to their western counterparts , their were certain points within the literary work that was appealing to certain emotions and points of many audiences. In Paragraph one the introduction specifically speaks from mainly a logos appeal or an appeal to ones emotion. She describes the child rearing of western parents and how she disapproves of the methods used by said parents. Also she brings up the parenting strategies and anxiety of western parents when it comes to caring for their children, always thinking of the wants and needs of the child but going about…
In “The Violets,” the persona experiences a transition from childhood innocence to experience, sparking the process of maturation. This idea of childhood innocence is a Romantic ideal, and the process of growth that one experiences from this state of innocence to adulthood takes place when the persona learns about the inevitability of time. The dialogue, “Where’s morning gone?” is representative of this realisation, with the rhetorical question reflecting the child’s confusion at this stage of life when one is innocent and unburdened by certain mature knowledge. Also, the noun, “thing,” in the emotive lines, “used my tears to scold the thing that I could not grasp or name that, while I slept, had stolen from me,” refers to time and its namelessness symbolises the fact that it is abstract and unreturning, and incomprehensible to a child. This is what makes a child innocent and, Romantically invested; this is what Harwood is shown to value through her poetry. The emotive word, “tears,” and the dramatic verb, “stolen,” further exemplifies the harsh realities that accompany maturation and signify a loss of innocence. In these lines of the third stanza, there is a tone of sadness and despondency as the persona comes to terms with what the inevitability of time means for one’s life: that, regardless of when the process of maturation begins, one’s time is always limited. As Harwood’s poetry deals with the significant universal themes of personal growth, maturation and loss of innocence…
In “Volar” Judith Cofer, she portrays the problems faced by many immigrant families, such as problems with fitting in, homesickness and starting life from the beginning in America. The author shows the daughter’s, the mother’s, and the father’s secret desire through their dream.…
Living life with the absence of a mother figure is one of the most significant factors that has majorly influenced the outcome of her life. Having a mother to guide, encourage, and mold a child is essential in developing their character, and as Baby does not have one, it has prevented her from learning valuable lessons in life. Due to this, Baby is left in the care of her single father, Jules, who has always been involved with narcotics, and “trie[s] to be a mother, but [has] always kind of fallen short on the mark” (O’Neill, 186). She recognizes the fact that her father is unable to take care of himself, and is not considered a true authority figure due to his immature tendencies and vacuous decisions. Baby is, hence, forced to take on the parental role, and is deprived from her childhood and the nurturing environment that is necessary in order for a child to properly flourish. This forces her to learn how to be self reliant and independent, however, without guidance, Baby turns to what she knows best and succumbs to the life of drugs, alcohol and prostitution —a fate that was inevitable due to her circumstance and the external factors that surround her. As Baby does not comprehend the feeling of unconditional love that children are supposed to feel from their parents, she searches for love in all the wrong places. When she meets Alphonse, a pimp in her…
Sandra Cisneros was born into a big family consisting of seven children, six boys and she being the only girl. Sandra knew being Mexican and an only daughter wasn’t anything spectacular as she wrote “Being an only daughter for my father meant my destiny would lead me to become somebody’s wife”. Sandra had a lot to prove not only to her family, but also her father. Marriage was never part of her agenda. In fact, Sandra wanted to go to school and pursue writing. “In retrospect, I’m lucky my father believed daughters were meant for husbands. It meant it didn’t matter that I majored in something silly like English”. Sandra was always seeking her father’s support with her dreams and aspirations. She wrote, “ In a sense, everything I have ever written has been for him, to win his approval even though I know my father can’t read English”. Sandra’s writing started getting recognition and one of her…
The two texts similarly present ideas about women’s independence and show that regardless of marital status, women face gender prejudice. Albert, Celie’s husband, states that ‘wives is like children. You let ‘em know who got the upper hand.’ By likening a married woman to a child, Walker removes adult qualities from Celie such as patience, intelligence and respect. In doing this Walker demonstrates that empowerment was harder for Celie to achieve, as she is considered powerless and childlike by men. Furthermore, we identify with Celie’s marital struggles and inability to persevere, as Celie is constantly made to feel disempowered. This is evident when Celie suggests Harpo should ‘beat [Sofia]’ even though ‘… three years pass and he still whistle and sing’. By discounting relevant facts such as Sofia and Harpo maintaining their happiness for three years, we are shown that Celie is jealous of functional marriages that allow partners to act independently. Through this Walker highlights that women knowingly reinforce gender prejudice by encouraging men to exercise control using physical force. Golden also takes a similar stance to Walker on women’s independence through his depiction of a self-sufficient Geisha. Mameha informs Sayuri that ‘following [her] debut… [she’ll] need a danna if [she’s] to…
Patriarchic society preserves female inferiority by instilling feelings of self-hatred into women. The beginning of the chapter addresses this self hatred, “If somebody would have asked me when I was a teenager what it means to be Chicana, I would probably have listed the grievances done me” (38). Since teenagers are often in search of their identity, it is of particular significance that as a teenager, Moraga would have listed the grievances done to her as a way of explaining her identity. The word ‘grievances’ connotes harm, wrongdoing, distress, burden, and suffering; these inflictions, coupled with the powerlessness and passivity the female feels as the “grievances are done [to her]” foster anger and resentment, which metamorphoses into self-hatred.…
