Moreover Tudor had a very strong tactical setup going into the war, the vanguard, under the control of the Earl of oxford, was strengthened by the mercenaries of Philibert de Chandee, Sir Gilbert Talbot commanded the right wing and john savage on the left wing. However, the most important part of their strategy was the Stanley’s. The Stanley’s had been pushing towards the side of Richard due to the capture of Lord Strange, However during the time leading up to the battle negotiations and meetings between Tudor and the Stanley’s were building and Richard started to question whether he could trust them. Tudor began to gain more and more support as he travelled through wales and the key sign of allegiance to Tudor was when the Stanley family advised the bailiffs of Shrewsbury to open the town gates to let them in. So, the Stanley’s did not actively fight at the beginning of the battle but their betrayal soon became apparent when they attacked Richard near the conclusion of the battle. Other higher powers that Richard thought he would have the support of also backed out, for example Northumberland decided to not take part in the battle at all.…
Stanley's harsh, realistic world is often seen throughout the play this shows how different Blanches is. An example of this is Stanley's main interests: gambling, drinking, fighting, sex and bowling. All of these are very realistic things to do, very down to earth. Also throughout the play he shows no remorse for what he's done,…
Differences between the two start from the very first scene. In the movie we see all of the girls and Tituba in the forest dancing and casting the spell, while in the book they only reference that it happened, but is never shown in the play. This scene is the most crucial part in setting up everything that is going to happen in the play. The fact that the play does not show this doesn’t let the readers actually visualize what happened like the movie does. Another difference in the scenes is that in the play the Doctor goes to visit Betty, but in the movie he goes to see Ruth and Reverend Parris says that Betty is the same…
However, this falls when it is realized that while Richard is honest with us, the audience, he is not honest with those around him or the victims of his crimes and manipulation. Additionally, his honesty with the audience typically comes from a place of gloating about his superior intelligence and evil plots. This means that his honesty neither creates any benefit in the world he lives or comes from a place of positive intention. In summation, Richard’s practical actions cause great harm unto others and bring very minimal benefits. The other excuses Richard attempts to pawn up in the play also fall very quickly under examination.…
During the late fourteenth to mid-sixteenth century, Great Britain underwent massive changes throughout the entire realm. From the new system of deposing kings to religious upheavals, England during this time had a hard time finding peace. During those two hundred years, personal ambition of kings and nobles was the most disruptive to English society, which was exacerbated by the religious break instituted by Henry VIII in 1534.…
To begin, one of the most easy to depict traits Stanley showcases is his courage he portrays this not thinking of the possible outcome but by doing what he knows is right. One way Stanley reveals his courage to stand up for others and himself not by thinking of the possible consequences, but shows his courage when he stands up to discrimination for example when a fellow worker named Andrew who is African American was cleaning the floor when he placed his broom against a table which suddenly slipped and knocked over a can of Linseed oil and ruins some brand new hats which Stanley’s boss Mr. Stroheim decided to take the value of the hats and take it out of Andrew’s paycheck, then Stanley said to Mr. Stroheim “I didn’t think that was fair. It wasn’t Andrews fault”(Simon 24).Thus showing Stanley’s Courage standing up for…
A deeper understanding of ambition and identity emerges from pursuing the connections between King Richard III and Looking for Richard.…
Stanley shows instability throughout the play, especially after the arrival of Stella’s sister, Blanche. Stanley does not allow his anger to take over him at first, but after many months of what he sees as disrespect from his sister-in-law and eventually from his wife he completely breaks down. The first scene of instability shown in the play is at the poker game where when Stella tries to act as head of the house and attempts to break up the poker game. Stanley jumps up and charges after her and slaps her. Another example of Stanley being pushed from sanity is in scene eight when he says, “What do you two think you are? A pair of queens? Remember what Huey Long said- “Every Man is a King!”And I am the king around here, so don’t forget it!” (Williams 131).…
