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In Stanza 2, the man washes himself up at a tap where he steps into mud, as there is always mud at taps. ‘Vandals Lavatory’, Grey uses the word ‘Vandal’ as he does not appreciate people vandalizing the streets to ruin the beauty of the Australian Coast Lines. The persona flushes the toilet and gets a chill whilst flushing, it’s the use of an actual toilet that gives him this chill as hitchhikers if not able to find a nearby toilet will often go in a bush. In Stanza 3, the man eats a floury apple, which he supposedly found in a supermarket bin where you find ruined goods. Grey uses personification ‘At this kerb sand crawls by’ to demonstrate that it was almost like the path was covered in sand moving slowly from the light wind about. ‘Car after car now-its like a boxer warming up with the heavy bag, spitting air’ the cars on the street are busy going somewhere. The use of simile is comparing the cars to a boxing match, how dangerous and violent of each car passing is like a punch by a boxer.…
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By saying that they weren’t the only images shows that there are many other situations he could be faced with, all of the same sort. The word ‘dark’ conveys the idea of how negative each of his thoughts are as it has connotations liked with is such as death and violence. Already from this first paragraph in the passage, we can see how much potential danger Tim Butcher could be faced…
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1. The behavior of the dog represents foreshadowing, how it uses it’s instincts to survive the weather and stray from “danger”…
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Now days, it is hard to connect or be with the nature, especially if you live in a city. While there are people that interact with the nature every day because of their rural location. The short poem “Traveling through the Dark” by William Stafford, is about a person that encounter a dead deer in the road in the middle of the night. In the story, the narrator have to decide if he would save the unborn deer or just throw the mom deer to the river to save other people that might suffer an accident by encountering the dead body. In the poem, is interesting to see how the narrator, which represent the human world, makes a connection with the natural world by encountering the deer and debating if he/she should do something for the baby deer. Interestingly enough, Stafford give a clear description of the setting, location and time where this is occurring when he mentions, “Traveling through the dark I found a deer dead on the edge…
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The travelers in Robert Gray’s poems Flame and Dangling Wire, and Arrivals and Departures undergo negative experiences that, although constitute as new knowledge, result in them viewing the world as a more destructive place. Exposure to death and destruction are commonalities in the poems, which in turn disillusion the journeyers. Flames and Dangling Wire creates dark imagery of a desolate, defective future that has been destroyed by the pollution of man. Men are compared to “scavengers/ as in hell the devils/ might pick about through souls” and are presenting people as incomplete figures of humanity. This simile provides insight into the idea that man’s eternal existence is futile because the world, which in the past was civil, has become a place of mockery where “the horse-laughs”. Similarly, the journeyer in Arrivals and Departures is confronted with death, leading him to question what is morally right. The sound of “the engines’ then almost subliminal thump would stop” suggests that the continuous heartbeat of…
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Poetry is a very powerful mechanism through which writers can tell their readers something about themselves or the world around them. The language within “Traveling Through the Dark” by William Stafford and “Woodchucks” by Maxine Kumin display the speakers’ psychology and what sort of relationships they have with the animals and their deaths in their respective works. Despite being similar in a few aspects, these two works are very different.…
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There are multiple ways of perceiving the poem and the tensions between man and technology it presents. One viewpoint, as expressed by Judith Kitchen in her book “Writing the World: Understanding William Stafford“, suggests that the poem by Stafford, “Traveling Through the Dark” demonstrates “the encroachment of mechanized society on the wilderness” (Kitchen). For Kitchen, this poem deceptively simple and straightforward title of the poem by William Stafford, “Travelling Through the Dark” and its conversational style belie an incredibly deep sense of pain and guilt that the narrator suffers through. By examining the way the poem uses language to express these emotions, particularly by looking at the way certain objects take on a life (the car, for instance, which itself “aims” and swerves” as though it is the embodiment of man and technology) Kitchen expresses how the poem by Stafford “Traveling Through the Dark” hides a complex message about man and nature behind deceptively simple phrasing, syntax, and tone. She points out ways in which some very simple word choices in the poem by William Stafford, “Traveling Through the Dark” take on monumental importance, stating, for example, that when the poet refers to the “group” witnessing this event, “The group appears to be the man, the deer, the unborn fawn, and by extension, all of nature” (Kitchen). In short, Judith Kitchen assists the casual reader of this poem…
