Eating the Dog Food

Topics: Rock music, Pop music, Rock and roll Pages: 5 (1869 words) Published: March 28, 2004
Hard as it may be to believe, it has been twelve years since Nirvana's release of Nevermind, the album that most people who still could be referred to as Generation X-ers consider the seminal alternative rock LP of all time. Nirvana's crunching guitars and mangled lyrical stylings may not have the lasting artistic influence of, say, Bach, but for many people the band's widespread commercial and critical success marked a key turning point in radio rock n' roll. The slickly produced, monotonous and insipid music that ruled the 1991 airwaves was finally getting some real competition from bands like Nirvana, Alice in Chains, Soundgarden and others. It was okay to mosh. But where has that passion, that feeling gone to again?

Where it began (enter Nirvana)
Although the late 80's were sprinkled with great guitar rock bands like the Pixies and Husker Du, these bands were little known on a global level. Popular music was concerned more with image and superficial entertainment as what it has grown to again today. This, of course, left the music cold and lacking of any truly emotional qualities. Even the hip-hop and rap of the day was of the light beer, dance hall, diluted to 1% of its strength variety. This atmosphere festered and bred a more apathetic music listener. This tendency also had other disastrous side effects like the decline of live music on a local level as well as many other detrimental by-products, but that's a whole other story. Anyway, the point is pop music was breeding a whole generation of music listeners who were void of passion, and as a result many believed rock music to be dead. Enter Nirvana.

"The whole problem can be stated quite simply by asking, 'Is there a meaning to music?' My answer would be, 'Yes.' And 'Can you state in so many words what the meaning is?' My answer to that would be, 'No.'"

- Aaron Copland

Nirvana's sound so brimmed over with passion and intensity that it at first appalled its listeners. Their music was not the frivolous, feel-good tunes or the passive background music to which people had grown accustomed. Suddenly, listeners had something to feel passionate about. This passion is the key. It didn't matter if you loved or hated Nirvana. What mattered was that you had a feeling, and the "Nirvana difference" wasn't just in the sound. Nirvana didn't smile for the camera and thank you for buying their album. As a matter of fact, they did the opposite. Once you had torn away the cellophane wrapper and opened the CD you were promptly given the finger.

However, before Cobain could even finish screaming "a denial" in your ear, every record label in the world was searching for the next Nirvana. This was the sword that killed the rock and roll dragon. Lucky for us there were many bands playing and performing with passion at that time, and the music world had a few more years of storm before the calm. Bands like the Smashing Pumpkins, Soundgarden, Pearl Jam, Alice in Chains, Soul Asylum, and Stone Temple Pilots were able to sustain this flame through several years of great and exciting music. Yet, throughout all this, the quest for the next Nirvana by the record labels continued.

Nirvana became a figurehead for a sound rather than a movement. Fans, record executives, and musicians alike couldn't distinguish between the power that was the passion and the vehicle that were the overly distorted guitars, the huge dynamics, and the subdued to screeching vocals. Before they could even say, "Nevermind," every new band was beating this formula into the ground. Even though rock once again owned the pop music world, it did so just long enough to allow its grave to be dug.

I have a hard time completely blaming Nirvana for the death of rock in the very same way that I can't give them total credit for its temporary rebirth. They simply did what all musicians were meant to do, give us their passion. When music stops making us feel, then music is dead.

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