested in analyzing why one movie succeeds and another fails, it is important to understand how collaborative filmmaking really is. To really have a handle on why movies work, it's helpful if you watch a number of films in different genres to understand the conventions of each. A great way to watch lots of films at home is by using stream online movies; this excellent site boasts one of the world's largest databases of legal films available for streaming online. Here are some elements to consider when analyzing a film for a review or personal critique. 1. Consider the effectiveness of the dialogue and storyline. Although many professional screenwriters do not get the same attention as actors or directors, they are the true architects of a movie. Screenwriters may adapt a book into script form, or they may create their own original stories for the screen. Either way, you should be able to sense an attention to detail in the dialogue and plotlines. A successful movie script uses authentic dialogue and scenarios that the actors can handle with ease. A less successful script places characters in situations that feel artificial or contrived. The language of the characters may be peppered with obscenities, or thoughts that seem to come more from a screenwriters mind than the characters. When analyzing the writing in a film, ask yourself if the dialogue felt honest and the scenes flowed...
Tribune - Review / Pittsburgh Tribune - Review. Greensburg, Pa.: Mar 9, 2010.
Fiske, John & John Hartley (1978): Reading Television. London: Routledge
Monaco, James (1981): How to Read a Film. New York, NY: Oxford University Press (Part III, ‘The Language of Film: Signs and Syntax’)
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