Edward Scissorhands Comparison

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At first glance, it would appear that Henry James' "The Turn of the Screw" and Tim Burton's "Edward Scissorhands" have only one thing in common: they are both from the gothic genre. But upon looking closer, one will notice that there are a number of other similar traits between the two. There are noticeable similarities between Edward and the Governess, as well as similarities between Edward and the two children in The Turn of the Screw, Miles and Flora. There are also general themes which the two share - images of a "perfect" society, as well as onlookers who have no control over the situation.

Both "The Turn of the Screw" and "Edward Scissorhands" have many traditional features of the gothic genre. However, when compared to each other, it is found that "The Turn of the Screw" has more of the 'traditional' gothic elements. These include things such as the mysterious setting; an atmosphere of mystery and suspense that is present throughout the entire novel; visions, which are a regular occurrence for the Governess; supernatural events - such as the 'ghosts' and the 'possessions' of the children; high emotion; women threatened by males, which is found on the many occasions in which the Governess feels
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Both of them are told by a female, and in the first person. This viewpoint makes the story seem more personal, as it gives the reader or the viewer a better insight into what really took place. Both stories also start off in the present tense, with someone talking about the events which had previously taken place, before going into an account of the story. However, in The Turn of the Screw, we never go back to the original setting, whereas in Edward Scissorhands we are taken back to the original storyteller to finish the story. In both instances, it also gives the feel of the storyteller holding onto the secret, and waiting for the right time and place to finally tell their story to a willing

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