Comparison of the Seven Samurai and Magnificent Seven

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The 1954 movie The Seven Samurai, directed by Akira Kurosawa, and its 1960 remake The Magnificent Seven, directed by John Sturges have many similarities; for example, the plot of both movies entails farmers hiring mercenaries to help fend off bandits that annually pillage their farms. The two movies also have differences like the characterization of the bandits in The Magnificent Seven as opposed to The Seven Samurai.

One of the main similarities between the Seven Samurai and Magnificent Seven is the plot. In both movies bandits annually pillage a small village and the farmers are left with barely enough food to survive. In the Magnificent Seven Calvera and his men actually stop in the town and talk to the farmers, however, in Seven Samurai the bandits ride by and are overheard by a farmer about coming back when the barley is ripe. The farmers then have a meeting and decide to hire mercenaries, in Seven Samurai the farmers use rice and in Magnificent Seven the farmers offer $20. In both movies the farmers are turned down many times before they find the first mercenary, and how they find the first mercenary is similar in the sense of the courage they show.

In the Seven Samurai the main character Kanbei disguises himself as a monk and saves a child taken hostage. Magnificent Seven shows the main character Chris and his new found partner Vin in a violent confrontation with thugs who are trying to prevent a man from being buried. The main character in both movies feels sympathy for the farmers and accepts the job even though it doesn't pay much and the main character helps the farmers find six other mercenaries. In Seven Samurai they come in contact with Katsushiro, a young and inexperienced samurai, and Kikuchiyo, a samurai who has jumped castes. In Magnificent Seven Chico plays both of these roles, a young inexperienced gunslinger who used to be a farmer. In both movies the main character finds an old friend: Shichiroji (SS), Harry (MS), and a quiet, older and

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