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“Double Double Toil and Trouble”: the Private Memoirs and Confessions of a Justified Sinner

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“Double Double Toil and Trouble”: the Private Memoirs and Confessions of a Justified Sinner
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“Double Double Toil and Trouble”: The Private Memoirs and Confessions of a Justified Sinner
(The Weird Sisters, Macbeth, 4.1.20)
James Hogg’s literary masterpiece, The Private Memoirs and Confessions of a Justified Sinner, hereinafter referred to as Confessions, shows attention to the accuracy of the history of Scotland, the radical Scottish Presbyterianism of the seventeenth and early eighteenth centuries, the Scottish countryside, and the city of Edinburgh intermingled with the narratives to create a compelling supernatural tale. I shall discuss how Confessions is distinguished by considerable doubling in theme and in form. The double narrative tells the story in two different perspectives by two different people while doubling in the story illustrates the contrast between good and evil with the added lagniappe of a nightmarish doppelganger.

“Double Double Toil and Trouble”: The Private Memoirs and Confessions of a Justified Sinner
(The Weird Sisters, Macbeth, 4.1.20)
James Hogg’s literary masterpiece, The Private Memoirs and Confessions of a Justified Sinner, hereinafter referred to as Confessions, shows attention to the accuracy of the history of Scotland, the radical Scottish Presbyterianism of the seventeenth and early eighteenth centuries, and the Scottish countryside intermingled with the narratives to create a compelling supernatural tale. I shall discuss how Confessions is distinguished by considerable doubling in theme and in form. The double narrative tells the story in two different perspectives by two different people while doubling in the story illustrates the contrast between good and evil with the added lagniappe of a nightmarish doppelganger.
Hogg’s Confessions is highly esteemed by enthusiasts of dark romance as the finest of the nineteenth century. This story is a dazzling blend of the mystery story, a cutting satire on religious fanaticism of the seventeenth and early eighteenth centuries in Scotland, and the confession of a

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