David Maybury Lewis (1992) wonders if we, as Americans, by having systematically chosen to dismiss as 'odd', 'weird', and not the 'right' way to live; in our views of foreign tribal cultures, have been hoisted by our own petard. By using his definition of a tribal society (for which there really is no one single way of life): "small-scale, pre-industrial societies that live in comparative isolation and manage their affairs without central authority such as the state", (p 6) he questions whether cultural roads industrialized "modern" societies have chosen have caused the serious social problems we suffer today. We are the modernists, defined by myself as the opposite of tribal/traditional society.
The article is easy to follow, articulate, and I related well to its theories. Maybe the fact that I related too well causes me to wonder a bit at the objectivity behind Maybury-Lewis' thinking. He did well to provide a structured compare and contrast type essay, presenting tribal viewpoints with modern viewpoints regarding the same subjects. He touched on relationships between man and man, and man and his environment. He compared teenage youth from culture to culture. He explained violence in terms of political science. He covered, what I feel to be, the most important issues of all: those of spirituality. But in each case, tribal viewpoint with its consequential cultural effects won out over modern views. He did not mention, in all fairness, the many positives, which have resulted from modern culture. Or if he did, he questioned the ultimate good of those positives or potential hazards. Medical advances, for example, were never mentioned as a positive that could only have come about through modern culture and its credo of achievement.
I agreed completely, as I mentioned, with his stated ideas. His studies of tribal societies can be broken down to one basic. In modern civilizations, materialism and...
Cited: Mayberry-Lewis. David. "Tribal Wisdom." Utne Reader July/August 1992: 6-11
Lao Tzu. TaoTeChing. Trans. Lau, D.C. New York: Penguin. 1963
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