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The author uses diction in the passages to signify the effect of the author¡¯s meaning in story and often sway readers to interpret ideas in one way or another. The man in the story arrives to a ¡°[dry] desert¡± where he accosts an animal with ¡°long-range attack¡± and ¡°powerful fangs.¡± The author creates a perilous scene between the human and animal in order to show that satisfaction does not come from taking lives. With instincts of silence and distrust, both of them freeze in stillness like ¡°live wire.¡± In addition, the man is brought to the point where animal¡¯s ¡°tail twitched,¡± and ¡°the little tocsin sounded¡± and also he hears the ¡°little song of death.¡± With violence ready to occur, the man tries to protect himself and others with a hoe, for his and their safety from the Rattler. The author criticizes how humans should be ¡°obliged not to kill¡±, at least himself, as a human. The author portrays the story with diction and other important techniques, such as imagery, in order to influence the readers with his significant lesson.…
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I think these four allusions help Jeffers make a point because these allusions represent the violence and cruelty…
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When comparing Edgar Allan Poe’s “The Raven” to Robert Frost’s “The Road Not Taken” it seems that there are plenty of obvious similarities that are on the surface and there are subtle differences that one can find when they truly look deep into the meanings of things. In both poems the speaker is putting all meaning into what they are seeing. The speaker in “The Road Not Taken” is viewing what is in front of him, ready to make an important decision in his life. He is viewing the roads as a paramount decision to make in his life. In “The Raven” the speaker is watching the raven that has enters his room, giving it major importance in what he is going through. In both poems the objects that lay in front of the speakers are devices, they are metaphors given the utmost importance. Both speakers are haunted by what has happened in their life and what could happen based on the decisions that lie in front of them.…
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The imagery is used to give the reader a sense of what the speaker himself is seeing. In this line, “Ah, distinctly I remember it was in the bleak December; And each separate dying ember wrought its ghost upon the floor” (7-8) the speaker is describing the setting as it being in the very cold stages of December, while he is in front of a fire, shedding its ashes. Another example is in the line “And the silken, sad, uncertain rustling of each purple curtain thrilled me-filled me with fantastic terrors never felt before” (13-14) where the speaker is describing the curtains, waving back and forth, are giving him nightmares, and scary thoughts he has never had before, even after losing…
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In “Thoughts of Capital Punishment” and “Traveling Through the Dark” they illustrate different imagery. In Mckuen’s poem the imagery described is cartoon like: “And then found guilty, after too fair a trial should be caged in a cage with a hyena’s smile or maybe an elephant with an elephant gun should shoot out his eyes when verdict is done.” This stanza illustrates silliness and rather immature from the poet. If we try to imagine the poem, we wouldn’t be able to imagine the situation because of his lack of imagery: “for her husband who lies with his guts spilling out cause he didn’t know what automobiles are about.” Although this part may illustrate some imagery, we would not be able to imagine the killing of “Mrs. Badgers husband”. While in Stafford’s poem he shows real life imagery: “My fingers touching her side brought me the reason—her side was warm; her fawn lay there waiting, alive, still, never to be born.” Stafford is showing genuine emotion and real tenderness towards the deer and we can have a visual of deer and its unborn fetus.…
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The author is really well at placing good imagery, the brakemen (38) is a great example because it gives us a bit of detail where and around what time period this must have taken place. Another example of the imagery described in this poem is the rape scene, which is described in line 10-25. I don’t want to go into much detail with the rape scene but it was so descriptive a person who imagine the details in their mind. The words that were used were used to describe the location and how the location looked. For example as the girls were caught they were in a “small clearing” and in the clearing there was “random bracken”, which is something that you…
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During his life, Robert Frost, the icon of American literature, wrote many poems that limned the picturesque American Landscape. His mostly explicated poems “Birches” and “Stopping by Woods on a Snowy Evening” reflect his young manhood in the rural New England. Both of these poems are seemingly straightforward but in reality, they deal with a higher level of complexity and philosophy. Despite the difference in style and message, “Birches” and “Stopping by Woods on a Snowy Evening” are loaded with vivid imagery and symbolism that metaphorically depict the return to the nature and childhood, the struggle between reality and imagination, and also freedom and captivation.…
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“The ambiguity Frost finds in nature becomes a metaphor for the ambiguity he finds in the Human experience” (1). This exposes us to one of Frosts my ideas on nature. He believes that nature is uncertain, unclear, and spontaneous. He makes a direct connection with this to humans, we, like nature, are unpredictable. In his poem Birches he uses the little boy playing in the trees to show the human experience and how it correlates with nature, in his poem Stopping by the Woods he uses the narrator just the same. Birches exposes us to a child who wishes to ‘capture’ the trees, “Frost may be suggesting that the boys need to subdue and conquer the trees points to the destructive side of human nature”(1). In Stopping by Woods something similar is shown; “My little horse must think it queer. To stop without a farmhouse near. Between the woods and frozen lake. The darkest evening of the year……. The woods are lovely dark and deep…” This is a direct quote from Frosts poem, in these stanzas (this is an excerpt from stanza 2 and 4) one can draw many…
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