Conflict in Eudora Welty's "A Worn Path"

Topics: Eudora Welty, Old age, A Worn Path Pages: 5 (907 words) Published: October 8, 1999
In Eudora Welty's "A Worn Path" the conflict was not apparent at the

very beginning. What was a poor, elderly sick woman doing gallivanting

in the forest during the dead of winter? The reason became clear towards

the conclusion of the story as the action revealed that the conflict was

obtaining the necessary medicine for her grandson. When this conflict

became obvious, another question came to mind. What kind of society did

this woman live in that she had to go all the way from her home in the

countryside to the city by herself to get the medicine? The conflict

being illustrated is that of an individual versus society and the four

problems that Phoenix faces as a result of this was her old age, her

health, her grandson's health and her state of poverty.

"Her eyes were blue with age. Her skin had a pattern all its own of

numberless branching wrinkles…" (paragraph 2).

This quotation was one of many indications of Phoenix Jackson's old

age. Normally, in society there are benefits for the elderly and those

of the golden age. There are various organizations that help people who

are over the age of sixty-five. They also provide various services

towards them such as meals on wheels. Was there not someone who could

have delivered the medicine to this woman of nearly 100 years of age?

Perhaps Phoenix Jackson was too shy or had too much pride to ask for a

service of that nature. The doctors from the medical building knew about

the condition of Phoenix's grandson and did nothing to try and help.

This showed the lack of respect that was present in the society. In

today's society, someone of that age commands and deserves the proper


"She carried a thin, small cane made from an umbrella, and with this she

kept tapping the frozen earth in front of her," (paragraph 1).

The next conflict that plagued her is that of her health. In the

preceding quotation, there was one important note that readers should

take into consideration. The fact that she kept persistently tapping the

earth in front of her could only indicate one thing—that she was

visually impaired. She may not have been completely blind, but she had

to have been substantially impaired to have kept tapping her cane in a

redundant manner. Someone who is even remotely visually impaired should

not be traveling in the forest. Phoenix also suffered from a problem

that often plagues people at an old age. This problem is senility.

"But she sat down to rest… She did not dare to close her eyes and when a

little boy brought her a plate with a slice of marble-cake on it she

spoke to him. "That would be acceptable," she said. But when she went to

take it there was just her own hand in the air," (paragraph 15).

This was just one out of many instances in the story where Phoenix

talked to herself and had

hallucinations. Talking to one's self in the forest is a definite sign

of senility. Phoenix did not allow her two disabilities to get in her

way, but had society cared for her properly she would have been in an

institution for the elderly. As for her grandson's health, the readers

know that he also, was not doing well. The only pertinent information

given was that he "swallowed lye," (paragraph 91). He, also, should have

been receiving professional care. An American society in the nineteen

forty's did not provide free health care, and that sets up the final

conflict, the state of poverty of Phoenix Jackson.

"It's Christmas time, Grandma," said the attendant. "Could I give you a

few pennies out of my purse?"

"Five pennies is a nickel," said Phoenix stiffly," (paragraph 100)

This quotation, a conversation between Phoenix and the attendant at the

medical building, came after Phoenix had arrived at the doctor's office

and had already received her medicine from the attendant. Phoenix...

Cited: Welty, Eudora. "A Worn Path." Writing About Literature. Brief Eighth
Edition. Edgar V Roberts Englewood Cliffs, New Jersey: Prentice Hall,
1995. 196-201.
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