In Katherine Paterson’s novel, her main character, Lyddie, is a factory girl in Lowell, Massachusetts. Lyddie is working to pay off the debts on her family cabin and be able to go home to her family. While working at the corporation, Lyddie made friends: Prudence, Amelia, and Betsy, who all later on leave the corporation. Only with one friend left, Diana-a known radical for the working condition petition-Lyddie debates whether she will sign or not. Although some may say she should not sign the petition because she could get blacklisted and can’t pay off the debts. Lyddie should sign the petition so the girls do not have to work long hours and getting injured…
Good Afternoon, judge, jury, and audience members. Today we are here to prove that Isabel Hussey has stolen the priceless painting “ A Lady Writing”. She may seem innocent, but appearances can be deceiving, her friendly smile, long ponytail, 6 earrings, and laid back look makes her seem innocent, but deep down she is a heartless monster. Her slung arm may make you feel sympathy for her, but that was because she broke it trying to retrieve the painting from where she had hidden it. It is clearly evident that Isabel Hussey is guilty of her scandalous crimes.…
If one defines a father as a figure in one’s life who cares, nurtures, teaches, protects and shelters his offspring then one could make the argument that, in fact, Cecile never really had a ‘father’ to begin with. In place of a traditional ‘father-daughter’ bond lies a relationship based on mimicry, freedom, carlessness, and inappropriately, sexuality. Cecile lacks a mother and evidentally is completely satisfied with that being the case, speaking of her as Raymond’s wife and not as her mother.…
The first section of Cane depicts women as merely lustful objects, whilst the second section of Cane seemingly depicts the women with a little more depth to them—though not much. The author may not necessarily disrespect women; however, the author, as well as the main characters, does not exactly have a terribly high opinion of women either. Characters such as Karintha, Fern, and Muriel are all viewed as sexual entities that men are supposedly allowed to “own”. Dorris and Esther were both scorned by men whose attention they sought, were denied by them, and then ridiculed (Though if a women were to deny a man it would not be taken as lightly as a man denying a woman). Unfortunately, all throughout Cane most of the focal points for the women’s…
The relationship between the father and the daughter is quite tense even though they love each other. We can see proof from the text on page 267 "She thinks of Mr. Brunty, whom she loves, as a "big lug." A "big dumb lug." A "big dumb ox."" There is another example on page 270-271, when her father comes to get her at the detention facility, "Daddy, thank God you´re here, oh, Daddy, I´m so sorry, I´m so scared, I´m so scared...". Here we see how attached she is to him. He, on the other hand, has difficulties to show his emotions. He was very worried that something bad had happened to her, but at the same time looked at her from a distance. "... What strikes him is how tall she´s grown, how solid and ample and heated her flesh. He embraces her, deeply moved, embarrassed, not really knowing what to do. He looks over her head at the juvenile officers as if hoping for support or solace." We can clearly see that both of them love each other, but it feels like they don´t talk so much with each other or that their relation is a bit tense. Her father doesn´t really know how to handle the situation. It´s like they love each other without saying or showing what they feel and then when they are in situations they show their love and then they act strange. Aswell two sentences down "He calls her sweetheart, comforts her, tells her not to cry, she´s coming home now. It´s all over now, he says. Or whatever he says: it´s as if another man, another father, were standing in his place, clumsy and flush-faced in his suit and tie, saying words not his but appropriate to the occasion." I think that Mr.Brunty has a difficult relationship to women since his heart was broken by Hope's mother (see page 263 "His heart had been broken, he…
Fearless and honest, Dorine's character in the play Tartuffe challenges the traditional biased of domestic roles of the female gender in general or in a whole during this period of time. “Don't interrupt me further. Harkee, you have taken certain liberties of late that i dislike. I tell you that child said Orgon (II,ii). In this scene Dorine constantly speaks without being spoken to ,this action shows bravery as one of her characteristics and that even though she may be a servant…
Hagar Shipley, tells the story of her life and in doing so tries to come to terms with how the very qualities which sustained her have deprived her of joy. Mingling past and present, she maintain pride in the face of senility, white recalling the life she led as a grieving mother. Lawrence gives us in Hagar a woman who is funny, infuriating, and heartbreakingly poignant.…
The over-possessive mother exercises an unhealthy influence on the emotional development of the growing boy. From the very early days Mrs. Sunbury wishes to nurture her son self-centric and possessive, her advice to her son is quite understandable. She says, “Now, Herbert, do what I do, keep yourself to yourself and don’t have anything to do with them than you can help”. Even she does not allow a single independent assertion on Herbert. Hence, when Herbert is twenty years of age, holding a steady job, Herbert’s father Samuel Sunbury asks if Herbert be get married Mrs. Sunbury’s reply is sharp and vicious. She answers: “I don’t hold with a man marrying till he knows his own mind’ ….. “And a man does not know his own mind till he is thirty or thirty-five”. Such a typical negative response is obviously of a jealous mother unwilling to share her son with a wife and who is trapping the soul of her son and ruins his personal.…