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Different Characteristics of Literary Villains in Department 19, Macbeth, and The Social Network

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Different Characteristics of Literary Villains in Department 19, Macbeth, and The Social Network
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Through the study of the three texts; Department 19 by Will Hill, ‘Macbeth’ the play and The Social Network by David Fincher, it is evident that literary villains are archetypes that often represent the evil side of human nature. One may argue that each villain has certain traits that allow the reader to be drawn to the terror and horror of their deeds yet also allow readers to reflect upon the society that has created such individuals. Authors stray their villains from the stereotype to keep the modern audience engaged.

Often the physical appearance can define the villain, as it can be the most appealing and revealing area of any individual at first glance. In Department 19, Will Hill uses the characteristics of villains to keep the audience engaged. Hill uses dark, visual imagery, to portray the stature and physical appearance of Alexandru, the key villain. He constantly makes reference to shades of red such as crimson, symbolizing the vampires lust and desire for blood, especially Alexandru, “In front of her was a face that she had never seen before, a thin, pale face toppled with dark waves of shoulder-length hair, with sharp features and sunken eye sockets with two dreadful crimson orbs” The effect of this quote is to create an atmosphere of fear and intimidation, as the features of Alexandru are sharp and unfamiliar. Alexandru’s power can be defined by his physical characteristics; “teeth like razorblades, his dark red eyes shining in the gloom.” Hill uses a simile to refine the small details of Alexandru, and to assist the reader with his social status, and the true tremor he can cause. Hill has used intertextuality from “Dracula” to recreate a similar look on Alexandru; “His long grey cape flapping gently around his ankles”. The clothes that Alexandru wears also defines himself as a person, and among the others, as no-one wears anything simile. Hill has effectively used intertextuality, and the physical characteristics of his

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