Dramatic Conventions- Cant Pay? Wont Pay!

Topics: Social class, Working class, Middle class Pages: 3 (976 words) Published: October 22, 2012
Dario Fo- Can’t Pay? Won’t pay!
Can't Pay? Won't Pay! Is based on Dario Fo's "Non Si Paga? Non Si Paga!", a political work that he wrote to highlight the dilemma of ordinary Italian workers during the economic crisis of the 1970s. It is said that through Dario Fo’s plays he becomes both the peoples entertainer and the peoples spokesman. What is meant by this is that Fo better connects with his audience by entertaining them with their own thoughts. He speaks for the audience and stands up for the working class citizens and political injustice. His play implied that he had full support for the lower class workers even though they commit crimes. He believed that they had no other choice than to do so, they only did it to survive. Throughout Can’t Pay? Won’t pay! Fo uses various dramatic conventions. One Dramatic convention that Fo uses to better connect with the audience is the breaking of the fourth wall. In drama the fourth wall is the invisible wall that stands between the actors on stage and the audience, it separates the world and situations created on stage from our reality. What it means to break the fourth wall is that the actors have broken down the theoretical wall between the world on stage and reality, making the audience aware that they are in fact watching a play. The way that Fo breaks down the fourth wall is by the use of the same actor in multiple roles. The character of the sergeant, inspector, old man and undertaker was played by the same actor. Fo did this to create a realisation in the audience that they had seen the same man previously making them aware that they are in fact watching a play therefore breaking down the fourth wall. Another dramatic convention that Fo’s uses throughout Can’t Pay? Won’t Pay! Is the use of slapstick humor. Slapstick is a type of comedy involving exaggerated physical violence or activities which exceed the boundaries of common sense, such as in the scene where Margherita and Antonia are convincing the inspector...
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