Shakespeare also gives great insight on Richard’s mind via diction. In Richard’s opening lines he specifically says, “Our dreadful marches to delightful measures” (1,1,8). Instead of fighting the Lancasters Richard (and his family) are in a time of harmony. He intentionally changes the negative word to a positive. Lines like these are all throughout the opening soliloquy. Richard allows the audience to see that he is at peace, that he is relaxed. By his big soliloquy in Act 5, Richard’s attitude is down. He’s worried about all the deeds he’s done. He directly states, “Is there a murderer here? No. Yes, I am:” (5,3,211). Not only does he leave the negative word of “murderer” in the sentence, but he…
the two of them were dancing, she told him what she had seen and how he…
Stanley, in the play, is described as a masculine person. He is physically strong and is often referred to as a beast. Animals, out in the wild, use sex to show dominance in their clan or group. For example the rest of the walruses looks up the walrus that has a mate. Stanley is in this way an animal. He allows his primal instincts to take over. Therefore he is the dominant male in the household and must have everything his way.…
William Shakespeare 's Hamlet has been filmed and performed on stage numerous times. Often, when a movie is adapted from a play, there are several aspects which are adjusted or completely lost. This often depends on the director’s point of view as well as the casting director, the 1948 Laurence Olivier 's black-and-white version of Hamlet starting Laurence Olivier and Eileen Herlie, is a classic film that is generally considered to be one of the greatest movies of all time. The Olivier version is a story as merely the centerpiece in front of a roving camera. It has been accorded numerous honors, including four 1948 Academy Awards: Best Picture, Actor, Art Direction-Set Direction, and Costume Design. In the year 2000, directed by Michael Almereyda, the newest version of Hamlet was released in theatres, this time starring popular actors Ethan Hawke and Julia Stiles, and set in the present day. The director takes a modern approach, retelling Shakespeare 's classic 400 year-old play in New York City. Here is the stylish Hamlet, the modern take of a timeless story with a backdrop of high art. Director and screenplay adaptor Almereyda has taken Shakespeare 's great tale of revenge, procrastination and mortality, and placed it in today 's slacker world. Despite critical acclaim, this version of Hamlet is unsuccessful during its brief theatrical run. Even in some very beautifully mannered scenes, there is a note of clumsiness indicating something is missing or doesn’t match about this far-reaching production that borders on sentimental giddiness. The old-style English dialogue and the new visuals do not make for a coherent film. The visuals are spectacular and relevant while the dialogue seems to be from another planet. Almereyda 's slimmed-down, updated version of the Shakespearian tragedy with Hawke in the title role is stylish, funny, and smart but only up to a point.…
The film had minor adjustments to the original script, probably to make the lines of the characters more concise and reduce the running time and make the film adaption more suitable for the small screen. Hamlet is the longest of Shakespeare’s plays and, with no adaptations made to the script, takes a little over 4 hours to perform,…
Compare the ways in which Shakespeare presents the two kings in these extracts from Richard II and Macbeth.…
the low camera angle focusing up on Pacino's face accompanied by the chiaroscuro lighting conveys the multifaceted nature of individual it to Shakespeare's actor like characterization of Richard. the low camera angle foreshadows Richard's rise to power as he towers over the citizens below him with a sense of arrogant superiority. in contrast the lack of power amongst the citizens highlighted through the distant high camera angle shots looking down upon from the balcony with a mournful non-diegetic music accompanying the utterance of the phrase 'All hail King Richard, England's worthy king'. the smirking glare of Richard in contrast to the naivety of the citizens within this scene is highlighted in looking for Richard with a facial close up of the psychotic look in Pacino's eyes directed at the camera creating an evoking a sense of intimidation amongst the audience. This smirk although cannot be visually represented within the original text due a differences in form as a consequence of contextual influences however the cacodemon nature of Richard is implied through characterization of Richard as 'the vice' p and amoral figure through the animalistic imagery as "thou foul dog". Not only does this serve as political propaganda to support the Tudor myth but also likens the psychological manipulation…