Preview

Comparison With Music Before Bartok

Good Essays
Open Document
Open Document
713 Words
Grammar
Grammar
Plagiarism
Plagiarism
Writing
Writing
Score
Score
Comparison With Music Before Bartok
I would like to point out how symphony works by Bela Bartok get compared with music preceding Bartok. I will mainly focus on the development from the 18th century to the Bartok period. For the comparison, here I introduce Beethoven Symphony No.3 for the 18th century symphony work and Berlioz Symphony Fantastique for the 19th century symphony work.
Beethoven Symphony No.3 “Eroica” is a masterpiece of the late 19th century. It shows many features of classical periods as well as showing numerous characteristics of early Romantic period. The length of this piece is twice as long as the symphonic composition from the Classical period. This piece contains many emotional features. In the first movement, it has remarkable harmonic and rhythmic tension
…show more content…
He included title “Concerto” because of virtuosity of this piece. In terms of its form, it is structured in “arch” form. The 1st movement is closely related with the 5th movement, and the 2nd movement is related with the 4th movement. The 3rd movement acts as a foundation of the arch. Bartok noted that the progression of this piece goes from darkness to lightness and brightness. In the beginning of the 1st movement, sound of nature of the night played by cello and contrabass subject is answered by upper string tremolo. This thematic material will reappear in the last movement with faster tempo. Bartok presented his interest in folk music, specifically in rhythms and melodies throughout this piece. He did not mainly use major and minor scale, but, instead, used mode from folk tune. For example, we can listen to the scale of close intervallic relationship played by woodwinds in the 2nd movement. In terms of style of string, it is very virtuosic and demands a lot technical challenges. On the part in violin section, Bartok put several notes for specific string instruments techniques. He included sliding up and down, muted, spicatto, ponticello, sul G (use only G string). String players also face challenges in counting rhythm because of use of frequent meter

You May Also Find These Documents Helpful

  • Satisfactory Essays

    Henryk Gorecki has an extremely rich artistic work, but the greatest popularity has brought to the composer’s the Third Symphony “Symphony of Sorrowful Songs.”…

    • 291 Words
    • 2 Pages
    Satisfactory Essays
  • Better Essays

    Mus 100 Study Guide

    • 1142 Words
    • 5 Pages

    - Sonata-Allegro: “first movement form”. The 3 sections: exposition, development, and recapitulation-form a binary design.…

    • 1142 Words
    • 5 Pages
    Better Essays
  • Good Essays

    The first movement started with a lively and upbeat melody. A cadenza was featured in the first movement. The harpsichord is given a very important part as both a solo and the bass part. The harpsichord also seemed to be holding the piece together, supporting the other instruments. In the second part of the first movement, there are episodes whereby the other instruments gave their limelight to the harpsichord. At the end of the movement, the other soloists actually supported the free-flowing harpsichord line. The unique thing about this movement is the tension felt between all the solo instruments and the string ensemble.…

    • 656 Words
    • 3 Pages
    Good Essays
  • Good Essays

    Bartok left two major concertos unfinished: the Third piano concerto and the Viola Concerto. The former was complete except for the orchestration of the last seventeen measures, but the latter required much more extensive work. The manuscript for this unfinished work was given to Bartok’s friend and informal student Tibor Serly, who reconstructed the work and prepared it for publication. The first performance was given on December 2, 1949, in Minneapolis. The work has become a staple in the orchestra repertoire and has enjoyed great popularity with audiences for over sixty years. However, musicologists and critics…

    • 1051 Words
    • 5 Pages
    Good Essays
  • Better Essays

    Antonin Dvorak began composing during a time when nationalists from many states were attempting to have music of their own. The world relied heavily on Germanic music for a long time, so composers were being tasked with trying to create new music for the non-germanic states. Dvorak was among these commissioned. His compositions were best known for being able to create a national style through the use of folk songs. The pieces he wrote, that incorporated the folk songs of the Slavic people, gave him much fame. This gave him the recognition he needed to be commissioned to try and create a national style for another nation, the United States. He was given a job in New York where he composed his 9th Symphony, the New World Symphony, his most popular work. This paper will discuss the events in Dvorak’s life got him the job and influenced the New World Symphony.…

    • 1086 Words
    • 5 Pages
    Better Essays
  • Satisfactory Essays

    Bartók was a Hungarian nationalist and studied Hungarian folk music. While he composed in all genres, he is most known for his interest in folk music. He incorporated it into many of his pieces. Bartók collected, transcribed and anthologized Hungarian folk songs with his friend, Zoltan Kodaly.…

    • 365 Words
    • 2 Pages
    Satisfactory Essays
  • Good Essays

    In the year of 1803 Beethoven composed his Third Symphony considered to be his first Romantic song named Eroica. It is said he dedicated his song to a person he admired named Napoleon, but when he found out Napoleon crowned himself emperor, he re-titled his work in anger. The beginning of Symphony Number Three, Eroica starts off with an allegro tempo which has a dramatic entrance that states, “I am here.” As the song continues I hear the beautiful…

