Nature and its interaction with human emotions are central concerns for both “Frankenstein” and “Blade Runner”. Romantics’ nature is depicted as a healing power and a source of subject and image; in blade runner, the natural worlds pleasing qualities are seen to be abused, e.g. of this is in the opening, where a dark, decayed and dystopian Neo noir world is shown. The detrimental consequences due to carelessness when dealing with the natural world, resulted in the disappearance of its beauty which was an idea constantly feared and warned of by Shelley in Frankenstein.…
“Although composed in different times and contexts, Frankenstein and Blade Runner are strikingly similar in content and values”…
“In what ways does a comparative study accentuate the distinctive contexts of Frankenstein and Blade Runner?”…
How frank represents the context of 1818 are both warnings to the evil of technology…
In Frankenstein a major context of the time was Romanticism, a view that saw nature as a force to be in awe of as it had the power to both heal and destroy. it is obvious that Mary Shelly was heavily influenced by the romantics of her time from her book, when it come to the way that she describes the landscape in her world with great detail and the affect it has on victor “These sublime and magnificent scenes afforded me the greatest consolation that I was capable of receiving” (referring to the natural environment around him, the mountains.)…
Although perspectives and values change with time, ideas and concepts can transcend. The gothic novel Frankenstein by Mary Shelley and the science fiction film Blade Runner directed by Ridley Scott although composed over one hundred years apart contain the same perennial concepts on the nature of humanity. This is portrayed through notions of dehumanization, monstrosity and redemption, of the “indistinguishable” creator and creature relationship. The romanticist Shelly wrote her gothic novel the enlightenment era which posed questions concerning the mystery of life and nature of humanity. Scott on the other hand composed in the post-industrial age, where technology and morality played a dominant role in society. The composers explore their contextual values while upholding transcendent concepts of humanity incorporating morality and creation though unique techniques in accordance…
* Prometheus represents on who has defied and challenged the natural order; one who has transgressed on forbidden territory. His actions are not couched in connotations of courage or heroism but recognised as reckless and without any thought to the possible consequences.…
Mary Shelley’s science fiction novel “Frankenstein” written in 1818 and “Bladerunner”, Ridley Scott’s 1982 cult classic film have nearly two hundred years separating them, yet they raise similar societal concerns.. Both raise the question of what it is to be human and explore the pursuit of eternal life which can be examined using the literary and cinematic techniques prevalent in the texts.…
The 1818 Gothic Novel 'Frankenstein' written by Mary Shelley and the 1982 science fiction film 'Blade Runner' by Ridley Scott both challenge the values of the societies in which they have been set, expressing the composers' critique of the advancement in science and technology, the consequences of irresponsible creation and the hubris of an individual to overcome nature's power. It is through these common themes that the texts have the ability to represent and evoke fear, anxiety and…
The creators of each abomination to ethics had different reasons for embarking on their projects. In Frankenstein, Victor Frankenstein wishes to test what he has learned from alchemists, and their ability to give life through chemistry. He uses various human body parts to construct a being, which he gives life to. When he discovered that it was an ugly mistake he flees.…
To what extent does your comparative study of Frankenstein and Blade Runner suggest that the relationship between science and nature is an important universal concern?…
In what ways does a comparative study accentuate the distinctive contexts of Frankenstein and Blade Runner:…
Shelley also used Victor as a pawn to demonstrate the impacts of how an individual’s emergent hubris fuelled by romantic values of progress and imagination can lead to over stepping of human boundaries which ends in tragedy and unintended consequences. Victors clouded vision and desire for recognition “a new species would bless me as its creator” ultimately leads him to his failure in creation. Shelley uses the biblical story of God and Adam to portray her concerns about the seriousness of what Frankenstein is doing: “God in pity made man beautiful… after his own image, but my form is a filthy type of yours, the use of negative diction such as ‘filthy’ and the paradoxical comparison between God and Victor shows how attempting to overreach (i.e. play God) leads only to failure. This was also Shelley’s contest against the enlightenments’ scepticism on authority and her prediction to the consequences if taken too far. Similarly within the film Blade Runner overreaching is also explored through the characters of Tyrell and his Replicants. During the time of production of this film there was an increase in genetic engineering such as the test tube babies and these scientific developments are clearly a contextual concern reflected in the film. Tyrell's character is a response to technologies rapid growth and how a combination…
The idea of ‘disruption’ is explored within Blade Runner and Frankenstein through the interference of the natural environment due to scientific progress. Such a conflict between nature and science within Frankenstein, stems from the contextual backdrop of the 1800 Romanticism movement, a backlash against the age of Enlightenment and its rationality through scientific experimentation. In an attempt to warn her audience of the horrifying consequences of disrupting nature, Shelley utilises a Gothic-Romanticist style, and motifs such as the sublime and soothing nature versus monstrosity as shown in the lines, “the valley that is more wonderful than the sublime”, juxtaposed with the appearance of the monster as “yellow skinned, black eyed”. Whilst Victor warns Walton to, “avoid ambition...in science and discovery”, his character development, alluded to as the ‘ancient mariner’, whose hubris of overreaching the boundaries leading to his downfall is contrasted against his perfect childhood, again reiterating Shelley’s warnings about the consequences of disrupting nature. Likewise Scott…
How does a comparative study of Frankenstein and Blade Runner bring to the fore ideas about the consequences of the desire for control?…