This essay will focus on the basic tenets of critical race theory (CRT), a theory that identifies analyses and challenges racism as it is experienced, responded to and accounted for in the U.S and the world over, in relation to the American Literature. The theory also seeks to explain the role of racism and race in the United States and challenges the other many forms of human subordinations such as class and gender. This essay will also attempt to answer the question about what critical race theorists believe. The CRT theory was brought forth by collection of scholars and activists who were interested in in transforming the relationship among race, racism and power.
To begin with, the theory looks at the historical …show more content…
Social constructionists argue that race and races are products of social thought and relations. People of same origins share certain physical characteristics such as color of the skin, hair texture and physique. Critical race theory, through theater performance of art, brings to light the lives and histories of the marginalized communities at the same time challenging social and racial injustices. Through satire, cultural symbolism, comedy and poetry, the theater places at the center stage the experiences of the colored people and their cultural tolerance and resistance. “Through the composite characters of Maria Ruiz, her mother, and he brother Henry Ruiz, Chavez Ravine uncovers a complex and not often told piece of Los Angeles history. The Ruiz family characters collectively personify twelve actual families who refused to sell their homes and were forcefully evicted from Chavez Ravine on May 8, 1959 …show more content…
Critical law writers and social n science draw attention to the manners the dominant society racialize the minority groups. This racialization is seen in response to the needs such as the labor market. The concept of dominance is brought out in Vaints of Gregorio Cortez, borders of conflict. The proletarian idea of the hero as an outdated aspect that robs the rich and gives poor no chance to gain acceptance. The outlaw is either seen frankly as an outlaw, without sentimentalizing, or he is made an actor in border conflict.
Chavez Ravine, culture clash tells a story ignored by the mainstream of Los Angeles history. The characters emphasize the importance of the retelling community histories that carry the oral tradition. The characterization portrays Mexican communities in the U.S as advocated by the CRT. “Culture clash’s Fernando character represents the resilience of Mexican communities in the U.S. An immigrant from Sonora, Mexico himself, Fernando and his left-handed screwball brought thousands of Mexican and Chicana/o