    • 483 Words
    • 2 Pages
    Good Essays
  • Better Essays

    Program Notes on Eroica

    • 1676 Words
    • 7 Pages

    Beethoven’s third symphony was first preformed privately in early August of 1804. One would think that the people of this time period would marvel over anything Beethoven composed. However, Eroica was not as well received or understood, as Beethoven would have liked. Many educated listeners were thrown off by the “false” horn entry halfway through the first movement. It is said that Beethoven’s pupil was surprised by this, and was reprimanded for saying that the “player had come in ‘wrongly’”(Green). Beethoven should have expected such response, though. He had been consciously planning to compose a work of art, a masterpiece of unequaled breadth. Three years before he wrote his third symphony, Beethoven had stated his discontent with his own compositions previously written and “Henceforth [he] shall take a new path.” (Beethoven)…

    • 1676 Words
    • 7 Pages
    Better Essays
  • Satisfactory Essays

    In the first piece, Holiday Dances, Mark Williams composed starts the piece in the key of C major with a catchy intro that leads smoothly into the rest of the piece. The violins and violas have the melody while the cellos and basses have a very short and lifted part. The musicians…

    • 791 Words
    • 4 Pages
    Satisfactory Essays
  • Good Essays

    Many composers existed during the 19th and 20th centuries who defied the principles of common practice tonality. In my opinion, Claude Debussy, Igor Stravinsky, and Bela Bartok are great examples of composers who often refused to follow the norms. Each of them created new compositional methods and structures and each had their own reasons for doing so. In the end, their innovation and originality is what has kept them current and still relevant even decades later.…

    • 847 Words
    • 4 Pages
    Good Essays
  • Good Essays

    “Scholars have subjected the concerto itself to detailed analysis, much of it in terms of the gender of it various themes, the implication being that the melodies are meant to represent some romantic entanglement of Elgar’s, past of present.”…

    • 270 Words
    • 2 Pages
    Good Essays
  • Good Essays

    The first period of the piece lasts from measures 3-15 and contains two phrases. The piece starts in E major and modulates to B…

    • 1405 Words
    • 4 Pages
    Good Essays
  • Good Essays

    Beethoven 's Symphony No. 9 in D Minor, Op.125 This certain piece was conducted by Molto Vivace, and performed by the Leipzig Gewandhaus Orchestra. Beethoven created music in the Romantic musical era. The rhythm of this song has very short, and fast starts, and abrupt stops. This song is dominated with the brass sections, and supported with wind instruments. The harmony is seems to disagree with each other, it’s like there fighting to take control. The melody is very fast angry like. The texture is very broad in this song. I liked and disliked this song, I like the soothing parts of it but not too fond of the angry portions.…

    • 697 Words
    • 3 Pages
    Good Essays
  • Better Essays

    The whole piece is under the shadow of the death, and the first movement sets the funereal tone for the whole work. The beginning is an introduction with fugal elegy subject, and then it followed with a ternary form. This movement is based on a main theme and some short themes that derived from the main theme, connected with the same motives, and number of short motives (composed of patterns of eighth and quarter notes) which are varied, fragmented, and combined with each other throughout this movement.…

    • 1513 Words
    • 4 Pages
    Better Essays
  • Good Essays

    Comparative Study Music

    • 982 Words
    • 4 Pages

    Indian classical music is based on the ragas ("colors"), which are scales and melodies that provide the foundation for a performance. Unlike western classical music, that is deterministic, Indian classical music allows for a much greater degree of "personalization" of the performance, almost to the level of jazz-like improvisation. Thus, each performance of a raga is different. The goal of the raga is to create a trancey state, to broadcast a mood of ecstasy. The main difference with western classical music is that the Indian ragas are not "composed" by a composer, but were created via a lengthy evolutionary process over the centuries. Thus they do not represent mind of the composer but a universal idea of the world. They transmit not personal but impersonal emotion. Another difference is that Indian music is monodic, not polyphonic. Hindustani (North Indian) ragas are assigned to specific times of the day (or night) and to specific seasons. Many ragas share the same scale, and many ragas share the same melodic theme. There are thousands of ragas, but six are considered fundamental: Bhairav, Malkauns, Hindol, Dipak, Megh and Shree. A raga is not necessarily instrumental, and, if vocal, it is not necessarily accompanied. But when it is accompanied by percussion (such as tablas), the rhythm is often rather intricate because it si constructed from a combination of fundamental rhythmic patterns (or talas). The main instrument of the ragas is the sitar, although historically the vina zither was at least equally important. Carnatic (Southern Indian) ragas constitute one of the oldest systems of music in the world. They are based on seven rhythmic cycles and 72 fundamental ragas. The founder of the Karnataka school is considered to be Purandara Dasa (1494). Carnatic music is mostly vocal and devotional in nature, and played with…

    • 982 Words
    • 4 Pages
    Good Essays