In 1979 after countless film adaptations, the story of Dracula found itself in the hands of Werner Herzog, a German film maker, who was determined to bring life into a tale already told. What began as a re-imagining of the classic silent film, Nosferatu, soon became a work of art of its own. Nosferatu The Vampyre was an excellent adaptation of the novel Dracula that not only stayed true to its source material, but also explored a different side of the iconic vampire. It consistently plays homage to its predecessor yet also rises above being a mere remake and becomes one the best Dracula films ever made. Herzog proved his talent in film making by creating a film with breathtaking cinematography and an awe inspiring score. The shots of the dark caves of Transylvania combined with the eerie music of composer Popol Vuh create a bone chilling feeling that is often found in Bram Stoker's novel. The incarnation of Dracula found in Nosferatu is quite the departure from his charming novel counterpart. He is as monstrous on the outside as he is on the outside and he expresses a desperation for love. Nosferatu is a version of Bram Stoker that has been stripped down to its core instead of being over dramatized. By eliminating some of the elements withing the book , you are left with a great piece of story telling that gives the viewers an in depth look into Dracula's grim world.
An art film is nothing without a carefully orchestrated score complimenting a set of striking visuals. Nosferatu is film know for its artistic appeal. The lack of dialogue in the film allows the imagery to speak for itself while the score highlights the horror. “The road grew more level and we appeared to fly along. Then the mountains seemed to come nearer to us on each side and frown down down upon us; we were entering the Borgo Pass.” (Stoker, 18) Bram Stoker made a point of writing scenery in extreme detail and giving the reader a bridge into the setting presented in the book. The moment...
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