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Cinematic Techniques In Alfred Hitchcock's The Birds

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Cinematic Techniques In Alfred Hitchcock's The Birds
The only sound playing is the rapid flapping of the soft black feathers. It feels as though it will never cease. All that is shown is a black, shiny wall of furious birds. It traps viewers and develops a feeling of helplessness. They feel as though they are suffocating from torn feathers cluttering their airways even though their rational side tells them none of it’s real. This is what audience members of the movie, “The Birds”, reported feeling during the immersive experience. Some felt so claustrophobic that they had panic attacks. Cinema: the art of tapping in to an audience’s deepest emotions and using it to provoke a specific sensation. Few are able to master this fine art, however, “The Birds” by Hitchcock is a perfect example of a …show more content…
Movies are much more than just a picture on a screen. They are not linear, they are complex and have depth beyond our imagination. One of the most critically acclaimed master of this art is Alfred Hitchcock. The movie describes the events that occur when a small town is attacked by vicious birds. The movie “The Birds” by Alfred Hitchcock has a deeper emotional weight with its audience than the book “The Birds” by Daphne du Maurier because of Hitchcock’s deliberate use of setting, imagery, and mood in the cinematic experience.
Alfred Hitchcock is known as a master of the cinematic arts for his preeminent style when designing a setting. The movie depicts a small town, known as Bodega Bay, near the beach in the early 1960s. This town is a peaceful town where nothing disastrous ever happens, and when it does, the inhabitants do not know how to react. The city is somewhat isolated from society and is not well known, causing the credibility of its citizens to be called into question. The main character, Melanie Daniels, calls her father, the owner of a famous newspaper, and tells him that there is a massive attack on the people of the town and it was all orchestrated by birds. Her father thinks that the idea of

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    References: McCombe, J.P. (2005). “Oh I see…”: The Birds and the Culmination of Hitchcock’s Hyper-Romantic Version. Cinema Journal. 44(3). 64-80. Retrieved from http://0-www.jstor.org.libra.naz.edu/stable/3661141…

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