"ANGELA How is it that you know so much about us? [SHAKESPEARE is just about to answer when a MAN in his thirties, dressed in fashionable casual clothes appears behind him.] MAN He doesn 't you know. [The MAN pulls out a pistol and shoots SHAKESPEARE dead. ANGELA looks at the MAN, horrified]" (Pp 1) The man in this scene is of course Dr Grant Swain, and his dramatic entrance encourages us to dislike him, because we feel it is wrong to shoot people for no apparent reason. Swain appears to us the villain, due to his unmistakable character, for, aside from his violent episodes, we find that he is interested in only one thing. Sex. He tries to hit on Angela, but she declines his offer. After Melissa accepts his offer of dinner later on, he quickly and conveniently loses interest in Angela making it obvious that he was concerned with only one thing. Another quality we disfavour him for is his over-confidence. From the beginning of the play, when introducing himself and his course, he is "animated by the intense certainty that he has a supremely important message to communicate and is enormously well equipped to deliver …show more content…
Because she seems naive, and readily falls prey to Swain 's way of thinking 2. Because she is a victim of the villain 3. She has been deprived of the nurturing her mother should have provided 4. Because she has suffered through her childhood as a result of her parents ' "happy marriage" 5. When she is embarrassed in front of Steve Also she defends Col, and takes on the rest of the family. In doing so she becomes a sort of heroine, defending the helpless and upholding the truth, and this positions us to like her character even more. The warring ideologies in this play are represented not only as favourable and unfavourable in this play, but also by certain characters. By establishing who are the "good guys" and who are the "bad guys", the representation of the characters ' respective ideologies are also determined. Post-structuralism is without doubt the unfavourable ideology in this play. This is simply because it is expended through the villain of the play. Even though Angela admits that she 'think(s) there is some truth in what he (Swain) says ' (Pp 80) the fact that Swain subscribes to post-structuralism still conquers, causing post-structuralism to seem as flimsy as its subscriber