Critical Analysis # 1
A main issue that World War II raises for writers is how to represent the ultimately inexpressible horrors of that war and, at the same time, engage the reader in a talk that might create the savage indignation. In the novel "Slaughterhouse Five" Vonnegut has shown many themes and metaphorical issues of the time, this includes his participation in WW2 and his capture and imprisonment in the German city of Dresden. Also Vonnegut explores the deep psychological repercussions of "Billy Pilgrim" the average American and how being in the war and the experiences he encounters changes his life forever in the real world. (148). James Lundquist connects that hopelessness to black humor and argues that such humor is, "in effect, an expression of human inadequacy in the face of the complexities of the universe" This is saying how in "Slaughterhouse Five" Vonnegut uses his dark humor whenever someone dies, i think he used this form of writing because in the time of WW2 and his situations death itself cannot bother him In Slaughterhouse-Five, it does not matter whether the universe or the flower dies. In either case, "So it goes." From such a point of view any possibility of savage indignation at the horrors of the world just disappears. I think that Billy Pilgrim is an object of satire and that he is "Indifferent" in a way that in events of those like Dresden, do not morally bother him at all. "Slaughterhouse Five" was written at the peak of the Vietnam War and considered an Anti-war book. I think that Vonnegut wrote this novel in this period because all of the protest and feelings coming out of the Vietnam War were fueling his past experiences from Dresden which ultimately resulted in the writing of "Slaughterhouse Five".
Critical Analysis #2
The "Tralfamadorian's" are a key point in the novel "Slaughterhouse Five" because this shows the passiveness of Billy Pilgrim throughout the book and it is like a fantasy world According to Tony Tanner,...
Cited: 1. Seiber, Sharon. "Unstuck in Time: Simultaneity as a Foundation for Vonnegut 's Chrono-Synclastic Infundibula and Other Nonlinear Time Structures." Kurt Vonnegut: Images and Representations. Ed. Marc Leeds and Peter J. Reed. Westport, CT: Greenwood, 2000. (148).
2. Tanner, Tony. "The Uncertain Messenger: A Reading of Slaughterhouse-Five." Critical Essays on Kurt Vonnegut. Ed. Robert Merrill. Boston: Hall. 1990. (125-30).
3. Bloom, Harold. Introduction. Kurt Vonnegut. Ed. Harold Bloom. Modern Critical Views. Broomall: Chelsea, 2000. 1-4.
4. Boon, Kevin A. "The Problem with Pilgrim in Kurt Vonnegut 's Slaughterhouse-Five." Notes on Contemporary Literature 26.2 (1996): 8-10.
5. Silva, Padmal de and Melanie Marks. "Intrusive Thinking in Post-Traumatic Stress Disorder." Post-Traumatic Stress Disorders: Concepts and Therapy. Ed. William Yule. Wiley Series in Clinical Psychology. New York: Wiley, 1999. 161-175.
6. Greiner, Donald. "Vonnegut 's Slaughterhouse-Five and the Fiction of
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